Trout Stanley. Claudia Dey
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TROUT STANLEY
A PLAY BY DEY, CLAUDIA
With illustrations by Jason Logan
copyright © Claudia Dey, 2005
first edition
This epub edition published in 2010. Electronic ISBN 978 1 77056 229 5.
For production enquiries, please contact Michael Petrasek,
Kensington Literary Representation, [email protected]
or 416 979 0187.
Published with the assistance of the Canada Council for the Arts
and the Ontario Arts Council. We also acknowledge the
Government of Ontario through the Ontario Book Publishing
Tax Credit Program and the Government of Canada through the
Book Publishing Industry Development Program.
LIBRARY AND ARCHIVES CANADA CATALOGUING IN PUBLICATION
Dey, Claudia
Trout Stanley / Claudia Dey; with illustrations by
Jason Logan. -- 1st ed.
A play.
ISBN 1-55245-162-3
I. Title.
PS8557.E93T76 2005 C812′.6 C2005-904274-5
for Bear
Trout Stanley premiered at the Ship’s Company Theatre in Parrsboro, Nova Scotia, August 2004, with the following cast and crew:
Sugar Ducharme: Ingrid Rae Doucet
Grace Ducharme: Krista Laveck
Trout Stanley: Michael Kash
Directed by Pamela Halstead
Set and costume design: Denyse Karn
Lighting design: Bruce MacLennan
Sound design: Frederick Kennedy
Stage Manager: Lisa M. Cochran
Assistant Stage Manager: Christine Meyers
Subsequently produced at the Factory Theatre in Toronto,
Ontario, January 2005, with the following cast and crew:
Sugar Ducharme: Melody Johnson
Grace Ducharme: Michelle Giroux
Trout Stanley: Gord Rand
Directed by Eda Holmes
Assistant Director: Natasha Mytnowych
Set and costume design: Kelly Wolf
Lighting design: Andrea Lundy
Sound design: Rick Sacks
Stage Manager: Tanya Greve
Assistant Stage Manager: Sandy Plunkett
Characters
Sugar Ducharme
Grace Ducharme
Trout Stanley
Parents’ imaginations build frameworks out of their own hopes and regrets into which children seldom grow, but instead, contrary as trees, lean sideways out of the architecture blown by a fatal wind their parents never envisaged.
– Elizabeth Smart, By Grand Central Station I Sat Down and Wept
The legend of the traveler appears in every civilization, perpetually assuming new forms, afflictions, powers, and symbols. Through every age he walks in utter solitude toward penance and redemption.
– Evan S. Connell Jr., Notes from a Bottle
We move between two darknesses. The two entities who might enlighten us, the baby and the corpse, cannot do so.
– E. M. Forster, Aspects of the Novel
I would like to learn, or remember how to live.
– Annie Dillard, Teaching a Stone to Talk
Prologue
Tumbler Ridge, B.C. House beside the town dump. A tidy and trinketful universe. Television, figurines, dinette set. Sugar Ducharme – track suit, crocheted slippers – prepares dinner. Small mutterings, in song form: ‘Sugar, sugar, sugar, sugar, sugar, Sugar. Dinner looks so good, it smells so good, it looks so good, you’re everything, what, what, what, you’re Sugar, sugar, sugar, sugar, Sugar …’ All finishings finished, Sugar looks out the window. She slinks to the record player. Puts on Heart’s‘Magic Man.’She dances – a sultry, buoyant secret. Sound of squealing tires. Needle is pulled, record player turned off. Sugar checks her reflection in the mirror. She straightens her track suit, her slippers, her self.
Enter: Grace Ducharme, through a cloud of dust, coveralls, sunglasses, hair sprayed into a sculpture. Grace and Sugar are twins – they look nothing alike.
SUGAR: You’re home.
GRACE: I’m home.
SUGAR: I’m happy.
GRACE: I’m home Sugar, I’m home.
Sugar opens the fridge. Pulls out a soda. She cracks it wide. Hands it to Grace. Grace guzzles.
SUGAR: How was your day?
GRACE: Like the others.
SUGAR: Garbage pickers?
GRACE: No.
SUGAR: Illegal dumpers?
GRACE: No.
SUGAR: Nothin’ peculiar?
GRACE: Nothin’ peculiar.
SUGAR: I’m happy to see ya Grace. I’m happy you’re home.
GRACE: I’m home.
SUGAR: I’m happy.