at all.’ She could not tell Marianne of her doubts. ‘I had no intention of falling at his feet or even encouraging him. I need to be more subtle than that.’
‘More subtle,’ Marianne repeated, looking into Maddy’s bright eyes. ‘Oh, Maddy I do hope you have not developed a tendre for him. The Duke will never allow his son to become attached to an actress.’
‘But if that actress also happens to be the granddaughter of a French comte, he might condescend to overlook her faults.’
‘You never told him that tale of the French émigré, did you?’
‘Why not?’
‘Oh, Maddy, you will be in a serious coil, if you persist. Tell him the truth, make a jest of it before he finds out for himself.’
‘I didn’t know who he was when I told it. He was pretending to be a nobody while I was doing my best pretending to be a somebody, so we were both at fault. It was only harmless fun, not to be taken seriously at all. I am sure his lordship did not do so.’ And that was what rankled. He had not asked to see her again and she would not be given another opportunity to demonstrate her ascendancy over him. He had been the one to draw back, as if he had suddenly remembered who he was and what she was. An actress.
‘I am glad to hear it.’ Marianne stood up, prepared to leave. ‘Now, I suggest you go to bed. You will be fit for nothing later today if you do not.’
When Marianne had taken her leave Madeleine undressed and climbed into bed, knowing, late as it was and tired as she was, she would not sleep. Her evening out, which had been so enjoyable in one way, had been a disaster in another. Sometimes for days, even weeks, at a time she managed to forget her past and her enmity towards the aristocracy, but tonight had brought it all back and she was feeling decidedly vulnerable.
The fact that the Marquis had appeared to believe her story of her French grandfather, and had said he had known she was a lady of good breeding, made her wonder about her unknown father. She racked her brains, trying to think of anything her mother might have said to throw some light on who he could have been, but there was nothing. She could not remember Mama even mentioning him.
Her grandfather was certainly not a French émigré, she had invented him, but supposing the fictional character could give her an entrée into Society? And in the dark watches of the night when anything seems possible, a plan began to form in her mind, a plan so audacious it made her shiver. But she needed the help of her friend Marianne.
‘Well, do I owe you twenty-five pounds or not?’ Benedict asked Duncan the following morning when he came upon him at Humbold’s coffee house, blowing a cloud and amusing himself watching the people passing the window. ‘A week has gone by and no news of the citadel being stormed.’
‘Citadel?’
‘The lovely Madeleine Charron.’
‘Supper we agreed and supper it was,’ Duncan said, sitting down opposite his friend and beckoning to the waiter to bring a dish of coffee to him. ‘Taken at Reid’s with plenty of witnesses, so pay up and look cheerful about it.’
Benedict dug in his tail pocket and produced his purse. ‘And?’ He carefully counted out the twenty-five sovereigns in five neat heaps. ‘You are going to refine upon that, I hope.’
‘Nothing to refine upon.’
‘You are bamming me.’
‘No. What happened and what was said between us is our private business and nothing to do with the wager.’
‘She turned you down!’ It was said almost triumphantly.
‘Not at all.’ Benedict was annoying him and he was damned if he would tell him anything. ‘But, unlike you, I do not rush in where angels fear to tread. I prefer to deal gently with the fair sex. It pays in the end.’
‘Ah, the assault goes on. You want another wager?’ His hand hovered over the coins. ‘Double or quits?’
‘For what?’
‘For a night in her bed.’
Duncan should have refused. He should have scooped up his winnings and told his friend that he had no intention of even trying, when he realised that Benedict would take that as weakness or a lack of self-confidence at the very least and would offer to do the deed himself. The thought of his clumsy friend going anywhere near Madeleine filled him with a kind of desperate fury. He smiled. ‘Done, my friend.’
‘Done to the wager or done to the deed?’ Benedict queried, grinning.
‘The wager, you bufflehead.’
Benedict retrieved the coins and replaced them in his purse with evident relief. ‘Another se’nnight?’
‘No, give me credit for more finesse than that. Make it a fortnight.’
He could have bitten his tongue out. If the object of the wager had been anyone else but the lovely Madeleine Charron, he would not have given it another thought. As it was, he was consumed with shame. She had endured so much in her short life, he had no right to play with her as if she were a toy. She deserved his respect. He flung the contents of the coffee cup down his throat and with a curt, ‘I will see you later,’ stood up and left the premises.
He knew he ought not to see Madeleine again, but he also knew it would be impossible to stay away. He had been ensnared. It was not a condition he was comfortable with and he set off for Bond Street, where he took out his frustration, anger and guilt on his sparring partner at Gentleman Jackson’s boxing saloon, until that gentleman called out to him to stop if he didn’t want to be done for murder. He apologised and decided there was nothing for it but to go home and pretend nothing had happened. He had enjoyed an evening out with a pretty actress; nothing out of the ordinary in that, nothing to lose another night’s sleep over.
He would pay Benedict his fifty pounds and be done with it.
Chapter Two
B eing part of a theatrical troupe, Madeleine was used to strange hours, when night became day and day was a time for sleeping and she did not see Marianne again until the following afternoon when the cast met to rehearse the new play to be put on the following week.
Although he sometimes put on burlesque or contemporary plays lampooning the government, Lancelot Greatorex was chiefly known for his revivals of Shakespeare’s plays to which he gave a freshness and vitality, often bringing them right up to date with modern costumes and manners and allusions to living people or recent history. The following week Madeleine would be playing Helena in All’s Well That Ends Well, which lent itself surprisingly well to such treatment.
In it, Helena, a physician’s daughter, cures the king of a mysterious illness and as a reward is allowed to choose one of his courtiers for a husband. She chooses Bertram, Count of Rousillon, but he maintains Helena is beneath him and though he is obliged to obey the king and wed her, he goes off to the wars rather that consummate the marriage. Later, Helena tricks him into bed by making him think she is another woman for whom he has a fancy and they exchange rings. When he realises what has happened, he accepts Helena for his wife.
Maddy did not like the play; she thought the hero a weak character and the ending even weaker and she questioned whether a marriage based on such
