Magician. Raymond E. Feist

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Four: Assault

       Chapter Five: Shipwreck

       Chapter Six: Elfcounsel

       Chapter Seven: Understanding

       Chapter Eight: Journey

       Chapter Nine: Mac Mordain Cadal

       Chapter Ten: Rescue

       Chapter Eleven: Sorcerer’s Isle

       Chapter Twelve: Councils

       Chapter Thirteen: Rillanon

       Chapter Fourteen: Invasion

       Chapter Fifteen: Conflicts

       Chapter Sixteen: Raid

       Chapter Seventeen: Attack

       Chapter Eighteen: Siege

       Book 2: Milamber and the Valheru

       Chapter Nineteen: Slave

       Chapter Twenty: Estate

       Chapter Twenty-One: Changeling

       Chapter Twenty-Two: Training

       Chapter Twenty-Three: Voyage

       Chapter Twenty-Four: Krondor

       Chapter Twenty-Five: Escape

       Chapter Twenty-Six: Great One

       Chapter Twenty-Seven: Fusion

       Chapter Twenty-Eight: Emissary

       Chapter Twenty-Nine: Decision

       Chapter Thirty: Upheaval

       Chapter Thirty-One: Deceptions

       Chapter Thirty-Two: Betrayal

       Chapter Thirty-Three: Legacy

       Chapter Thirty-Four: Renaissance

       Acknowledgements

       Acknowledgement to the Revised Edition

       About the Author

       About the Publisher

      Foreword to the Revised Edition

      It is with some hesitation and a great deal of trepidation that an author approaches the task of revising an earlier edition of fiction. This is especially true if the book was his first effort, judged successful by most standards, and continuously in print for a decade.

      Magician was all this, and more. In late 1977 I decided to try my hand at writing, part-time, while I was an employee of the University of California, San Diego. It is now some fifteen years later, and I have been a full-time writer for the last fourteen years, successful in this craft beyond my wildest dreams. Magician, the first novel in what became known as The Riftwar Saga, was a book that quickly took on a life of its own. I hesitate to admit this publicly, but the truth is that part of the success of the book was my ignorance of what makes a commercially successful novel. My willingness to plunge blindly forward into a tale spanning two dissimilar worlds, covering twelve years in the lives of several major and dozens of minor characters, breaking numerous rules of plotting along the way, seemed to find kindred souls among readers the world over. After a decade in print, my best judgment is that the appeal of the book is based upon its being what was known once as a ‘ripping yarn.’ I had little ambition beyond spinning a good story, one that satisfied my sense of wonder, adventure, and whimsy. It turned out that several million readers – many of whom read translations in languages I can’t even begin to comprehend – found it one that satisfied their tastes for such a yarn as well.

      But insofar as it was a first effort, some pressures of the marketplace did manifest themselves during the creation of the final book. Magician is by anyone’s measure a large book. When the penultimate manuscript version sat upon my editor’s desk, I was informed that some fifty thousand words would have to be cut. And cut I did. Mostly line by line, but a few scenes were either truncated or excised.

      While I could live out my life with the original manuscript as published being the only edition ever read, I have always felt that some of the material cut added a certain resonance, a counterpoint if you will, to key elements of the tale. The relationships between characters, the additional details of an alien world, the minor moments of reflection and mirth that act to balance the more frenetic activity of conflict and adventure, all these things were ‘close but not quite what I had in mind.’

      In any event, to celebrate the tenth anniversary of the original publication of Magician, I have been permitted to return to this work, to reconstruct and change, to add and cut as I see fit, to bring forth what is known in publishing as the ‘Author’s Preferred Edition’ of the work. So, with the old admonition, ‘If it ain’t broke, don’t fix it,’ ringing in my ears, I return to the first work I undertook, back when I had no pretensions of craft, no stature as a bestselling author, and basically no idea of what I was doing. My desire is to restore some of those excised bits, some

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