The Awakening. Kate Chopin
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“Where is Victor going with the rockaway?” “The rockaway? Victor?”
“Yes; down there in front. He seems to be getting ready to drive away somewhere.” “Call him.” Clatter, clatter!
Robert uttered a shrill, piercing whistle which might have been heard back at the wharf.
“He won’t look up.”
Madame Lebrun flew to the window. She called “Victor!” She waved a handkerchief and called again. The young fellow below got into the vehicle and started the horse off at a gallop.
Madame Lebrun went back to the machine, crimson with annoyance. Victor was the younger son and brother—a tete montee, with a temper which invited violence and a will which no ax could break.
“Whenever you say the word I’m ready to thrash any amount of reason into him that he’s able to hold.”
“If your father had only lived!” Clatter, clatter, clatter, clatter, bang! It was a fixed belief with Madame Lebrun that the conduct of the universe and all things pertaining thereto would have been manifestly of a more intelligent and higher order had not Monsieur Lebrun been removed to other spheres during the early years of their married life.
“What do you hear from Montel?” Montel was a middle-aged gentleman whose vain ambition and desire for the past twenty years had been to fill the void which Monsieur Lebrun’s taking off had left in the Lebrun household. Clatter, clatter, bang, clatter!
“I have a letter somewhere,” looking in the machine drawer and finding the letter in the bottom of the workbasket. “He says to tell you he will be in Vera Cruz the beginning of next month,”—clatter, clatter!—“and if you still have the intention of joining him”—bang! clatter, clatter, bang!
“Why didn’t you tell me so before, mother? You know I wanted—” Clatter, clatter, clatter!
“Do you see Mrs. Pontellier starting back with the children? She will be in late to luncheon again. She never starts to get ready for luncheon till the last minute.” Clatter, clatter! “Where are you going?”
“Where did you say the Goncourt was?”
Every light in the hall was ablaze; every lamp turned as high as it could be without smoking the chimney or threatening explosion. The lamps were fixed at intervals against the wall, encircling the whole room. Some one had gathered orange and lemon branches, and with these fashioned graceful festoons between. The dark green of the branches stood out and glistened against the white muslin curtains which draped the windows, and which puffed, floated, and flapped at the capricious will of a stiff breeze that swept up from the Gulf.
It was Saturday night a few weeks after the intimate conversation held between Robert and Madame Ratignolle on their way from the beach. An unusual number of husbands, fathers, and friends had come down to stay over Sunday; and they were being suitably entertained by their families, with the material help of Madame Lebrun. The dining tables had all been removed to one end of the hall, and the chairs ranged about in rows and in clusters. Each little family group had had its say and exchanged its domestic gossip earlier in the evening. There was now an apparent disposition to relax; to widen the circle of confidences and give a more general tone to the conversation.
Many of the children had been permitted to sit up beyond their usual bedtime. A small band of them were lying on their stomachs on the floor looking at the colored sheets of the comic papers which Mr. Pontellier had brought down. The little Pontellier boys were permitting them to do so, and making their authority felt.
Music, dancing, and a recitation or two were the entertainments furnished, or rather, offered. But there was nothing systematic about the programme, no appearance of prearrangement nor even premeditation.
At an early hour in the evening the Farival twins were prevailed upon to play the piano. They were girls of fourteen, always clad in the Virgin’s colors, blue and white, having been dedicated to the Blessed Virgin at their baptism. They played a duet from “Zampa,” and at the earnest solicitation of every one present followed it with the overture to “The Poet and the Peasant.”
“Allez vous-en! Sapristi!” shrieked the parrot outside the door. He was the only being present who possessed sufficient candor to admit that he was not listening to these gracious performances for the first time that summer. Old Monsieur Farival, grandfather of the twins, grew indignant over the interruption, and insisted upon having the bird removed and consigned to regions of darkness. Victor Lebrun objected; and his decrees were as immutable as those of Fate. The parrot fortunately offered no further interruption to the entertainment, the whole venom of his nature apparently having been cherished up and hurled against the twins in that one impetuous outburst.
Later a young brother and sister gave recitations, which every one present had heard many times at winter evening entertainments in the city.
A little girl performed a skirt dance in the center of the floor. The mother played her accompaniments and at the same time watched her daughter with greedy admiration and nervous apprehension. She need have had no apprehension. The child was mistress of the situation. She had been properly dressed for the occasion in black tulle and black silk tights. Her little neck and arms were bare, and her hair, artificially crimped, stood out like fluffy black plumes over her head. Her poses were full of grace, and her little black-shod toes twinkled as they shot out and upward with a rapidity and suddenness which were bewildering.
But there was no reason why every one should not dance. Madame Ratignolle could not, so it was she who gaily consented to play for the others. She played very well, keeping excellent waltz time and infusing an expression into the strains which was indeed inspiring. She was keeping up her music on account of the children, she said; because she and her husband both considered it a means of brightening the home and making it attractive.
Almost every one danced but the twins, who could not be induced to separate during the brief period when one or the other should be whirling around the room in the arms of a man. They might have danced together, but they did not think of it.
The children were sent to bed. Some went submissively; others with shrieks and protests as they were dragged away. They had been permitted to sit up till after the icecream, which naturally marked the limit of human indulgence.
The ice-cream was passed around with cake—gold and silver cake arranged on platters in alternate slices; it had been made and frozen during the afternoon back of the kitchen by two black women, under the supervision of Victor. It was pronounced a great success—excellent if it had only contained a little less vanilla or a little more sugar, if it had been frozen a degree harder, and if the salt might have been kept out of portions of it. Victor was proud of his achievement, and went about recommending it and urging every one to partake of it to excess.
After Mrs. Pontellier had danced twice with her husband, once with Robert, and once with Monsieur Ratignolle, who was thin and tall and swayed like a reed in the wind when he danced, she went out on the gallery and seated herself on the low window-sill, where she commanded a view of all that went on in the hall and could look out toward the Gulf. There was a soft effulgence in the east. The moon was coming up, and its mystic shimmer was casting a million lights across the distant, restless water.
“Would you like to hear Mademoiselle Reisz play?” asked Robert, coming out on the porch where she was. Of course Edna would like to hear Mademoiselle Reisz