Europe in Sepia. Dubravka Ugrešić
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Ante Gotovina is a fairy tale about Croatian success. Many of the half-million Croatian veterans identify with Gotovina; he’s one of the guys. His is a story about a poor kid from a Catholic family, who flunks school, heads out into the big wide world, where, yeah, he gets up to a bit of mischief, but as a professional murderer in wartime and bodyguard in peacetime, he masters lucrative dark arts. The homeland imperiled, Gotovina made haste in returning to defend it. Today, happily married for the third time, he owns an imposing villa in Pakoštane, built by his friends, acolytes, and brothers-in-arms while he was behind bars. The local municipality made its own contribution to Gotovina’s familial bliss, gifting its favorite son the land, which sits in a pine forest on a quiet inlet fifty meters from the sea, adjoining the once prosperous Club Med complex where, according to an empathetic journalist, young Ante first acquired a taste for French culture. How much has this Croatian fairytale cost the Croatian taxpayer? No one knows; the figures are one of Croatia’s most closely guarded state secrets. A villa in Pakoštane is chump change, a little gift that keeps on giving. In any case, who’s ever heard of a national hero having to buy his own lunch? On the subject of lunch, local residents slaughtered a fattened calf and organized a folksy reception in his honor.
5.
For my young niece, no dots connect Homeland and Gotovina. The only thing she’s worried about is when’s this Gotovina guy gonna go away! This Gotovina guy is hogging every channel, and she can’t watch her cartoons. Her saying when’s this Gotovina guy gonna go away! simply means when can I watch Tom and Jerry again?
Yet in December, the two of us will together go over school stuff about Nature and Society. The final mid-year class is about the Homeland. We have to revise all its symbols, learn the national anthem and the like. For her benefit I try paying closer attention to the Croatian coat-of-arms. I wonder what a military ordinariate is, what this imposing new structure in Zagreb, a monster from Albert Speer’s archive of unrealized projects, actually does. The papers say that the Military Ordinariate, the construction of which was financed directly from the state budget, is now seeking new funds for a bigger cathedral. And meanwhile, four hundred thousand people are unemployed, another hundred thousand are employed but not being paid, almost thirty percent of the country’s four million citizens are on a pension, a half million of them pensioned veterans of the Homeland War. Half a million! A Dad’s Army of this size would make a country far bigger than Croatia tremble in fear. If we’ve got half a million retired on pensions, how many have we got on active duty? The Republic of Croatia’s armed forces are a complex beast, with so many different units it’s hard to keep track. And that’s not counting the legions of police. Like all military ordinariates, ours is a legitimate child parented by the Holy See and the Croatian church, an institution for the pastoral and spiritual care of men and women in uniform, soldiers and police. A military ordinariate is a kind of spiritual beauty salon, an institute for the Catholicization of the armed forces and the police, a work of alchemy—that of turning shit into gold. It works in Croatia, a country of small-time grifters. Priests are alchemists too, which just goes to show that everything is in its place.
6.
My acquaintance Piroška knows well the effect she has on people—men, women, girls, boys. A friend designs Piroška’s clothes, a modiste trying to infect Budapest with Lolita-style. Piroška is already thirty-something, but her striking, sleek figure and baby face work to her advantage. People are drawn to her the second they lay eyes on her, and it’s usually some time before they take their leave. The way she dresses, all those miniskirts, petticoats, the taut waist, ribbons in her hair, her bangs, buttons, and clownish pins, all make propinquity a must. People huddle around stroking her hair, ribbons, and bows. There’s nothing erotic in any of this, and Piroška knows that. She patiently grins and bears it all.
“People are weirdoes,” she says merrily. “We’re all weirdoes . . .”
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