The Complete Short Stories. Muriel Spark
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“Rolling your eyes at Carter in the orchard. Don’t think I didn’t notice.”
“Carter? That’s funny. I can easily keep Carter in his place. But while we’re on the subject, what about you with Sybil? You sat up late enough with her last night after I’d gone to bed.”
Sometimes he not only smashed the crystal bowls, he hurled them through the window.
In the exhausted afternoon Barry would explain, “Désirée was upset – weren’t you, Désirée? – because of you, Sybil. It’s understandable. We shouldn’t stay up late talking after Désirée has gone to bed. You’re a little devil in your way, Sybil.”
“Oh well,” said Sybil obligingly, “that’s how it is.”
She became tired of the game. When, in the evenings, Barry’s voice boomed forth with sonorous significance as befits a hallowed subject, she no longer thought of herself as an objective observer. She had tired of the game because she was now more than nominally committed to it. She ceased to be bored by the Westons; she began to hate them.
“What I don’t understand,” said Barry, “is why my poems are ignored back in England. I’ve sold over four thousand of the book out here. Feature articles about me have appeared in all the papers out here; remind me to show you them. But I can’t get a single notice in London. When I send a poem to any of the magazines I don’t even get a reply.”
“They are engaged in a war,” Sybil said.
“But they still publish poetry. Poetry so-called. Utter rubbish, all of it. You can’t understand the stuff.”
“Yours is too good for them,” said Sybil. To a delicate ear her tone might have resembled the stab of a pin stuck into a waxen image.
“That’s a fact, between ourselves,” said Barry. “I shouldn’t say it, but that’s the answer.”
Barry was overweight, square and dark. His face had lines, as of anxiety or stomach trouble. David Carter, when he passed, cool and fair through the house, was quite a change.
“England is finished,” said Barry. “It’s degenerate.”
“I wonder,” said Sybil, “you have the heart to go on writing so cheerily about the English towns and countryside.” Now, now, Sybil, she thought; business is business, and the nostalgic English scene is what the colonists want. This visit must be my last. I shall not come again.
“Ah, that,” Barry was saying, “was the England I remember. The good old country. But now, I’m afraid, it’s decadent. After the war it will be no more than …”
Désirée would have the servants into the drawing-room every morning to give them their orders for the day. “I believe in keeping up home standards,” said Désirée, whose parents were hotel managers. Sybil was not sure where Désirée had got the idea of herding all the domestics into her presence each morning. Perhaps it was some family-prayer assembly in her ancestral memory, or possibly it had been some hotel-staff custom which prompted her to “have in the servants” and instruct them beyond their capacity. These half-domesticated peasants and erstwhile small-farmers stood, bare-footed and woolly-cropped, in clumsy postures on Désirée’s carpet. In pidgin dialect which they largely failed to comprehend, she enunciated the duties of each one. Only Sybil and David Carter knew that the natives’ name for Désirée was, translated, “Bad Hen”. Désirée complained much about their stupidity, but she enjoyed this morning palaver as Barry relished his poetry.
“Carter writes poetry too,” said Barry with a laugh one day.
Désirée shrieked. “Poetry! Oh, Barry, you can’t call that stuff poetry.”
“It is frightful,” Barry said, “but the poor fellow doesn’t know it.”
“I should like to see it,” Sybil said.
“You aren’t interested in Carter by any chance, Sybil?” said Désirée.
“How do you mean?”
“Personally, I mean.”
“Well, I think he’s all right.”
“Be honest, Sybil,” said Barry. Sybil felt extremely irritated. He so often appealed for frankness in others, as if by right; was so dishonest with himself. “Be honest, Sybil – you’re after David Carter.”
“He’s handsome,” Sybil said.
“You haven’t a chance,” said Barry. “He’s mad keen on Désirée. And anyway, Sybil, you don’t want a beginner.”
“You want a mature man in a good position,” said Désirée. “The life you’re living isn’t natural for a girl. I’ve been noticing,” she said, “you and Carter being matey together out on the farm.”
Towards the end of her stay David Carter produced his verses for Sybil to read. She thought them interesting but unpractised. She told him so, and was disappointed that he did not take this as a reasonable criticism. He was very angry. “Of course,” she said, “your poetry is far better than Barry’s.” This failed to appease David. After a while, when she was meeting him in the town where she lived, she began to praise his poems, persuading herself that he was fairly talented.
She met him whenever he could get away. She sent excuses in answer to Désirée’s pressing invitations. For different reasons, both Sybil and David were anxious to keep their meetings secret from the Westons. Sybil did not want the affair mythologized and gossiped about. For David’s part, he valued his job in the flourishing passion-fruit concern. He had confided to Sybil his hope, one day, to have the whole business under his control. He might even buy Barry out. “I know far more about it than he does. He’s getting more and more bound up with his poetry, and paying next to no attention to the business. I’m just waiting.” He is, Sybil remarked to herself on hearing this, a true poet all right.
David reported that the quarrels between Désirée and Barry were becoming more violent, that the possibility of Barry’s resigning from business to devote his time to poetry was haunting Désirée. “Why don’t you come,” Désirée wrote, “and talk to Barry about his poetry? Why don’t you come and see us now? What have we done? Poor Sybil, all alone in the world, you ought to be married. David Carter follows me all over the place, it’s most embarrassing, you know how furious Barry gets. Well, I suppose that’s the cost of having a devoted husband.” Perhaps, thought Sybil, she senses that David is my lover.
One day she went down with flu. David turned up unexpectedly and proposed marriage. He clung to her with violent, large hands. She alone, he said, understood his ambitions, his art, himself. Within a year or two they could, together, take over the passion-fruit plantation.
“Sh-sh,