The Journey. Sergio Pitol

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The Journey - Sergio  Pitol

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      The Journey features one of the world’s master storytellers at work as he skillfully recounts his time as Mexico’s Ambassador to Czechoslovakia in Prague and two fateful weeks of travel around the Soviet Union in 1986. From the first paragraph, Sergio Pitol dislocates the sense of reality, masterfully and playfully blurring the lines between fiction and fact.

      This adventurous story, based on the author’s own travel journals, parades through some of the territories that the author lived in and traveled through (Prague, Moscow, Leningrad, the Caucasus) as Pitol reflects on the impact of Russia’s sacred literary pantheon in his life, exploring the inspiration for his own novels and stories, and the power that literature holds over us all.

      The Journey is the second work in Pitol’s groundbreaking and wholly original “Trilogy of Memory,” which won him the prestigious Cervantes Prize in 2005 and has inspired the newest generation of Spanish-language writers from Enrique Vila-Matas to Valeria Luiselli. The Journey represents the perfect example of one of the world’s greatest authors at the peak of his power.

       International praise for Sergio Pitol:

      “Sergio Pitol is not only our best active storyteller, he is also the bravest renovator of our literature.” —ÁLVARO ENRIGUE on The Journey

      “Pitol is unfathomable; it could almost be said that he is a literature entire of himself.” —DANIEL SALDAÑA PARIS, author of Among Strange Victims

      “Once again Pitol takes the reader on a transcendent adventure through geography and history. His voice—learned and warm—is the perfect companion on these flights, giving dramatic glimpses into the intellectual life of Soviet Prague one moment and inimitable insights into literature the next. The reader leaves the pages wiser, more enriched and able to fully appreciate Pitol’s status in Mexico and the rest of Latin America.” —MARK HABER, Brazos Bookstore

      “Reading him, one has the impression…of being before the greatest Spanish-language writer of our time.” —ENRIQUE VILA-MATAS, author of Dublinesque

      “Masterful.” —Dallas Observer on The Art of Flight

      ALSO AVAILABLE IN ENGLISH BY SERGIO PITOL:

       The Art of Flight

      translated by George Henson

      Deep Vellum Publishing

      2919 Commerce St. #159, Dallas, Texas 75226

      deepvellum.org · @deepvellum

      Copyright © 2000 by Sergio Pitol

      Originally published as El viaje in 2000 by Ediciones Era, Mexico City, Mexico

      Introduction, “Sergio Pitol, niño ruso” © 2015 by Álvaro Enrigue

      English translation copyright © 2015 by George Henson

      First edition, 2015. All rights reserved.

      978-1-941920-19-0 (ebook)

      LIBRARY OF CONGRESS CONTROL NUMBER: 2015935165

      —

      Esta publicación fue realizada con el estímulo del PROGRAMA DE APOYO A LA TRADUCCIÓN (PROTRAD) dependiente de instituciones culturales mexicanas.

      This publication was carried out with the support of the PROGRAM TO SUPPORT THE TRANSLATION OF MEXICAN WORKS INTO FOREIGN LANGUAGES (PROTRAD) with the collective support of Mexico’s cultural institutions.

      —

      Cover design & typesetting by Anna Zylicz · annazylicz.com

      Text set in Bembo, a typeface modeled on typefaces cut by Francesco Griffo for Aldo Manuzio’s printing of De Aetna in 1495 in Venice.

      Distributed by Consortium Book Sales & Distribution.

       Contents

      —

       · 21 MAY

       · MEYERHOLD’S LETTER

       · 22 MAY

       · FAMILY PORTRAIT I

       · 23 MAY

       · 24 MAY

       · 25 MAY

       · GOLDFISH

       · 26 MAY

       · 27 MAY

       · FAMILY PORTRAIT II

       · 28 MAY

       · 29 MAY

       · 30 MAY

       · 31 MAY

       · WHEN THE SOUL IS DELIRIOUS

       · 2 JUNE

       · FEATS OF MEMORY

       · 3 JUNE

       · IVÁN, THE RUSSIAN BOY

       BIBLIOGRAPHY

       BIOGRAPHY

       For Álvaro Mutis, my brother in Russia

       by Álvaro Enrigue

      There is a story that Sergio Pitol used to often tell when he still led a public life, and which he recorded in The Art of Flight. At the beginning

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