3.
12. React to some of the ideas in Chapter 3. Debate, support, analyze, and/or reflect.
13. Give evidence from your own life or background experience about the ideas in Chapter 3. (Don’t repeat what you have written in another exercise.)
142Swami Kriyananda, Crystal Clarity: The Artist as Channel (Nevada City, California: Crystal Clarity, 1987), 59, 74-75.
143Isaacson, Einstein, 14— quoting “science historian Gerald Holton.”
144Stephen Covey, First Things First (New York: Simon and Schuster, 1994), 210 and 215.
145Swami Kriyananda, Art as a Hidden Message: A Guide to Self-Realization (Nevada City, CA: Crystal Clarity, 1997), 98.
146Bruno Nardini, Michelangelo: Biography of a Genius (Florence-Milan: Giunti, 1999), 11-13.
147Cited in Robert W. Weisberg, “Creativity and Knowledge: A Challenge to Theories,” in Handbook of Creativity, ed. Robert J. Sternberg (Cambridge, Massachusetts: University Press, 1999), 230-31.
148Ibid.
149Weisberg, “Creativity and Knowledge: A Challenge to Theories,” 230-31.
150Juvenile drawings, as cited in Weisberg, “Creativity and Knowledge: A Challenge to Theories,” 231.
151Howard Gardner, Creating Minds (New York: Basic Books, 1993), as summarized in Weisberg, 232.
152Weisberg, “Creativity and Knowledge: A Challenge to Theories,” 233.
153Ibid., 236-37.
154Ibid., 238-41.
155Paul McCartney says that his best ideas come to him when he’s not trying. He composed “Yesterday,” in the Guinness Book of World Records as the most recorded song of all time, by rolling out of bed one morning with a tune in his head. The melody was so perfect he went around for days asking people if they hadn’t heard it before. He couldn’t believe it was his. In a 1977 interview with Melvin Bragg, preserved on a recording, McCartney explained his songwriting method as a process of opening up and allowing an outside energy to flow through him. He said, “It’s like it comes in out of the blue. . . . I’ve always felt it’s not me doing it really.” McCartney made the same point in September of 1986, when he was inducted into the Guinness Hall of Fame, a special honor for those whose records are not likely to be surpassed in their lifetimes. I watched the ceremony on TV when I was in Liverpool (an interesting synchronicity).
156Isabel Allende, “Isabel Allende,” in Writers Dreaming, ed. Naomi Epel (New York: Carol Southern, 1993), 8.
157Isabel Allende, “Isabel Allende,” 21-22.
158Mihaly Csikszentmihalyi, Flow: The Psychology of Optimal Experience (New York: Harper and Row, 1990), 4.
159Csikszentmihalyi, Flow, 31.
160Ibid., 49.
161Abraham Maslow, The Farther Reaches of Human Nature (New York: Viking, 1971), 174-75.
162Eckhart Tolle, A New Earth: Awakening to Your Life’s Purpose (New York: Dutton, 2005), 202.
163Amabile, Creativity in Context, 132. On p. 132 she distinguishes between such difficult heuristic tasks and the much easier algorithmic ones, which require a “clear and straightforward solution” and are not affected as much by the thought of evaluation.
164See Mark Epstein’s book Thoughts without a Thinker: Psychotherapy from a Buddhist Perspective for a full explanation.
165For this method see also Swami Kriyananda’s commentaries on The Bhagavad Gita, 4:27, 198-99.
166See Brother Lawrence’s letters in The Practice of the Presence of God
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