for which he was to be convicted – the murder of his girlfriend, Beatrice Brier.
Twenty-three years old, Cannon had the scoop of his career thus far. After staying up all night transcribing his notes and tapes, he had his story ready to run for the evening edition of 17 November 1977. Shortly before his deadline, he called on Chief McClung. Cannon recalled: ‘He got up, walked to the window, looked out. He said, “You know, Carl, I’ve got a lot of people here but no one doing public affairs to get our stories out to the public, not like the Army has.” He asked me what I earned, and suggested he might be able to double it. I told him: “I tell you what, Chief. This story’s going to come out in two hours, and everyone’s going to know that this guy didn’t do it. But I’m not, on this occasion, going to tell the readers about our conversation.”’
Meanwhile, Columbus’s maniac remained on the loose.
And the Negro. Do not forget the Negro. So far as I and my people are concerned the South is Fascist now and always has been … The history of my people will be commensurate with the interminable history of the Jew – only bloodier and more violent.
Benedict Mady Copeland in CARSON McCULLERS,
The Heart is a Lonely Hunter (1940)*
At his hilltop home at the upscale end of south Columbus, Gene Hewell was tending his garden. Now sixty-five, he moved smoothly, wielding his hoe without apparent effort, his only concession to the heat and humidity a straw boater. I was sweating the moment I got out of my car, but his breathing was rhythmic, his skin dry. In the distance, the towers used for parachute training at Fort Benning seemed to shimmer above the trees. Gene gestured towards the west. ‘That’s where my great-grandmother worked as a slave,’ he said. ‘On a plantation at a place called Oswichee, in Russell County, Alabama. It was owned by the first W.C. Bradley’s father.’
Gene, the brother of the singer Jo-Jo Benson, owned a men’s fashion store on Broadway, the Movin’ Man – the first, and for many years the only, black-owned business on the street. Inside his house, in the welcome cool of his living room, Gene eased himself into a sofa beside an impressive collection of guitars. Like his brother, he had lived in Columbus or Phenix City for most of his life, and his family had been in the district for much longer than that.
‘My great-grandmother told my grandma about the day they freed the slaves, and she told me and Jo-Jo,’ Gene said. ‘She said that she was out in the fields, chopping cotton – chopping at the stalks to let the plants get more nutrients. Then she heard this noise. A crackling, was how she explained it. She looked up at the ridge above the field where she was working and all she could see was a blue line of white people, running by the master’s house. Some of the people there were trying to shoot at them, and they were trying to get in. She said she’d never seen so many whites killing so many whites.’
Afterwards, with the plantation secure, the Union soldiers called the slaves from the fields in order to tell them that Lincoln had set them free. Addressing a hushed semi-circle of African-Americans in the shade of a tree, an officer read the Emancipation proclamation. As he did so, Gene said, one of his men idly bounced his rifle on the toe of his boot. ‘The gun went off and clean shot off his toe. My great-grandmother pulled his boot off and dressed the wound. Then he pulled it right back on.’
When the federal army left later that afternoon, some of the former slaves followed it, because they were scared of reprisals from whites. According to the oral history handed down among the Chattahoochee Valley’s African-Americans, their fears were justified.
‘My grandma told us that the day after the Yankees left, all down through the woods near the plantations, there were black people nailed to trees,’ Gene said. ‘They were dead, like butchered animals. Instead of being set free, they were killed.’
In the National Archives in Washington DC, in the Georgia section’s records of the federal agency set up to assist the former slaves, the Bureau of Refugees, Freedmen and Abandoned Lands, I found a ledger, compiled regularly from information sent from every county to the state headquarters. Entitled Reports Relating to Murders and Outrages, its pages document what can only be described as the beginning of Georgia’s white terror.
Written in the elegant copperplate of the Victorian bureaucrat, the ledger sets out its accounts of ethnic assault and homicide under logical headings. There are columns for the ‘name of person assaulted or killed’; whether they were white or coloured; the ‘name or person killing or assaulting’, together with their race; whether anything was done to bring the perpetrators to justice; and any further ‘remarks’. In Columbus’s Muscogee County, and the five surrounding counties that today comprise the Chattahoochee judicial circuit, I counted the names of thirty-two victims attacked, most of them fatally, between March 1866 and November 1868. All but one were black. All the named perpetrators were white.
Even before the Civil War, writes W.J. Cash, the law and its institutions were weaker in the South, where slave-owners had displayed ‘an intense distrust of, and, indeed, downright aversion to, any actual authority beyond the barest minimum essential to the existence of the social organism’. In the turmoil of the Reconstruction era after the war’s end, these traditions found expression in a new wave of extralegal violence. ‘At the root of the post-war bloodshed was the refusal of most whites to accept the emancipated slaves’ quest for economic and political power,’ writes W. Fitzhugh Brundage, the historian of lynching in Georgia and Virginia. ‘Freed from the restraints of planter domination, the black man seemed to pose a new and greater threat to whites. During a period when blacks seemed to mock the social order and commonly understood rules of conduct, whites turned to violence to restore their supremacy.’
The details of these forgotten killings were not always recorded, although some bring to mind the later, more famous wave of lynching that swept the South from the 1880s on. One example took place in Harris County, just to the north of Columbus, now the site of rich dormitory suburbs, where the body of Jordan Nelson was found in June 1866, ‘in the woods, hanging by the neck’. But from the beginning, many such murders seem to have displayed a degree of organisation, a coordinated premeditation that revealed their underlying purpose. The Ku Klux Klan did not spread to Georgia from its home state of Tennessee until 1868. But the racist vigilantism that the Klan embodied was already in evidence when the Freedmen’s Bureau ledger opened its record in March 1866. On the fifteenth day of the month, an African-American named only as Samuel was ‘shot in bed by party of white men, organized’ in Talbotton, east of Columbus. His unknown killers, says the Freedmen’s Bureau ledger, called themselves ‘regulators’.
The bare accounts contained in the ledger also convey what must have been a terrifying sense of randomness, an absence of motive other than race which must, all too rationally, have led any black person to feel they were at risk. In Harris County in August 1866, an unnamed black woman ‘was beaten by a white man by the name of Spicy. She died next day, and he escaped.’ ‘There was no cause for the assault,’ the ledger states of the shooting of K. Hocut by Nathaniel Fuller in Muscogee County on 20 January 1868. Of the slaying of Samuel Clemins in Harris County by ‘unknown whites’ on 7 September 1868, it records: ‘Clemins was murdered by four white men because he had sent his son away to avoid a whipping.’ Hiram McFir died in the same county at the hands of Bud Vines five days later. ‘Vines shot McFir while holding his horse,’ says the ledger, ‘without the least cause.’ As for Tom Joiner, he was stabbed by Jesse Bennett in Troup County on 17 September ‘for refusing to let his dog fight’.
The national politics of the late 1860s were dominated by the struggle
