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Tok
Paul Finch
Published by Avon
An imprint of HarperCollinsPublishers Ltd
1 London Bridge Street
London SE1 9GF
This ebook edition published by HarperCollins Publishers 2016
First published in paperback in The Eighth Black Book of Horror by Mortbury Press, 2008
Copyright © Paul Finch 2016
Cover design © Debbie Clement 2016
Paul Finch asserts the moral right to be identified as the author of this work.
A catalogue copy of this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
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Ebook Edition © January 2016 ISBN: 9780008173722
Version: 2018-07-24
Contents
After they’d hacked and slashed the two bodies for several minutes, they danced on them. The firelight of a dozen torches glittered on their wild, rolling eyes, on their upraised blades, on the blood spattered liberally across the carpet of smoothly mown grass. Their shouts of delight filled the seething night. But when the little girl came out and stood on the veranda, there was a silence like a thunderclap. For a moment she seemed too pure to be in the midst of such mayhem, too angelic – a white-as-snow cherub, who, for all her tears and soiled nightclothes, brought a chill to the muggy forest by her mere presence, brought a hush to the yammering insects, brought the frenzied rage out of her captors like poison from a wound.
If it wasn’t the little girl herself, it was the thing she held by her side.
The thing they knew about by instinct.
The thing they’d seen only in nightmares.
*
It was late afternoon when Don and Berni drove onto the estate. Not surprisingly, there were police everywhere: patrol cars parked on the street corners, uniformed officers traipsing door-to-door with clipboards. Don’s blue Nissan Micra was subjected to a stop-and-check.
“Don Presswick,” he said, after powering his window down. “This is my wife, Bernadette. We’re visiting my mother for a couple of days. She lives at The Grove.”
The officer, who was young with fair hair, but wearing a grim expression, gave them a curt once-over. “I don’t suppose you’ve got any ID, Mr Presswick?”
Don didn’t have, but Berni rooted in her handbag and handed over a couple of credit cards. This seemed to satisfy the officer, though he still didn’t smile.
He passed the cards back. “You’re aware what’s been going on?”
“That’s why we’re here,” Don said. “To babysit Mum ’til it’s over.”
“Good idea.” The officer tapped the roof with his fingers. “Okay, that’s fine.”
“Listen …” Don adopted a confidential tone. “How’s it going? The investigation, I mean. Obviously it’s a concern, with my mum living on the estate.”
“Sorry Mr Presswick, there’s nothing I can tell you.”
“I’m ex-job. Don’t know if that makes any difference.”
The officer shrugged. “I can’t tell you anything because I don’t know anything. Enquiries are ongoing, as you’ll understand. We’ve a lot of bodies working on it.”
Don thanked him and drove on.
“Bloody woodentop,” he said.
“You were only a PC,” Berni reminded him.
“I had a lot more experience than him.”
“They all have to start somewhere.”
“Suppose so. Just wish it wasn’t on Mum’s estate, at this moment.”
It was only the third time Berni had visited The Grove since she’d married Don, but again she was reminded how lovely an old property it could be.
A large, five-bedroom detached, built well before the rest of the housing estate, it had been constructed in the Jacobean style – though it was actually Victorian – and was almost entirely clad with white plaster and black beams. Much of this was now weathered, the little you could see of it thanks to the high wall surrounding it, not to mention the tall trees in its front, rear and side gardens. Glimpsed through the red autumn foliage, the plaster had turned green and was flaking;
