Beach House Beginnings. Christie Ridgway
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Christie Ridgway invites you to a special place of sun, sand and romance in her new series, Beach House No. 9. Enjoy this prequel novella and meet the people of Crescent Cove…
Two miles of magic. That’s how Meg Alexander remembers her childhood home of Crescent Cove on the California coast. But Meg doesn’t believe in magic anymore—not since heartbreak made her leave at nineteen and kept her away for ten years.
Yet Meg can’t say no when her sister asks her to temporarily step in as the cove’s property manager—and she can’t deny her instant attraction to handsome guest Caleb McCall. He sparks a desire that Meg hasn’t felt in a long time. But even as their incredible, incendiary kisses tempt her into a short-term fling, her head tells her to pull away.
Can Caleb convince her to give love a second chance?
Return to Crescent Cove in Beach House No. 9, Bungalow Nights and The Love Shack, coming soon from Christie Ridgway and Harlequin HQN.
Beach House
Beginnings
A Beach House No. 9 Novella
Christie Ridgway
Dear Reader,
I want to take you away! I have a special place for you to visit, with sun and sand and magic. Not the hocus-pocus kind of magic, but the kind of alchemy that occurs when two strangers meet and know instantly the moment is a game-changer. Their hearts beat faster and there’s an exuberant lift in their bellies and even if they don’t want to feel like this, they just…do.
Three full-length romances are ahead, Beach House No. 9, Bungalow Nights and The Love Shack. But for now I hope you’ll enjoy this first look at Crescent Cove as the sunshine breaks through the coastal fog to reveal a gem of a setting and a man and a woman who are about to uncover treasure…in each other. Both Caleb McCall and Meg Alexander have fractures of the heart that only the act of committing to each other can fully mend. I hope you’ll root for them and return for more Beach House No. 9 books.
Here comes the sun!
Christie Ridgway
Contents
This world, after all our science and sciences, is still a miracle: wonderful, inscrutable, magical and more, to whosoever will think of it.
—Thomas Dekker, English writer and dramatist
Chapter One
Two miles of magic.
Trudging through soft sand, Meg Alexander remembered that’s how she’d thought of her childhood Neverland, Southern California’s Crescent Cove. Even after ten years away, she recalled how lucky she’d felt growing up here.
Meg’s great-great-grandfather had purchased the land as a location to make silent movies such as The Courageous Castaways and Sweet Safari, and the tropical vegetation he’d trucked in for authenticity in 1919 continued to thrive at the cove today. The buff-colored bluffs rising up from the beach were made more colorful by the bright green fronds of date palm trees and the salmon and scarlet flowers of bougainvillea that nestled beside the native sagebrush. Closer to shore, floppy-leaved banana plants, chunky Mexican fan palms and colorful hibiscus shrubs surrounded the fifty eclectic cottages, most of which had been built during the 1920s through 1950s.
Each of the beach houses at Crescent Cove was different, their form-following whims now long forgotten. Their paint schemes were as varied as their shapes and sizes, though the colors selected blended well with the landscape of sand, earth and vivid flora. The single similarity was that in every one, windows peered oceanward.
Meg didn’t dare look in that direction, herself.
Growing up, her mother had told Meg and her little sister, Skye, that merfolk lived in those waters off shore, protecting the cove with their supernatural powers. Growing up, Meg had believed in that, just as she’d believed that sand dollars were the merpeople’s currency and sea glass the discarded pieces from some mysterious merchildren’s board game.
But Meg didn’t believe in magic or mystery anymore.
“Good morning,” an elderly male voice said.
Startled, Meg looked up. “Hey, Rex. Good morning, yourself.” Rex Monroe, ninety-some years young, was the only full-time resident at the cove other than Skye, who had managed the property since their parents’ move to Provence, France. Yesterday, for the first time in a decade, Meg had met up with the nonagenarian as he walked along the sand. Like now, the clouds had been low and damp, the typical gloomy “May Gray” weather conditions. “Getting in your daily constitutional?” she asked.
Rex patted his belly, covered in a flannel shirt tucked into soft chinos. “It’s not just you ladies who have to watch your figures. Are you settling in okay?”
“Oh, sure,” Meg said, waving a hand. It was actually weird being back in her childhood bedroom, ten years after leaving the cove at nineteen, but her sister had been invited to the out-of-town wedding of a former college roommate. How could Meg have refused to step in? Memorial Day weekend was the kick-off of the Crescent Cove summer season. Someone had to be on hand to pass out keys to the bungalows and handle minor crises.
Even if it was a major crisis, in Meg’s mind, to be back here.
“I see you have a satchel of tools,” Rex said, pointing to the canvas bag she carried. “Something need fixing already?”
“Not really. Just trying to keep busy.” Anything to prevent her from thinking of the last summer she’d spent at the cove. “I’m going to scrape the deck railing at Beach House No. 9. I understand that Griffin Lowell has been staying there the last couple of months, but since he’s away for a few days, Skye hired a contractor to take care of the blistering paint while he’s gone.”
Rex gave Meg a piercing look that reminded her he was a former war correspondent, one who’d won a Pulitzer during World War 2. “What? The man Skye hired doesn’t have some sort of electric paint-removing machine?”
“Uh, well…” Meg glanced at the simple metal scraper at the bottom of her bag, sitting beside a few other basic tools and her bottle of water. “You know what they say about idle hands. I thought I’d do the work myself.” An idle mind was even more dangerous, Meg had decided. She had to stay busy to avoid thoughts of that last summer. Of Peter.
Rex nodded as if he understood