The Killer Whale Who Changed the World. Mark Leiren-Young

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The Killer Whale Who Changed the World - Mark Leiren-Young

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       THE KILLER WHALE WHO CHANGED THE WORLD

      “And God created great whales.”

       GENESIS

      “Above everything is God, above God is the killer whale.”

       BILL REID

      Inscription on his sculpture Chief of the Undersea World at the front entrance to the Vancouver Aquarium. Translated from the Haida.

       CONTENTS

       Loomings

       1 The Sea Beast

       2 Save the Whale

       3 Canada’s Captain Ahab

       4 A Living Nightmare

       5 The Terrible Struggle

       6 The Pugnacious, Dangerous Monster

       7 Superpod

       8 From Moby Dick to Moby Doll

       9 Million-Dollar Baby

       10 The Ultimate Exhibit

       11 Feeding Time

       12 The Blackfish Gold Rush

       13 The First Orca

       14 The Whale Who Changed the World

       Epilogue

       Acknowledgments

       Appendix

       A Note on Research

       Selected References

       LOOMINGS

      “The Killer is never hunted. I never heard what sort of oil he has. Exception might be taken to the name bestowed upon this whale, on the ground of its indistinctness. For we are all killers, on land and on sea; Bonapartes and Sharks included.”

       HERMAN MELVILLE, MOBY-DICK; OR, THE WHALE

       July 16, 1964

      THIRTEEN KILLER WHALES break through the pristine water off Saturna Island to take a breath under the morning sun. Their jet-black dorsal fins slice through the surf off Canada’s west coast and Joe Bauer can’t believe what he’s seeing.

      Two months. The fisherman has waited two months for this moment, and now, just as he’s packing up camp, the day after the mission has been abandoned, a pod has appeared—and the whales are swimming toward the shoreline. “Whales!” shouts Bauer.

      When Samuel Burich hears his friend, he can’t believe it either and doesn’t even glance up as he yells, “Bullshit!” Then he looks out at the ocean.

      Burich has been commissioned to craft an anatomically accurate, life-sized facsimile of the ocean’s apex predator for the Vancouver Aquarium. The sculpture of the creature known as the fiercest, most unpredictable killer on the planet will be the aquarium’s centerpiece. Now, after eight weeks of waiting, watching, and dreaming, a killer whale is in sight. There’s only one thing Burich needs to do with the whale that will serve as the inspiration for his art.

      Kill it.

      Burich takes his place behind an antique muzzle-loaded Norwegian harpoon gun and lines up his target. The bigger whales seem to sense trouble and swim back out to sea. But the smallest one looks Burich right in the eye.

      Burich stares back at his prey and gauges the distance. It’s no more than ninety feet away. His gun’s range is a hundred.

      He braces for the recoil from the gunpowder charge and fires. A four-foot-long, two-inch-thick steel bolt flies over the ocean—a six-hundred-foot line of rope holding three bright orange buoys known as “Scotchmen” trails in the sky like a kite tail and. . . nothing.

      The small whale leaps and vanishes under the ocean, as if taunting the would-be whaler. Burich is devastated. The mission is over. He’ll never be able to retrieve the harpoon line in time to prepare a second shot before the pod swims away.

      Bauer,

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