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Mills & Boon is proud to present a fabulous
collection of fantastic novels by
bestselling, much loved author
ANNE MATHER
Anne has a stellar record of achievement within the
publishing industry, having written over one hundred
and sixty books, with worldwide sales of more than
forty-eight MILLION copies in multiple languages.
This amazing collection of classic stories offers a chance
for readers to recapture the pleasure Anne’s powerful,
passionate writing has given.
We are sure you will love them all!
I’ve always wanted to write—which is not to say I’ve always wanted to be a professional writer. On the contrary, for years I only wrote for my own pleasure and it wasn’t until my husband suggested sending one of my stories to a publisher that we put several publishers’ names into a hat and pulled one out. The rest, as they say, is history. And now, one hundred and sixty-two books later, I’m literally—excuse the pun— staggered by what’s happened.
I had written all through my infant and junior years and on into my teens, the stories changing from children’s adventures to torrid gypsy passions. My mother used to gather these manuscripts up from time to time, when my bedroom became too untidy, and dispose of them! In those days, I used not to finish any of the stories and Caroline, my first published novel, was the first I’d ever completed. I was newly married then and my daughter was just a baby, and it was quite a job juggling my household chores and scribbling away in exercise books every chance I got. Not very professional, as you can imagine, but that’s the way it was.
These days, I have a bit more time to devote to my work, but that first love of writing has never changed. I can’t imagine not having a current book on the typewriter—yes, it’s my husband who transcribes everything on to the computer. He’s my partner in both life and work and I depend on his good sense more than I care to admit.
We have two grown-up children, a son and a daughter, and two almost grown-up grandchildren, Abi and Ben. My e-mail address is [email protected] and I’d be happy to hear from any of my wonderful readers.
Prelude to Enchantment
Anne Mather
MILLS & BOON
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Table of Contents
THE Palazzo Malatesta stood in all its crumbling magnificence overlooking the narrow waterway which was its main link with the rest of the city. Beyond this quiet backwater flowed the busy reaches of the Grand Canal where private and public craft alike provided an ever-changing parade of colour, and where every few yards some splendid remnant of Venice's turbulent history could be seen.
The palazzo itself retained a certain majesty that no amount of decay could entirely destroy. A patina of years had filmed its stone walls and cast a glazing of green across its gilded loggia and on the proudly raised head of the bronze griffin which guarded its entrance. Curled poles supported a stone landing stage in front of the palazzo beside which a motor launch gleamed incongruously.
To Sancha Forrest, leaning on the side of the craft in which she was travelling trailing a lazy hand in the cool water, the whole building exuded an air of timelessness that was in itself slightly unnerving. How could anyone live in such a place, following the day-to-day pursuits of twentieth-century Italy, when their surroundings so obviously belonged to the age when chivalry and violence so often walked hand in hand? In this quiet quarter of the city it was incredibly easy to visualise what the palazzo must have been like then when some noble family had filled its walls with life and vitality and put to full use its halls and apartments.
