is a painful thing to watch the light die out of the eyes of those Norsemen, leaving an expression of impenetrable sadness, quite passive, quite hopeless, a shadow that is never lifted. With some this change comes almost at once, in the first bitterness of homesickness, with others it comes more slowly, according to the time it takes each man's heart to die.
Oh, those poor Northmen of the Divide! They are dead many a year before they are put to rest in the little graveyard on the windy hill where exiles of all nations grow akin.
The peculiar species of hypochondria to which the exiles of his people sooner or later succumb had not developed in Eric until that night at the Lone Star schoolhouse, when he had broken his violin across his knee. After that, the gloom of his people settled down upon him, and the gospel of maceration began its work. "_If thine eye offend thee, pluck it out_," et cetera. The pagan smile that once hovered about his lips was gone, and he was one with sorrow. Religion heals a hundred hearts for one that it embitters, but when it destroys, its work is quick and deadly, and where the agony of the cross has been, joy will not come again. This man understood things literally: one must live without pleasure to die without fear; to save the soul it was necessary to starve the soul.
The sun hung low above the cornfields when Margaret and her cavalier left St. Anne. South of the town there is a stretch of road that runs for some three miles through the French settlement, where the prairie is as level as the surface of a lake. There the fields of flax and wheat and rye are bordered by precise rows of slender, tapering Lombard poplars. It was a yellow world that Margaret Elliot saw under the wide light of the setting sun.
The girl gathered up her reins and called back to Eric, "It will be safe to run the horses here, won't it?"
"Yes, I think so, now," he answered, touching his spur to his pony's flank. They were off like the wind. It is an old saying in the West that new-comers always ride a horse or two to death before they get broken in to the country. They are tempted by the great open spaces and try to outride the horizon, to get to the end of something. Margaret galloped over the level road, and Eric, from behind, saw her long veil fluttering in the wind. It had fluttered just so in his dreams last night and the night before. With a sudden inspiration of courage he overtook her and rode beside her, looking intently at her half-averted face. Before, he had only stolen occasional glances at it, seen it in blinding flashes, always with more or less embarrassment, but now he determined to let every line of it sink into his memory. Men of the world would have said that it was an unusual face, nervous, finely cut, with clear, elegant lines that betokened ancestry. Men of letters would have called it a historic face, and would have conjectured at what old passions, long asleep, what old sorrows forgotten time out of mind, doing battle together in ages gone, had curved those delicate nostrils, left their unconscious memory in those eyes. But Eric read no meaning in these details. To him this beauty was something more than color and line; it was as a flash of white light, in which one cannot distinguish color because all colors are there. To him it was a complete revelation, an embodiment of those dreams of impossible loveliness that linger by a young man's pillow on midsummer nights; yet, because it held something more than the attraction of health and youth and shapeliness, it troubled him, and in its presence he felt as the Goths before the white marbles in the Roman Capitol, not knowing whether they were men or gods. At times he felt like uncovering his head before it, again the fury seized him to break and despoil, to find the clay in this spirit-thing and stamp upon it. Away from her, he longed to strike out with his arms, and take and hold; it maddened him that this woman whom he could break in his hands should be so much stronger than he. But near her, he never questioned this strength; he admitted its potentiality as he admitted the miracles of the Bible; it enervated and conquered him. To-night, when he rode so close to her that he could have touched her, he knew that he might as well reach out his hand to take a star.
Margaret stirred uneasily under his gaze and turned questioningly in her saddle.
"This wind puts me a little out of breath when we ride fast," she said.
Eric turned his eyes away.
"I want to ask you if I go to New York to work, if I maybe hear music like you sang last night? I been a purty good hand to work," he asked, timidly.
Margaret looked at him with surprise, and then, as she studied the outline of his face, pityingly.
"Well, you might--but you'd lose a good deal else. I shouldn't like you to go to New York--and be poor, you'd be out of atmosphere, some way," she said, slowly. Inwardly she was thinking: "There he would be altogether sordid, impossible--a machine who would carry one's trunks upstairs, perhaps. Here he is every inch a man, rather picturesque; why is it?" "No," she added aloud, "I shouldn't like that."
"Then I not go," said Eric, decidedly.
Margaret turned her face to hide a smile. She was a trifle amused and a trifle annoyed. Suddenly she spoke again.
"But I'll tell you what I do want you to do, Eric. I want you to dance with us to-morrow night and teach me some of the Norwegian dances; they say you know them all. Won't you?"
Eric straightened himself in his saddle and his eyes flashed as they had done in the Lone Star schoolhouse when he broke his violin across his knee.
"Yes, I will," he said, quietly, and he believed that he delivered his soul to hell as he said it.
They had reached the rougher country now, where the road wound through a narrow cut in one of the bluffs along the creek, when a beat of hoofs ahead and the sharp neighing of horses made the ponies start and Eric rose in his stirrups. Then down the gulch in front of them and over the steep clay banks thundered a herd of wild ponies, nimble as monkeys and wild as rabbits, such as horse-traders drive east from the plains of Montana to sell in the farming country. Margaret's pony made a shrill sound, a neigh that was almost a scream, and started up the clay bank to meet them, all the wild blood of the range breaking out in an instant. Margaret called to Eric just as he threw himself out of the saddle and caught her pony's bit. But the wiry little animal had gone mad and was kicking and biting like a devil. Her wild brothers of the range were all about her, neighing, and pawing the earth, and striking her with their fore feet and snapping at her flanks. It was the old liberty of the range that the little beast fought for.
"Drop the reins and hold tight, tight!" Eric called, throwing all his weight upon the bit, struggling under those frantic fore feet that now beat at his breast, and now kicked at the wild mustangs that surged and tossed about him. He succeeded in wrenching the pony's head toward him and crowding her withers against the clay bank, so that she could not roll.
"Hold tight, tight!" he shouted again, launching a kick at a snorting animal that reared back against Margaret's saddle. If she should lose her courage and fall now, under those hoofs----He struck out again and again, kicking right and left with all his might. Already the negligent drivers had galloped into the cut, and their long quirts were whistling over the heads of the herd. As suddenly as it had come, the struggling, frantic wave of wild life swept up out of the gulch and on across the open prairie, and with a long despairing whinny of farewell the pony dropped her head and stood trembling in her sweat, shaking the foam and blood from her bit.
Eric stepped close to Margaret's side and laid his hand on her saddle. "You are not hurt?" he asked, hoarsely. As he raised his face in the soft starlight she saw that it was white and drawn and that his lips were working nervously.
"No, no, not at all. But you, you are suffering; they struck you!" she cried in sharp alarm.
He stepped back and drew his hand across his brow.
"No,
