Yellow River Odyssey. Bill Porter

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       YELLOW RIVER ODYSSEY

       BILL PORTER

      Chin Music Press | Seattle

      Copyright 2014

      By Bill Porter

       Published by

      Chin Music Press Inc.

      2621 24th Ave. W.

      Seattle, WA 98199-3407

      USA

       http://www.chinmusicpress.com

      First (1) edition

      Cover: Boats tied up along an embankment on the Yellow River

      Cover photo by Bill Porter

      Cover design by Meaghan Brady

      Interior design by Linda Ronan

      Printed in Canada by Imprimerie Gauvin

      All Rights Reserved

      Library of Congress Cataloging in Publication Data Available upon Request

      ISBN: 978-0-9887693-1-1

       TABLE OF CONTENTS

       Shanghai

       Chingtao

       Islands of the Immortals

       Music of the Immortals

       The River’s Mouth

       City of Springs

       Stone Buddhas

       Taishan

       Confucius

       Kaifeng

       Chengchou

       Sungshan

       Loyang

       The Pass

       Those Immortals Again

       Historians And Sages

       The Yenan Spirit

       Yulin

       Mongols

       Yinchuan

       The Desert

       Kansu

       Chinghai

       The Source

       Yellow River Odyssey Glossary

       About the Author

       SHANGHAI

      I asked the concierge to unlock the window so I could smell the city. I was on my way from Hong Kong to follow the Yellow River from its mouth to its source and couldn’t resist the temptation to stop in Shanghai for the China Coast Ball. This annual bacchanal was organized by and for the Hong Kong expatriate community, and it was normally held in March at the Belle Vista in Macao. But in 1991 the Belle Vista was being renovated, and the organizers turned to the Peace Hotel in Shanghai as a suitable replacement. The Peace had been boarded up during the Cultural Revolution, and the splendor of its art-deco interior had survived intact.

      From the airport, I took a taxi to the Peace, but the Peace was full, as were the other hotels opposite the river promenade known as the Bund. The ball’s organizers were expecting over 500 members to show up and had reserved all available rooms six months in advance. Revelers were coming from as far away as Europe and Australia. Fortunately, a few blocks away, the former Russian consulate-general’s residence had reopened the week before as the Seagull Hotel, and I had my choice of accommodations. The place still reeked of glue from the newly paneled hallways, so I sought relief in the lesser evil of the Huangpu River. And the concierge was kind enough to unlock my room’s window. The river flowed past the Seagull and the other hotels on the Bund, and twenty kilometers to the north it joined the waters of the Yangtze and the East China Sea. It was the junction of these waterways that was the reason for the city’s existence. Most of China’s billion citizens lived in the Yangtze watershed, and Shanghai connected them with the rest of the world. That didn’t mean much until a few centuries ago, but the city had made up for lost time. I thanked the concierge and looked out onto the Bund.

       China Coast Ball at the Peace Hotel

      In Samuel Couling’s 1917 account of Shanghai in the Encyclopaedia Sinica, he wrote, “The whole district is a mud-flat with no natural beauty, and art has done little to improve matters, except in a few of the buildings on the Bund.” The city had changed, but I wasn’t there to see the changes. I was there for the ball, and the ball was still a few hours away. So I went for a walk. From the Seagull, I walked north through what was once the American spoils of the Opium Wars. It began raining, but my parka kept me dry enough. A few blocks later, I

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