The Writers Afterlife
A NOVEL
Richard Vetere
THREE ROOMS PRESS
NEW YORK
The Writers Afterlife a novel by Richard Vetere
Copyright © 2014 by Richard Vetere
All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer, who may quote brief passages in a review. For permissions, please write to address below or email [email protected]. Any members of education institutions wishing to photocopy or electronically reproduce part or all of the work for classroom use, or publishers who would like to obtain permission to include the work in an anthology, should send their inquiries to Three Rooms Press, 51 MacDougal Street, #290, New York, NY 10012.
First Edition
ISBN: 978-0-9895125-8-9
Cover and interior design:
KG Design International
Three Rooms Press
New York, NY
“I am borne darkly, fearfully, afar;Whilst, burning through the inmost veil of Heaven,The Soul of Adonais, like a star,Beacons from the abode where the Eternal are.”
“Adonais: An Elegy on the Death of John Keats” PERCY BYSSHE SHELLEY
“Ambition is the last refuge of failure.”
OSCAR WILDE
To Lisa
Contents
CHAPTER 1
I died typing midsentence in a T-shirt and boxer shorts in front of my computer. I was about halfway into the second act of a screenplay. I had taken the job to buy me the time to write the novel I had been thinking about for a year. I also thought the money could sustain me while I tried looking for a producer to bring my latest play into production.
The screenplay I was writing was a job for hire. It wasn’t much of a challenge, though I was trying my best to make sense out of the story. It was a typical writing assignment my agent would get me: idiosyncratic characters and quirky dialogue that nearly everyone with Final Draft believed they could mimic just by watching Goodfellas.
However, the professionals knew I did it better than the hacks. I lived it, and the sounds of that life resonated in my brain. I had a sincere ear for the music in the dialogue without spoiling it with irony; I tackled each rewrite, each project with a silent passion knowing I was the best.
I wish I’d been working on the novel in my head when I died. I hadn’t worked out the details, but wanted it to be about why I had become a writer in a family in which my father and mother hardly spoke to each other. Yes, it was another novel about a dysfunctional family—but that was what was expected of a contemporary novel that hoped to be taken seriously. I wish I’d been working on anything other than that stupid movie. Right before I died, my last thought was, I wonder who they are going to get to rewrite me. I was pretty sure it was going to be Warren Fabrizi.
Fabrizi was also represented by my agent, whose name was Claudia Wilson, and he always seemed too happy to get the assignment by a film producer to rewrite me. His personal life was much like mine: born-and-raised New Yorker, single, and also just like me, wrote novels, plays, and television scripts.
Though we shared many similar traits, in my eyes Warren had no backbone as a human being, no original artistic vision, and no interesting literary style. However, he had won some major theatrical and television awards and was paid better than I was.
He was short and slightly built, quick-witted, charming, and pretended to be erudite, though like me, he was from humble beginnings. He had a mass of curly black hair, very tiny dark brown eyes, and a melodious voice.
If you liked him, he appeared
