of this acquisition, and the ease with which I was brought to it, excited the envy of other amateurs, who beset Horatio, and obtained from him some drawings, some figures, some anatomical pieces, and other valuable remains of the cabinet of Leonardo. One of these spungers for the works of Leonardo, was Pompeo Aretin, son of the Cavalier Leoni, formerly a disciple of Bonaroti, and who was about Philip II. King of Spain, for whom he did all the bronzes which are at the Escurial. Pompeo engaged himself to procure for Melzi an employment to the senate of Milan, if he succeeded in recovering the thirteen books, wishing to offer them to King Philip, a lover of such curiosities. Flattered with this hope, Melzi went to my brother’s house: he besought him on his knees to restore him his present; he was a fellow-collegian, a friend, a benefactor: seven volumes were returned to him [i86]. Of the six others which remained to the Mazenta family, one was presented to Cardinal Frederic Borromeo, for the Ambrosian library [i87]. My brother gave a second to Ambrose Figini, a celebrated painter of his time, who left it to his heir Hercole Bianchi, with the rest of his cabinet. Urged by the Duke of Savoy, I procured for him a third; and in conclusion, my brother having died at a distance from Milan [i88], the three remaining volumes came also into the hands of Pompeo Aretin; he re-assembled also others of them, he separated the leaves of them to form a thick volume[i89], which passed to his heir Polidoro Calchi, and was afterwards sold to Galeazzo Arconati. This gentleman keeps it now in his rich library; he has refused it to the Duke of Savoy, and to other princes who were desirous of it.”
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