The Office of the Dead. Andrew Taylor

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      ANDREW TAYLOR

      THE OFFICE OF THE DEAD

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       Dedication

      For Vivien, with love and thanks

      Contents

       Cover

       Title Page

      Dedication

      16

      17

      18

      19

      20

      21

      22

      23

      24

      25

      26

      27

      28

      29

      30

      31

      32

      33

      34

      35

      36

      37

      38

      39

      40

      41

      42

      43

      Part III: The Blue Dahlia

      44

      45

      46

      47

      48

      49

      About the Author

      Author’s Note

      Praise

      Also by the Author

      Copyright

      About the Publisher

PART I

       1

      ‘I’m nobody,’ Rosie said.

      It was the first thing she said to me. I’d just pushed open the door in the wall and there she was. She wore red sandals and a cotton dress, cream-coloured with tiny blue flowers embroidered on the bodice, and there were blue ribbons in her blonde hair. The ribbons and flowers matched her eyes. She was very tidy, like the garden, like everything that was Janet’s.

      I knew she was Rosie because of the snapshots Janet had sent. But I asked her name because that’s what you do when you meet a child, to break the ice. Names matter. Names are hard to forget.

      ‘Nobody? I’m sure that’s not right.’ I put down the suitcase on the path and crouched to bring my head down to her level. ‘I bet you’re really somebody. Somebody in disguise.’

      ‘I’m nobody.’ Her face wasn’t impatient, just firm. ‘That’s my name.’

      ‘Nobody’s called nobody.’

      She folded her arms across her chest, making a cross of flesh and bone. ‘I am.’

      ‘Why?’

      ‘Because nobody’s perfect.’

      She turned and hopped up the path. I straightened up and watched her. Rosie was playing hopscotch but without a stone and with an invisible pattern of her own making. Hop, both legs, hop, both legs. Instead of turning to face me, though, she carried on to the half-glazed door set in the wall of the house. The soles of her sandals slapped on the flagstones like slow applause. Each time she landed, on one foot or two, the jolt ran through her body and sent ripples through her hair.

      I felt the stab of envy, almost anger, sharp as John Treevor’s knife. Nobody was beautiful. Oh yes, I thought, nobody’s perfect. Nobody’s the child I always wanted, the child Henry never gave me.

      I’d been trying not to think about Henry for days, for weeks. For a moment his face was more vivid than Rosie and the house. I wished I could kill him. I wished I could roll up Henry and everything else that had ever happened to me into a small, dark, hard ball and throw it into the deepest, darkest corner of the Pacific Ocean.

      Later, in one of those fragmentary but intense conversations we had when Janet was ill, I tried to explain this to David.

      ‘Wendy, you can’t hide away from the past,’ he said. ‘You can’t pretend it isn’t there, that it doesn’t matter.’

      ‘Why not?’ I was a little drunk at the time and I spoke more loudly than I’d planned. ‘If you ask me, there’s something pathetic about people who live in the past. It’s over and done with.’

      ‘It’s never that. Not until you are. It is you.’

      ‘Don’t lecture me, David.’ I smiled sweetly at him and blew cigarette smoke into his face. ‘I’m not one of your bloody students.’

      But

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