Loving Donovan. Bernice L. McFadden

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       Table of Contents

      ___________________

       INTRODUCTION by Terry McMillan

       AUTHOR'S NOTE

       PROLOGUE

       JANUARY 2003

       HER

       AGE EIGHT

       AGE TEN

       AGE THIRTEEN

       AGE FOURTEEN

       AGE FIFTEEN

       HER

       AGE SEVEN

       AGE NINE

       AGES THIRTEEN TO FIFTEEN

       AGES SIXTEEN TO EIGHTEEN

       AGES EIGHTEEN TO TWENTY-ONE

       THEM

       DECEMBER

       JANUARY

       FEBRUARY

       MARCH

       APRIL

       MAY

       JUNE

       JULY

       DECEMBER

       EPILOGUE

       E-Book Extras

       Excerpt from Gathering of Waters

       Also by Bernice L. McFadden

       About Bernice L. McFadden

       Copyright & Credits

       About Akashic Books

       For me, those women, and the men we’ve loved

      INTRODUCTION

       by Terry McMillan

      When you visit Bernice L. McFadden’s website, you are greeted with the line, “I write to breathe life back into memory,” and while this is true, what is also true is that Bernice is one of the best contemporary literary writers out there today. As cliché as it may sound, Bernice’s brilliance, her talent as a novelist, is the very life she breathes into all of her characters. They live so fully on the page that we know them intimately by the end of any of her novels . . . and we want to continue knowing them long after the final page is turned.

      What makes Bernice’s writing connect with so many readers is her love and belief in the importance of history—both personal and universal. In her commitment to exploring her own history—and in novels like Gathering of Waters and Glorious, the greater history of black people in America—she brings to us deeply relatable human stories. She peels back layers of history to get to the heart of what shapes us as individuals, as a neighborhood, as a city, as a country.

      In her 2006 novel Nowhere Is a Place (reissued by Akashic Books in 2013), she achieves this by mapping the crossroads of her young narrator Sherry’s heritage as Sherry embarks on a road trip of self- and ancestral discovery. Once the story is complete—and Sherry has healed the fractures in her immediate family by sewing together the pieces of their past—Bernice adds a poignant epilogue, addressed to the reader, entitled “Are We Related?” In it, she reveals that Nowhere Is a Place was inspired by her personal genealogical research, which she then details before asking readers to send in their own.

      In this epilogue, Bernice paints the truest portrait of her process: not only are her characters’ earnest and varied quests to connect with their history very much her own, but it is through their engagement with her readers that her own urge to connect can be satisfied.

      If Nowhere Is a Place provides Bernice a sort of topography upon which she and her readers might find common ground, Loving Donovan’s trajectory is straight through the heart. The book has been described as an unconventional love story, and in many ways it is. When I began rereading it to write this introduction, I was struck by how much Bernice tackles in this seemingly straightforward story of romance. And while she addresses difficult topics such as pedophilia, domestic abuse, homophobia, abortion, depression, suicide, she writes with such finesse that she doesn’t leave the reader in total despair. Saddened at times, yes, but throughout it all, Bernice gives her characters hope.

      The array of craft she utilizes to this effect are plenty: the lyrical beauty of her writing, her tremendous empathy for her characters (rendered by the grace with which they confront their hardships),

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