Locating Visual-Material Rhetorics. Amy Propen

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Locating Visual-Material Rhetorics - Amy Propen Visual Rhetoric

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      Visual Rhetoric

      Series Editor: Marguerite Helmers

      The Visual Rhetoric series publishes work by scholars in a wide variety of disciplines, including art theory, anthropology, rhetoric, cultural studies, psychology, and media studies.

      Other Books in the Series

      Visual Rhetoric and the Eloquence of Design, ed. by Leslie Atzmon (2011)

      Writing the Visual: A Practical Guide for Teachers of Composition and Communication, ed. by Carol David and Anne R. Richards (2008)

      Ways of Seeing, Ways of Speaking: The Integration of Rhetoric and Vision in Constructing the Real, ed. by Kristie S. Fleckenstein, Sue Hum, and Linda T. Calendrillo (2007)

      Locating Visual-Material Rhetorics

      The Map, the Mill, and the GPS

      Amy D. Propen

      Parlor Press

      Anderson, South Carolina

      www.parlorpress.com

      Parlor Press LLC, Anderson, South Carolina, USA

      © 2012 by Parlor Press

      All rights reserved.

      Printed in the United States of America

      S A N: 2 5 4 - 8 8 7 9

      Library of Congress Cataloging-in-Publication Data

      Propen, Amy D.

       Locating visual-material rhetorics : the map, the mill, and the GPS / Amy D. Propen.

       p. cm. -- (Visual rhetoric)

       Includes bibliographical references and index.

       ISBN 978-1-60235-254-4 (pbk. : alk. paper) -- ISBN 978-1-60235-255-1 (hardcover : alk. paper) -- ISBN 978-1-60235-256-8 (adobe ebook : alk. paper) -- ISBN 978-1-60235-257-5 (epub : alk. paper)

       1. Visual communication. 2. Visual perception. 3. Space perception. 4. Material culture. 5. Cartography--Social aspects. 6. Public spaces--Social aspects. 7. Geographic information systems. I. Title.

       P93.5.P76 2012

       302.2’22--dc23

       2011036238

      Cover design by David Blakesley.

      Cover image: “Topographic Map.” © 2006 by Brandon Laufenberg. Used by permission.

      Printed on acid-free paper.

      Parlor Press, LLC is an independent publisher of scholarly and trade titles in print and multimedia formats. This book is available in paper, cloth and eBook formats from Parlor Press on the World Wide Web at http://www.parlorpress.com or through online and brick-and-mortar bookstores. For submission information or to find out about Parlor Press publications, write to Parlor Press, 3015 Brackenberry Drive, Anderson, South Carolina, 29621, or email [email protected].

      Contents

       Illustrations

       Acknowledgments

       Introduction

       1 Visual Rhetoric and Spatiality

       2 The Visual-Material Spectrum

       3 Empathizing with Marginalized Bodies

       4 Navigating the Mediated, Posthuman Body

       5 Advocating for Nonhuman Bodies

       6 Locating Visual-Material Rhetorics

       Appendix A: Interview Questions, Chapter Four

       Appendix B: Coding Categories and Subcategories Derived from Interviews in Chapter Four

       Notes

       Works Cited

       Index for Print Editi

       About the Author

      Illustrations

      Figure 1: NASA Photo AS17–148–22727, 1972: “View of the Earth seen by the Apollo 17 crew traveling toward the moon.”

      Figure 2: Park Map: Lowell National Historical Park.

      Figure 3: Visitor Center: Main arches, approaching visitor center from parking lot.

      Figure 4: Visitor Center: Just under and past the main arches, looking west.

      Figure 5: Market Mills: Approaching the visitor center.

      Figure 6: Market Mills: Under the arches with visitor center to the left.

      Figure 7: Market Mills and Visitor Center: View from the northeast, Market Street side.

      Figure 8: Wayfinding Sign.

      Figure 9: Wayfinding Sign: Lucy Larcom Park.

      Figure 10: Lucy Larcom Park: View of park facing northeast.

      Figure 11: Informational Plaque: Industry Not Servitude.

      Figure 12: Steps Sculpture.

      Figure 13: Circular Fence Sculpture with Poem.

      Figure 14: Path Marker 1: Front.

      Figure 15: Path Marker 1: Back.

      Figure 16: Path Marker 2: Front.

      Figure 17:

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