The Essential James Branch Cabell Collection. James Branch Cabell
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He laughed. He had anatomized himself too frequently and with too much dispassion to overlook whatever tang of snobbishness might be in him; and, moreover, the charge thus tendered became in reality the speaker's apology, and hurt nobody's self-esteem.
"Faith, I do not say you are altogether in the wrong," he assented. "They could be very useful to me--Pembroke, and Southampton, and those others--and so I endeavored to render my intimacy acceptable. It was my business as a poet to make my play as near perfect as I could; and this attended to, common-sense demanded of the theater-manager that he derive as much money as was possible from its representation. What would you have? The man of letters, like the carpenter or the blacksmith, must live by the vending of his productions, not by the eating of them." The woman waved this aside.
She paced the grass in meditation, the peach leaves brushing her proud head--caressingly, it seemed to him. Later she came nearer in a brand-new mood. She smiled now, and her voice was musical and thrilled with wonder. "But what a poet Heaven had locked inside this little parasite! It used to puzzle me." She laughed, and ever so lightly. "Eh, and did you never understand why by preference I talked with you at evening from my balcony? It was because I could forget you then entirely. There was only a voice in the dark. There was a sorcerer at whose bidding words trooped like a conclave of emperors, and now sang like a bevy of linnets. And wit and fancy and high aspirations and my love--because I knew then that your love for me was splendid and divine--these also were my sorcerer's potent allies. I understood then how glad and awed were those fabulous Greekish queens when a god wooed them. Yes, then I understood. How long ago it seems!"
"Yes, yes," he sighed. "In that full-blooded season was Guenevere a lass, I think, and Charlemagne was not yet in breeches."
"And when there was a new play enacted I was glad. For it was our play that you and I had polished the last line of yesterday, and all these people wept and laughed because of what we had done. And I was proud----" The lady shrugged impatiently. "Proud, did I say? and glad? That attests how woefully I fall short of you, my poet. You would have found some magic phrase to make that ancient glory articulate, I know. Yet,--did I ever love you? I do not know that. I only know I sometimes fear you robbed me of the power of loving any other man."
He raised one hand in deprecation. "I must remind you," he cried, whimsically, "that a burnt child dreads even to talk of fire."
Her response was a friendly nod. She came yet nearer. "What," she demanded, and her smile was elfish, "what if I had lied to you? What if I were hideously tired of my husband, that bluff, stolid captain? What if I wanted you to plead with me as in the old time?"
He said: "Until now you were only a woman. Oh, and now, my dear, you are again that resistless gipsy who so merrily beguiled me to the very heart of loss. You are Love. You are Youth. You are Comprehension. You are all that I have had, and lost, and vainly hunger for. Here in this abominable village, there is no one who understands--not even those who are more dear to me than you are. I know. I only spoil good paper which might otherwise be profitably used to wrap herrings in, they think. They give me ink and a pen just as they would give toys to a child who squalled for them too obstinately. And Poesy is a thrifty oracle with no words to waste upon the deaf, however loudly her interpreter cry out to her. Oh, I have hungered for you, my proud, dark lady!" the playmaker said.
Afterward they stood quite silent. She was not unmoved by his outcry; and for this very reason was obscurely vexed by the reflection that it would be the essay of a braver man to remedy, rather than to lament, his circumstances. And then the moment's rapture failed him.
"I am a sorry fool," he said; and lightly he ran on: "You are a skilful witch. Yet you have raised the ghost of an old madness to no purpose. You seek a master-poet? You will find none here. Perhaps I was one once. But most of us are poets of one sort or another when we love. Do you not understand? To-day I do not love you any more than I do Hecuba. Is it not strange that I should tell you this and not be moved at all? Is it not laughable that we should stand here at the last, two feet apart as things physical go, and be as profoundly severed as if an ocean tumbled between us?"
He fell to walking to and fro, his hands behind his back. She waited, used as she was to his unstable temperament, a trifle puzzled. Presently he spoke:
"There was a time when a master-poet was needed. He was found--nay,--rather made. Fate hastily caught up a man not very different from the run of men--one with a taste for stringing phrases and with a comedy or so to his discredit. Fate merely bid him love a headstrong child newly released from the nursery."
"We know her well enough," she said. "The girl was faithless, and tyrannous, and proud, and coquettish, and unworthy, and false, and inconstant. She was black as hell and dark as night in both her person and her living. You were not niggardly of vituperation."
And he grimaced. "Faith," he replied, "but sonnets are a more natural form of expression than affidavits, and they are made effective by compliance with different rules. I find no flagrant fault with you to-day. You were a child of seventeen, the darling of a noble house, and an actor--yes, and not even a pre-eminent actor--a gross, poor posturing vagabond, just twice your age, presumed to love you. What child would not amuse herself with such engaging toys? Vivacity and prettiness and cruelty are the ordinary attributes of kittenhood. So you amused yourself. And I submitted with clear eyes, because I could not help it. Yes, I who am by nature not disposed to underestimate my personal importance--I submitted, because your mockery was more desirable than the adoration of any other woman. And all this helped to make a master-poet of me. Eh, why not, when such monstrous passions spoke through me--as if some implacable god elected to play godlike music on a mountebank's lute? And I made admirable plays. Why not, when there was no tragedy more poignant than mine?--and where in any comedy was any figure one-half so ludicrous as mine? Ah, yes, Fate gained her ends, as always."
He was a paunchy, inconsiderable little man. By ordinary his elongated features and high, bald forehead loaned him an aspect of serene and axiom-based wisdom, much as we see him in his portraits; but now his countenance was flushed and mobile. Odd passions played about it, as when on a sullen night in August summer lightnings flicker and merge.
His voice had found another cadence. "But Fate was not entirely ruthless. Fate bade the child become a woman, and so grow tired of all her childhood's playthings. This was after a long while, as we estimate happenings. . . . I suffered then. Yes, I went down to the doors of death, as people say, in my long illness. But that crude, corporal fever had a providential thievishness; and not content with stripping me of health and strength,--not satisfied with pilfering inventiveness and any strong hunger to create--why, that insatiable fever even robbed me of my insanity. I lived. I was only a broken instrument flung by because the god had wearied of playing. I would give forth no more heart-wringing music, for the musician had departed. And I still lived--I, the stout little tradesman whom you loathed. Yes, that tradesman scrambled through these evils, somehow, and came out still able to word adequately all such imaginings as could be devised by his natural abilities. But he transmitted