Skinner the sound was like the shackles of sin broken audibly asunder.
II.
For more than two years Eric Hermannson kept the austere faith to which he had sworn himself, kept it until a girl from the East came to spend a week on the Nebraska Divide. She was a girl of other manners and conditions, and there were greater distances between her life and Eric's than all the miles which separated Rattlesnake Creek from New York city. Indeed, she had no business to be in the West at all; but ah! across what leagues of land and sea, by what improbable chances, do the unrelenting gods bring to us our fate!
It was in a year of financial depression that Wyllis Elliot came to Nebraska to buy cheap land and revisit the country where he had spent a year of his youth. When he had graduated from Harvard it was still customary for moneyed gentlemen to send their scapegrace sons to rough it on ranches in the wilds of Nebraska or Dakota, or to consign them to a living death in the sage-brush of the Black Hills. These young men did not always return to the ways of civilized life. But Wyllis Elliot had not married a half-breed, nor been shot in a cow-punchers' brawl, nor wrecked by bad whisky, nor appropriated by a smirched adventuress. He had been saved from these things by a girl, his sister, who had been very near to his life ever since the days when they read fairy tales together and dreamed the dreams that never come true. On this, his first visit to his father's ranch since he left it six years before, he brought her with him. She had been laid up half the winter from a sprain received while skating, and had had too much time for reflection during those months. She was restless and filled with a desire to see something of the wild country of which her brother had told her so much. She was to be married the next winter, and Wyllis understood her when she begged him to take her with him on this long, aimless jaunt across the continent, to taste the last of their freedom together. It comes to all women of her type--that desire to taste the unknown which allures and terrifies, to run one's whole soul's length out to the wind--just once.
It had been an eventful journey. Wyllis somehow understood that strain of gypsy blood in his sister, and he knew where to take her. They had slept in sod houses on the Platte River, made the acquaintance of the personnel of a third-rate opera company on the train to Deadwood, dined in a camp of railroad constructors at the world's end beyond New Castle, gone through the Black Hills on horseback, fished for trout in Dome Lake, watched a dance at Cripple Creek, where the lost souls who hide in the hills gathered for their besotted revelry. And now, last of all, before the return to thraldom, there was this little shack, anchored on the windy crest of the Divide, a little black dot against the flaming sunsets, a scented sea of cornland bathed in opalescent air and blinding sunlight.
Margaret Elliot was one of those women of whom there are so many in this day, when old order, passing, giveth place to new; beautiful, talented, critical, unsatisfied, tired of the world at twenty-four. For the moment the life and people of the Divide interested her. She was there but a week; perhaps had she stayed longer, that inexorable ennui which travels faster even than the Vestibule Limited would have overtaken her. The week she tarried there was the week that Eric Hermannson was helping Jerry Lockhart thresh; a week earlier or a week later, and there would have been no story to write.
It was on Thursday and they were to leave on Saturday. Wyllis and his sister were sitting on the wide piazza of the ranchhouse, staring out into the afternoon sunlight and protesting against the gusts of hot wind that blew up from the sandy river-bottom twenty miles to the southward.
The young man pulled his cap lower over his eyes and remarked:
"This wind is the real thing; you don't strike it anywhere else. You remember we had a touch of it in Algiers and I told you it came from Kansas. It's the key-note of this country."
Wyllis touched her hand that lay on the hammock and continued gently:
"I hope it's paid you, Sis. Roughing it's dangerous business; it takes the taste out of things."
She shut her fingers firmly over the brown hand that was so like her own.
"Paid? Why, Wyllis, I haven't been so happy since we were children and were going to discover the ruins of Troy together some day. Do you know, I believe I could just stay on here forever and let the world go on its own gait. It seems as though the tension and strain we used to talk of last winter were gone for good, as though one could never give one's strength out to such petty things any more."
Wyllis brushed the ashes of his pipe away from the silk handkerchief that was knotted about his neck and stared moodily off at the sky-line.
"No, you're mistaken. This would bore you after a while. You can't shake the fever of the other life. I've tried it. There was a time when the gay fellows of Rome could trot down into the Thebaid and burrow into the sandhills and get rid of it. But it's all too complex now. You see we've made our dissipations so dainty and respectable that they've gone further in than the flesh, and taken hold of the ego proper. You couldn't rest, even here. The war-cry would follow you."
"You don't waste words, Wyllis, but you never miss fire. I talk more than you do, without saying half so much. You must have learned the art of silence from these taciturn Norwegians. I think I like silent men."
"Naturally," said Wyllis, "since you have decided to marry the most brilliant talker you know."
Both were silent for a time, listening to the sighing of the hot wind through the parched morning-glory vines. Margaret spoke first.
"Tell me, Wyllis, were many of the Norwegians you used to know as interesting as Eric Hermannson?"
"Who, Siegfried? Well, no. He used to be the flower of the Norwegian youth in my day, and he's rather an exception, even now. He has retrograded, though. The bonds of the soil have tightened on him, I fancy."
"Siegfried? Come, that's rather good, Wyllis. He looks like a dragon-slayer. What is it that makes him so different from the others? I can talk to him; he seems quite like a human being."
"Well," said Wyllis, meditatively, "I don't read Bourget as much as my cultured sister, and I'm not so well up in analysis, but I fancy it's because one keeps cherishing a perfectly unwarranted suspicion that under that big, hulking anatomy of his, he may conceal a soul somewhere. Nicht wahr?"
"Something like that," said Margaret, thoughtfully, "except that it's more than a suspicion, and it isn't groundless. He has one, and he makes it known, somehow, without speaking."
"I always have my doubts about loquacious souls," Wyllis remarked, with the unbelieving smile that had grown habitual with him.
Margaret went on, not heeding the interruption. "I knew it from the first, when he told me about the suicide of his cousin, the Bernstein boy. That kind of blunt pathos can't be summoned at will in anybody. The earlier novelists rose to it, sometimes, unconsciously. But last night when I sang for him I was doubly sure. Oh, I haven't told you about that yet! Better light your pipe again. You see, he stumbled in on me in the dark when I was pumping away at that old parlor organ to please Mrs. Lockhart. It's her household fetish and I've forgotten how many pounds of butter she made and sold to buy it. Well, Eric stumbled in, and in some inarticulate manner made me understand that he wanted me to sing for him. I sang just the old things, of course. It's queer to sing familiar things here at the world's end. It makes one think how the hearts of men have carried them around the world, into the wastes of Iceland and the jungles of Africa and the islands of the Pacific. I think if one lived here long enough one would quite forget how to be trivial, and would read only the great books that we never get time to read in the world, and would remember only the great music, and the things that are
