evaluation” (Lynne, 2004, p. 118). It can urge writing teachers to ask: “who is involved in the decision-making?” and “what procedures will the assessment requir[e]?” (Lynne, 2004, p. 138). Lynne’s terms are perhaps more usable and friendly to writing teachers generally, but they don’t explicitly account for all of the elements that move in and constitute any ecology, elements that writing teachers should be aware of since they are part of the ecology’s design. These terms also do not account for the relationships among elements in an assessment that make it more fittingly an ecology. As Lynne’s questions suggest, her terms account for an assessment’s purposes, people, power (politics), and processes (procedures), but not explicitly or systematically, not in interconnected ways, and it could be easy to ignore or take for granted the parts, products, and places within classroom writing assessment ecologies. Most important, Lynne’s terms do not account for whiteness, or the ways local diversities complicate the judging of writing by a single standard, even though her terms could.
If there is one ecological element that may be the best synecdoche for the entire ecology, it is place. Antiracist writing assessment ecologies, at their core, (re)create places for sustainable learning and living. This is their primary function, to create places, and I think we would do well to cultivate such assessment ecologies that self-consciously do this. Ultimately, I hope to show less conventional ways of understanding and enacting classroom writing assessment, since conventional ways have not worked well in reducing the racial hierarchies and inequalities we continue to see in schools and writing classrooms. Conventional writing assessment practices rarely if ever dismantle the racism in our classrooms and schools because they do not address whiteness in the dominant discourse as hegemonic and students’ relationship to it.
Let me be very clear. Racism in schools and college writing courses is still pervasive because most if not all writing courses, including my own in the past, promote or value first a local SEAE and a dominant white discourse, even when they make moves to value and honor the discourses of all students, as the Conference on College Composition and Communication’s statement of Students’ Right to Their Own Language asserts (CCCC, 1974; reaffirmed in 2003). I will discuss in Chapter 1 why this is still the case, although given what we can easily see in SAT scores, college admissions, and failure rates in writing programs, the case is made by the racialized results we live with today, where students of color do worse than their white peers. And unlike many teachers who see critical pedagogies alone as the way toward liberation and social justice for students of color and multilingual students, I see things differently. The problems of racism in writing classrooms are not primarily pedagogical problems to solve alone. Racism is an assessment problem, which can only be fully solved by changing the system of assessment, by changing the classroom writing assessment ecology. Thus assessment must be reconceived as an antiracist ecology.
But when I say “writing assessment,” what exactly am I talking about in this book? For writing teachers, I’ve found no better way to describe the range of judging that teachers do than Stephen Tchudi’s (1997) description in his introduction to Alternatives to Grading Student Writing. Tchudi characterizes the degrees of freedom in various acts of judging student writing, which move from a high degree of freedom and low degree of institutional pressure in acts of responding to a limited degree of freedom and high degree of institutional pressure in grading. He offers four basic acts of judging, which I refer to generally in this book as “writing assessment”:
•Response. “naturalistic, multidimensional, audience-centered, individualized, richly descriptive, uncalculated”;
•Assessment. “multidimensional, descriptive/analytic, authentic, problem solving, here-and-now, contextualized criteria, formative/process-oriented”;
•Evaluation. “semi-deminsional, judgmental, external criteria, descriptive/analytic, rank ordering, future directed, standardized, summative”;
•Grading. “one-dimensional, rewards/punishments, rank ordering, not descriptive, a priori criteria, future directed, one-symbol summative” (Tchudi, 1997, p. xiii)
Thus when I refer to activities, processes, judgments, or decisions of assessment, I’m speaking mainly of the above known kinds of judgment, which all begin with processes and acts of reading. As you can see from Tchudi’s descriptions, response is freer and more open than assessment, which offers an analytic aspect to judgments on writing but less freedom than responses. Meanwhile, evaluation is even more restrictive by being more judgmental and summative than assessment, while grading is the most limited of them all, since it is one-dimensional and not descriptive.
We must be careful with using such distinctions, however. Thinking about classroom writing assessment as essentially a kind of judgment or decision whose nature is different depending on how much freedom or institutional pressure exists in the judgment misses an important aspect of all classroom writing assessment that my ecological theory reveals. All of the above kinds of judgments are based on processes of reading student texts. Assessment as an act is at its core an act of reading. It is a particular kind of labor that teachers and students do in particular material places, among particular people. This means that the nature of any kind of judgment and the institutional pressure present is contingent on the ecology that produces it and the ecologies that surround that ecology. So while these distinctions are useful, they become fuzzier in actual practice.
Why Ecology and an Antiracism Agenda?
You may be wondering, what am I adding to the good work of writing assessment folks like Brian Huot, Peggy O’Neill, Bob Broad, Ed White, Bill Condon, Kathleen Yancey, and others who have written about writing assessment in the classroom? While very good, very conscientious scholars and teachers who have much to teach us about validity, reliability, the nature of judgment, portfolios, and reflection (self-assessment), none of these scholars use any race theory, postcolonial theory, whiteness theory, or Marxian theory to address racism in writing assessments of any kind, but especially writing assessments in the classroom. To date, I have seen nothing in the literature that incorporates a robust racial theory, Marxian theory, postcolonial theory, or a theory of whiteness to a theorizing or practical treatment of classroom writing assessment. My ecological theory of writing assessment incorporates such theories because such theories offer a way to understand the ecology of people, environments, their relationships, and the politics involved.
Thus what I address is the fact that students of color, which includes multilingual students, are often hurt by conventional writing assessment that uncritically uses a dominant discourse, which is informed by an unnamed white racial habitus, which we see better when we use analytical tools like postcolonial theory, whiteness studies, and Marxian theory. A theory of writing assessment as ecology adds these theories to our thinking about classroom writing assessments. Thus it doesn’t matter if teachers or readers see or read student writing with prejudice or with a preference for whiteness in their classrooms. It doesn’t matter at all. What matters is that the assessment ecology produces particular results, determines (in the Marxian sense) particular products, reinforcing particular outcomes, which make racist cause and effect difficult (even impossible) to discern. What matters is that writing teachers and students not only have a vocabulary for thinking about writing assessment in its most complete way, but that that vocabulary be informed by other pertinent theories. Having such a vocabulary offers explicit and self-conscious ways to problematize students’ writing assessment situations, a central activity in antiracist writing assessment ecologies.
I’ve made a bold claim above about some very fine writing assessment scholars, so let me illustrate how racism in writing assessment often gets treated (or avoided) by scholars and researchers by considering one very good writing assessment scholar, Brian Huot, one we would all do well to listen to carefully. My goal is not to demean the fine work of Huot. In fact, I am inspired by his trailblazing, by his articulation of key connections between writing assessment and student learning, and his advocacy for composition studies as a field to know more about the literature of writing assessment (mostly the psychometric and educational measurement literature) in order to do our work better,
