to proceed from Mrs. Snagsby alone, is heard in Cook's Court very often. Mr. Snagsby, otherwise than as he finds expression through these dulcet tones, is rarely heard. He is a mild, bald, timid man with a shining head and a scrubby clump of black hair sticking out at the back. He tends to meekness and obesity. As he stands at his door in Cook's Court in his grey shop-coat and black calico sleeves, looking up at the clouds, or stands behind a desk in his dark shop with a heavy flat ruler, snipping and slicing at sheepskin in company with his two 'prentices, he is emphatically a retiring and unassuming man. From beneath his feet, at such times, as from a shrill ghost unquiet in its grave, there frequently arise complainings and lamentations in the voice already mentioned; and haply, on some occasions when these reach a sharper pitch than usual, Mr. Snagsby mentions to the 'prentices, "I think my little woman is a-giving it to Guster!"This proper name, so used by Mr. Snagsby, has before now sharpened the wit of the Cook's Courtiers to remark that it ought to be the name of Mrs. Snagsby, seeing that she might with great force and expression be termed a Guster, in compliment to her stormy character. It is, however, the possession, and the only possession except fifty shillings per annum and a very small box indifferently filled with clothing, of a lean young woman from a workhouse (by some supposed to have been christened Augusta) who, although she was farmed or contracted for during her growing time by an amiable benefactor of his species resident at Tooting, and cannot fail to have been developed under the most favourable circumstances, "has fits," which the parish can't account for.
Guster, really aged three or four and twenty, but looking a round ten years older, goes cheap with this unaccountable drawback of fits, and is so apprehensive of being returned on the hands of her patron saint that except when she is found with her head in the pail, or the sink, or the copper, or the dinner, or anything else that happens to be near her at the time of her seizure, she is always at work. She is a satisfaction to the parents and guardians of the 'prentices, who feel that there is little danger of her inspiring tender emotions in the breast of youth; she is a satisfaction to Mrs. Snagsby, who can always find fault with her; she is a satisfaction to Mr. Snagsby, who thinks it a charity to keep her. The lawstationer's establishment is, in Guster's eyes, a temple of plenty and splendour. She believes the little drawing-room upstairs, always kept, as one may say, with its hair in papers and its pinafore on, to be the most elegant apartment in Christendom. The view it commands of Cook's Court at one end (not to mention a squint into Cursitor Street) and of Coavinses' the sheriff 's officer's backyard at the other she regards as a prospect of unequalled beauty. The portraits it displays in oil--and plenty of it too--of Mr. Snagsby looking at Mrs. Snagsby and of Mrs. Snagsby looking at Mr. Snagsby are in her eyes as achievements of Raphael or Titian. Guster has some recompenses for her many privations.
Mr. Snagsby refers everything not in the practical mysteries of the business to Mrs. Snagsby. She manages the money, reproaches the tax-gatherers, appoints the times and places of devotion on Sundays, licenses Mr. Snagsby's entertainments, and acknowledges no responsibility as to what she thinks fit to provide for dinner, insomuch that she is the high standard of comparison among
the neighbouring wives a long way down Chancery Lane on both sides, and even out in Holborn, who in any domestic passages of arms habitually call upon their husbands to look at the difference between their (the wives') position and Mrs. Snagsby's, and their (the husbands') behaviour and Mr. Snagsby's. Rumour, always flying bat-like about Cook's Court and skimming in and out at everybody's windows, does say that Mrs. Snagsby is jealous and inquisitive and that Mr. Snagsby is sometimes worried out of house and home, and that if he had the spirit of a mouse he wouldn't stand it. It is even observed that the wives who quote him to their self-willed husbands as a shining example in reality look down upon him and that nobody does so with greater superciliousness than one particular lady whose lord is more than suspected of laying his umbrella on her as an instrument of correction. But these vague whisperings may arise from Mr. Snagsby's being in his way rather a meditative and poetical man, loving to walk in Staple Inn
in the summer-time and to observe how countrified the sparrows and the leaves are, also to lounge about the Rolls Yard of a Sunday afternoon and to remark (if in good spirits) that there were old times once and that you'd find a stone coffin or two now under that chapel, he'll be bound, if you was to dig for it. He solaces his imagination, too, by thinking of the many Chancellors and Vices, and Masters of the Rolls who are deceased; and he gets such a flavour of the country out of telling the two 'prentices how he HAS heard say that a brook "as clear as crystial" once ran right down the middle of Holborn, when Turnstile really was a turnstile, leading slap away into the meadows--gets such a flavour of the country out of this that he never wants to go there.
The day is closing in and the gas is lighted, but is not yet fully effective, for it is not quite dark. Mr. Snagsby standing at his shop-door looking up at the clouds sees a crow who is out late skim westward over the slice of sky belonging to Cook's Court. The crow flies straight across Chancery Lane and Lincoln's Inn Garden into Lincoln's Inn Fields.
Here, in a large house, formerly a house of state, lives Mr. Tulkinghorn. It is let off in sets of chambers now, and in those shrunken fragments of its greatness, lawyers lie like maggots in nuts. But its roomy staircases, passages, and antechambers still remain; and even its painted ceilings, where Allegory, in Roman helmet and celestial linen, sprawls among balustrades and pillars, flowers, clouds, and big-legged boys, and makes the head ache--as would seem to be Allegory's object always, more or less. Here, among his many boxes labelled with transcendent names, lives Mr. Tulkinghorn, when not speechlessly at home in country-houses where the great ones of the earth are bored to death. Here he is to-day, quiet at his table. An oyster of the old school whom nobody can open.
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Like as he is to look at, so is his apartment in the dusk of the present afternoon. Rusty, out of date, withdrawing from attention, able to afford it. Heavy, broad-backed, old-fashioned, mahogany-and-horsehair chairs, not easily lifted; obsolete tables with spindle-legs and dusty baize covers; presentation prints of the holders of great titles in the last generation or the last but one, environ him. A thick and dingy Turkey-carpet muffles the floor where he sits, attended by two candles in old-fashioned silver candlesticks that give a very insufficient light to his large room. The titles on the backs of his books have retired into the binding; everything that can have a
lock has got one; no key is visible. Very few loose papers are about. He has some manuscript near him, but is not referring to it. With the round top of an inkstand and two broken bits of sealing-wax he is silently and slowly working out whatever train of indecision is in his mind. Now the inkstand top is in the middle, now the red bit of sealing-wax, now the black bit. That's not it. Mr. Tulkinghorn must gather them all up and begin again.
Here, beneath the painted ceiling, with foreshortened Allegory staring down at his intrusion as if it meant to swoop upon him, and he cutting it dead, Mr. Tulkinghorn has at once his house and office. He keeps no staff, only one middle-aged man, usually a little out at elbows, who sits in a high pew in the hall and is rarely overburdened with business. Mr. Tulkinghorn is not in a common way. He wants no clerks. He is a great reservoir of confidences, not to be so tapped. His clients want HIM; he is all in all. Drafts that he requires to be drawn are drawn by special-pleaders in the temple on mysterious instructions; fair copies that he requires to be made are made at the stationers', expense being no consideration. The middle-aged man in the pew knows scarcely more of the affairs of the peerage than any crossing-sweeper in Holborn.
The red bit, the black bit, the inkstand top, the other inkstand top, the little sand-box. So! You to the middle, you to the right, you to the left. This train of indecision must surely be worked out now or never. Now! Mr. Tulkinghorn gets up, adjusts his spectacles, puts on his hat, puts the manuscript in his pocket, goes out, tells the middle-aged man out at elbows, "I shall be back presently." Very rarely tells him anything more explicit.
Mr. Tulkinghorn goes, as the crow came--not quite so straight, but nearly--to Cook's Court, Cursitor Street. To Snagsby's, LawStationer's, Deeds engrossed and copied, Law-Writing executed in all its branches, &c., &c., &c.
