The Pinhoe Egg. Diana Wynne Jones
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But they did it quite soon. Sooner than Cat had believed possible, really, Joss allowed that they were now ready to go out for a real ride.
They set off, Joss on the big brown hack beside Cat on Syracuse. Syracuse was highly excited and inclined to dance. Cat prudently stuck himself to the saddle by magic, just in case, and Joss kept a stern hand on Cat’s reins while they went up the main road and then up the steep track that led to Home Wood. Once they were on a ride between the trees, Joss let Cat take Syracuse for himself. Syracuse whirled off like a mad horse.
For two furlongs or so, until Syracuse calmed down, everything was a hard-working muddle to Cat, thudding hooves, loud horse breath, leaf mould kicked up to prick Cat on his face, and ferns, grass and trees surging past the corners of his eyes, ears and mane in front of him. Then, finally, Syracuse consented to slow to a mere trot and Joss caught up. Cat had space to look around and to smell and see what a wood was like when it was in high summer, just passing towards autumn.
Cat had not been in many woods in his life. He had lived first in a town and then at the Castle. But, like most people, he had had a very clear idea of what a wood was like – tangled and dark and mysterious.
Home Wood was not like this at all. Any bushes seemed to have been tidied away, leaving nothing but tall dark-leaved trees, ferns and a few burly holly trees, with long straight paths in between. It smelt fresh and sweet and leafy. But the new kind of magic Cat had been learning through Syracuse told him that there should have been more to a wood than this. And there was no more. Even though he could see far off through the trees, there was no depth to the place. It only seemed to touch the front of his mind, like cardboard scenery.
He wondered, as they rode along, if his idea of a wood had been wrong after all. Then Syracuse surged suddenly sideways and stopped. Syracuse was always liable to do this. This was one reason why Cat stuck himself to the saddle by magic. He did not fall off – though it was a close thing – and when he had struggled upright again, he looked to see what had startled Syracuse this time.
It was the fluttering feathers of a dead magpie. The magpie had been nailed to a wooden framework standing beside the ride. Or maybe Syracuse had disliked the draggled wings of the dead crow nailed beside the magpie. Or perhaps it was the whole framework. Now that Cat looked, he saw dead creatures nailed all over the thing, stiff and withering and beyond even the stage when flies were interested in them. There were the twisted bodies of moles, stoats, weasels, toads, and a couple of long blackened tube-like things that might have been adders.
Cat shuddered. As Joss rode up, he turned and asked him, “What’s this for?”
“Oh, it’s nothing,” Joss said. “It’s just – Oh, good morning, Mr Farleigh.”
Cat looked back in the direction of the grisly framework. An elderly man with ferocious side whiskers was now standing beside it, holding a long gun that pointed downwards from his right elbow towards his thick leather gaiters.
“It’s my gibbet, this is,” the man said, staring unlovingly up at Cat. “It’s for a lesson. And an example. See?”
Cat could think of nothing to say. The long gun was truly alarming.
Mr Farleigh looked over at Joss. He had pale, cruel eyes, overshadowed by mighty tufts of eyebrow. “What do you mean bringing one like him in my wood?” he demanded.
“He lives in the Castle,” Joss said. “He’s entitled.”
“Not off the rides,” Mr Farleigh said. “Make sure he stays on the cleared rides. I’m not having him disturbing my game.” He pointed another pale-eyed look at Cat and then swung around and trudged away among the trees, crushing leaves, grass and twigs noisily with his heavy boots.
“Gamekeeper,” Joss explained. “Walk on.”
Feeling rather shaken, Cat induced Syracuse to move on down the ride.
Three paces on, Syracuse was walking through the missing depths that the wood should have had. It was very odd. There was no foreground, no smooth green bridle path, no big trees. Instead, everywhere was deep blue-green distance full of earthy, leafy smells – almost overpoweringly full of them. And although Cat and Syracuse were walking through distance with no foreground, Cat was fairly sure that Joss, riding beside them, was still riding on the bridle path, through foreground.
Oh, please, said someone. Please let us out!
Cat looked up and around to find who was speaking and saw no one. But Syracuse was flicking his ears as if he too had heard the voice. “Where are you?” he asked.
Shut behind, said the voice – or maybe it was several voices. Far inside. We’ve been good. We still don’t know what we did wrong. Please let us out now. It’s been so long.
Cat looked and looked, trying to focus his witch sight as Chrestomanci had taught him. After a while, he thought some of the blue distance was moving, shifting cloudily about, but that was all he could see. He could feel, though. He felt misery from the cloudiness, and longing. There was such unhappiness that his eyes pricked and his throat ached.
“What’s keeping you in?” he said.
That – sort of thing, said the voices.
Cat looked where his attention was directed and there, like a hard black portcullis, right in front of him, was the framework with the dead creatures nailed to it. It seemed enormous from this side. “I’ll try,” he said.
It took all his magic to move it. He had to shove so hard that he felt Syracuse drifting sideways beneath him. But at last he managed to swing it aside a little, like a rusty gate. Then he was able to ride Syracuse out round the splintery edge of it and on to the bridle path again.
“Keep your horse straight,” Joss said. He had obviously not noticed anything beyond Syracuse moving sideways on for a second or so. “Keep your mind on the road.”
“Sorry,” said Cat. As they rode on, he realised that he had really been saying sorry to the hidden voices. Even using all his strength, he had not been able to help them. He could have cried.
Or perhaps he had done something. Around them, the wood was slowly and gently filling up with blue distance, as if it were leaking round the edge where Cat had pushed the framework of dead things aside. A few birds were, very cautiously, beginning to sing. But it was not enough. Cat knew it was not nearly enough.
He rode home, hugging the queer experience to him, the way you hug a disturbing dream. He thought about it a lot. But he was bad at telling people things, and particularly bad at telling something so peculiar. He did not mention it properly to anyone. The nearest he came to telling about it was when he said to Roger, “What’s that wood like over on that hill? The one that’s furthest away.”
“No idea,” Roger said. “Why?”
“I want to go there and see,” Cat said.
“What’s wrong with Home Wood?”