The Stephen Crane Megapack. Stephen Crane
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CHAPTER III
Finally a great thing came to pass. The cab horse, proceeding at a sharp trot, found himself suddenly at the top of an incline, where through the rain the pavement shone like an expanse of ice. It looked to me as if there was going to be a tumble. In an accident of such a kind a hansom becomes really a cannon in which a man finds that he has paid shillings for the privilege of serving as a projectile. I was making a rapid calculation of the arc that I would describe in my flight, when the horse met his crisis with a masterly device that I could not have imagined. He tranquilly braced his four feet like a bundle of stakes, and then, with a gentle gaiety of demeanor, he slid swiftly and gracefully to the bottom of the hill as if he had been a toboggan. When the incline ended he caught his gait again with great dexterity, and went pattering off through another tunnel.
I at once looked upon myself as being singularly blessed by this sight. This horse had evidently originated this system of skating as a diversion, or, more probably, as a precaution against the slippery pavement; and he was, of course the inventor and sole proprietor—two terms that are not always in conjunction. It surely was not to be supposed that there could be two skaters like him in the world. He deserved to be known and publicly praised for this accomplishment. It was worthy of many records and exhibitions. But when the cab arrived at a place where some dipping streets met, and the flaming front of a music-hall temporarily widened my cylinder, behold there were many cabs, and as the moment of necessity came the horses were all skaters. They were gliding in all directions. It might have been a rink. A great omnibus was hailed by a hand under an umbrella on the side walk, and the dignified horses bidden to halt from their trot did not waste time in wild and unseemly spasms. They, too, braced their legs and slid gravely to the end of their momentum.
It was not the feat, but it was the word which had at this time the power to conjure memories of skating parties on moonlit lakes, with laughter ringing over the ice, and a great red bonfire on the shore among the hemlocks.
CHAPTER IV
A Terrible thing in nature is the fall of a horse in his harness. It is a tragedy. Despite their skill in skating there was that about the pavement on the rainy evening which filled me with expectations of horses going headlong. Finally it happened just in front. There was a shout and a tangle in the darkness, and presently a prostrate cab horse came within my cylinder. The accident having been a complete success and altogether concluded, a voice from the side walk said, “Look out, now! Be more careful, can’t you?”
I remember a constituent of a Congressman at Washington who had tried in vain to bore this Congressman with a wild project of some kind. The Congressman eluded him with skill, and his rage and despair ultimately culminated in the supreme grievance that he could not even get near enough to the Congressman to tell him to go to Hades.
This cabman should have felt the same desire to strangle this man who spoke from the sidewalk. He was plainly impotent; he was deprived of the power of looking out. There was nothing now for which to look out. The man on the sidewalk had dragged a corpse from a pond and said to it,
“Be more careful, can’t you, or you’ll drown?” My cabman pulled up and addressed a few words of reproach to the other. Three or four figures loomed into my cylinder, and as they appeared spoke to the author or the victim of the calamity in varied terms of displeasure. Each of these reproaches was couched in terms that defined the situation as impending. No blind man could have conceived that the precipitate phrase of the incident was absolutely closed.
“Look out now, cawn’t you?” And there was nothing in his mind which approached these sentiments near enough to tell them to go to Hades.
However, it needed only an ear to know presently that these expressions were formulae. It was merely the obligatory dance which the Indians had to perform before they went to war. These men had come to help, but as a regular and traditional preliminary they had first to display to this cabman their idea of his ignominy.
The different thing in the affair was the silence of the victim. He retorted never a word. This, too, to me seemed to be an obedience to a recognized form. He was the visible criminal, if there was a criminal, and there was born of it a privilege for them.
They unfastened the proper straps and hauled back the cab. They fetched a mat from some obscure place of succor, and pushed it carefully under the prostrate thing. From this panting, quivering mass they suddenly and emphatically reconstructed a horse. As each man turned to go his way he delivered some superior caution to the cabman while the latter buckled his harness.
CHAPTER V
There was to be noticed in this band of rescuers a young man in evening clothes and top-hat. Now, in America a young man in evening clothes and a top-hat may be a terrible object. He is not likely to do violence, but he is likely to do impassivity and indifference to the point where they become worse than violence. There are certain of the more idle phases of civilization to which America has not yet awakened—and it is a matter of no moment if she remains unaware. This matter of hats is one of them. I recall a legend recited to me by an esteemed friend, ex-Sheriff of Tin Can, Nevada. Jim Cortright, one of the best gun-fighters in town, went on a journey to Chicago, and while there he procured a top-hat. He was quite sure how Tin Can would accept this innovation, but he relied on the celerity with which he could get a six-shooter in action. One Sunday Jim examined his guns with his usual care, placed the top-hat on the back of his head, and sauntered coolly out into the streets of Tin Can.
Now, while Jim was in Chicago some progressive citizen had decided that Tin Can needed a bowling alley. The carpenters went to work the next morning, and an order for the balls and pins was telegraphed to Denver. In three days the whole population was concentrated at the new alley betting their outfits and their lives.
It has since been accounted very unfortunate that Jim Cortright had not learned of bowling alleys at his mother’s knee or even later in the mines. This portion of his mind was singularly belated. He might have been an Apache for all he knew of bowling alleys.
In his careless stroll through the town, his hands not far from his belt and his eyes going sideways in order to see who would shoot first at the hat, he came upon this long, low shanty where Tin Can was betting itself hoarse over a game between a team from the ranks of Excelsior Hose Company No. 1 and a team composed from the habitues of the “Red Light” saloon.
Jim, in blank ignorance of bowling phenomena, wandered casually through a little door into what must always be termed the wrong end of a bowling alley. Of course, he saw that the supreme moment had come. They were not only shooting at the hat and at him, but the low-down cusses were using the most extraordinary and hellish ammunition. Still, perfectly undaunted, however, Jim retorted with his two Colts, and killed three of the best bowlers in Tin Can.
The ex-Sheriff vouched for this story. He himself had gone headlong through the door at the firing of the first shot with that simple courtesy which leads Western men to donate the fighters plenty of room. He said that afterwards the hat was the cause of a number of other fights, and that finally a delegation of prominent citizens was obliged to wait upon Cortright and ask him if he wouldn’t take that thing away somewhere and bury it. Jim pointed out to them that it was his hat, and that he would regard it as a cowardly concession if he submitted to their dictation in the matter of his headgear. He added that he purposed to continue to wear his top-hat on every occasion when he happened to feel that the wearing of a top-hat was a joy and a solace to him.
The delegation sadly retired, and announced to the town that Jim Cortright had openly defied them, and had declared his purpose of forcing his top-hat on the pained attention of Tin Can whenever he chose. Jim Cortright’s plug hat became a phrase