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TEXAS BLAST ’EM
After the murder of a Texas Ranger, Mack Bolan is called in to investigate. Working under the radar with the dead Ranger’s sister, he quickly learns rumors of missing fissile material falling into the wrong hands are true—and the terrorists plotting to use the dirty bomb are die-hard Americans determined to remove Texas from the Union, no matter what the cost.
Following a trail of cold bodies, Bolan finds himself always one step behind the oil tycoon funding the deadly plot and his New Texas Republic army. But as the countdown to D-day begins and millions of Texans are oblivious to the target on their backs, time is running out. The only option is to take the bait of the superpatriots and shut them down from the inside. You don’t mess with Texas. Unless you’re the Executioner.
“Out!” Bolan snapped
Sergeant Granger bailed out on the passenger’s side. Bolan crouched behind his open driver’s door and Granger found cover between two semitrailers.
Any second now…
The chase car roared into view, headlights lancing toward the parked RAV4. They had to see it, but the black car sitting there, stopped dead, would confuse them long enough for Bolan to begin the fight on his own terms. A slim advantage, but he would take what he could get.
Which, at the moment, was a clean shot through the Yukon’s tinted windshield. Bolan didn’t count on hitting anyone with that first round, but it forced the larger SUV to swerve away, tires screeching on the asphalt.
Breaking from his own partial concealment, Bolan sprinted in pursuit of the Yukon. He was the hunter now, whether the Yukon’s occupants knew it or not. The game had turned around on them, but there was no change in the stakes.
Still life or death.
Patriot Strike
Don Pendleton
At least two thirds of our miseries spring from human stupidity, human malice, and those great motivators and justifiers of
malice and stupidity, idealism, dogmatism and proselytizing zeal on behalf of religious or political idols.
—Aldous Huxley,
Tomorrow and Tomorrow
and Tomorrow (1956)
We fought one civil war for the Union already. I’m shutting down the second one.
—Mack Bolan
THE
MACK BOLAN
LEGEND
Nothing less than a war could have fashioned the destiny of the man called Mack Bolan. Bolan earned the Executioner title in the jungle hell of Vietnam.
But this soldier also wore another name—Sergeant Mercy. He was so tagged because of the compassion he showed to wounded comrades-in-arms and Vietnamese civilians.
Mack Bolan’s second tour of duty ended prematurely when he was given emergency leave to return home and bury his family, victims of the Mob. Then he declared a one-man war against the Mafia.
He confronted the Families head-on from coast to coast, and soon a hope of victory began to appear. But Bolan had broken society’s every rule. That same society started gunning for this elusive warrior—to no avail.
So Bolan was offered amnesty to work within the system against terrorism. This time, as an employee of Uncle Sam, Bolan became Colonel John Phoenix. With a com-mand center at Stony Man Farm in Virginia, he and his new allies—Able Team and Phoenix Force—waged relentless war on a new adversary: the KGB.
But when his one true love, April Rose, died at the hands of the Soviet terror machine, Bolan severed all ties with Establishment authority.
Now, after a lengthy lone-wolf struggle and much soul-searching, the Executioner has agreed to enter an “arm’s-length” alliance with his government once more, reserving the right to pursue personal missions inhis Everlasting War.
Contents
Prologue
Lubbock, Texas
The Golden Sage Motel stood on Highway 82 west of town. Also known as the Marsha Sharp Freeway—named for the former coach of Texas Tech’s Lady Raiders basketball team—the highway is Lubbock’s primary east-west access road, providing greater access to the university and downtown Lubbock.
But no one would ever know it from the Golden Sage.
Built when the freeway was still just plain-old Highway 82, the motel squats beside six lanes of asphalt, blank-eyed windows watching traffic pass. A few cars stop, inevitably, but a glance at fading paint, cracked cinder blocks and spotty neon signage on the fake saguaro cactus out in front quickly reveals that business isn’t thriving.
Jerod Granger didn’t care.
