Flashback. Gayle Wilson

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Flashback - Gayle Wilson Mills & Boon Intrigue

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      The arm that snaked around her waist lifted her off her feet.

      As she was crushed against a chest that felt as solid as oak, her gun was stripped from her hand. She kicked back with her right foot, the heel of her boot making satisfying contact with the shin of whoever held her. At the same time, she twisted, trying to free herself.

      “Stop it,” the man who’d captured her growled against her ear. “It’s me. Underwood.”

      Intent on her struggles, it took a second for that identification to sink in.

      Before it did, as if to emphasize his command, he shook her, hard enough to make her teeth snap together. “Stop it or you’re going to get us both killed.”

      His breath was warm on her cheek. The stubble she’d noticed the night he’d come to the station moved against her skin. As unreasonable as it seemed, given the situation, she felt that same rush of sexual awareness she’d experienced this afternoon.

      “Okay,” she whispered. “Okay.”

      Flashback

      Gayle Wilson

       www.millsandboon.co.uk

      MILLS & BOON

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      To Denise, with much gratitude for the opportunity

       to write another Intrigue

      ABOUT THE AUTHOR

      Gayle Wilson is a two-time RITA® Award winner, taking home the RITA® Award for Best Romantic Suspense Novel in 2000 and for Best Romantic Novella in 2004. In addition to twice winning the prestigious RITA® Award, Gayle’s books have garnered more than 50 other awards and nominations.

      Gayle was on the board of directors of Romance Writers of America for four years. In 2006 she served as the president of RWA, the largest genre-writers’ organization in the world. She has written for Harlequin Historicals, Harlequin Intrigue, Special Releases, HQN Books, MIRA, and Mills & Boon.

      Please visit her website at www.BooksByGayleWilson.com.

      CAST OF CHARACTERS

       Eden Reddick —The unsolved disappearance of her sister shattered Eden Reddick’s childhood. When a little girl is kidnapped in a manner that eerily echoes that long-ago mystery, Eden, now the chief of police of Waverly, Mississippi, has an opportunity to prevent that same tragedy from destroying the lives of another family.

       Jake Underwood —The ex-special forces major paid a heavy price for his service to his country, a sacrifice Jake thought he’d made peace with—until a terrified child inexplicably shows up in one of his flashbacks.

       Raine Nolan —Raine is taken from her own bed and from the same room in which her sister is sleeping—exactly as Eden’s sister was kidnapped more than two decades before and in a place hundreds of miles from this small Southern town.

       Margo Nolan —Raine’s mother has no choice but to cling to the belief that Eden has the skill and determination to find her daughter—because the alternative is simply unthinkable.

       Ray Nolan —Raine’s father is the prime suspect in his daughter’s disappearance. Is Eden’s faith in his innocence colored by her love for her own father?

       Dean Partlow —Eden’s deputy chief, who has been not only her mentor, but also her friend, brings his expertise in police work as well as his knowledge of the area to the investigation, but will it be enough to find the missing child in time?

       Dr. Benjamin Murphy —Nobody knows Waverly and its people better than Doc Murphy, but it is questions about Jake Underwood that bring Eden to his door.

       Prologue

      The aura was like how people describe a migraine. Except it wasn’t. There was no pain. And nothing he could take to prevent what he knew was about to happen.

      He leaned against the side of his truck, waiting for the inevitable—that burst of light or energy or whatever it was that marked the disappearance of the present and the return of the sights and sounds and smells of the day his life had changed forever.

      What he smelled mostly was the diesel fuel. Smoke. And the blood, of course, but that came later.

      What he heard—immediately and until the very end—were the screams. Those echoed and reechoed in his nightmares as well, but never with the intensity they had in the flashbacks.

      This time the force of the transition was so strong it battered him physically. Although he wasn’t conscious of the movement, his knees buckled, throwing him to the ground beside the pickup.

      Bile rose in his throat as he waited for the rest. Carter’s shrieked profanities, intermingled with pleas to the Virgin, as he tried to stuff his intestines back inside his body. The sound of the second RPG striking the vehicle behind them.

      After that came the smells. All of them. Everything that signified agony and death and loss.

      This time, however, there was an almost eerie stillness. He opened his eyes—although he’d never been able to ascertain if they really closed during these episodes—and found not the monochromatic sameness of the desert landscape that had always been there before, but a pit. A hole. Something dark and sinister, although he couldn’t identify anything else about it.

      And instead of Carter’s screams, all he heard was water dripping. The slow, steady pulse of a leak or of condensation off the overwhelming dampness that now surrounded him. He shivered against its chill, fighting a primordial response to its blackness.

      He had no idea where he was. Or why he was here. All he knew was that he was terrified, a gut-level fear his extensive combat experience didn’t alleviate.

      He wanted to close his eyes again. To hide from the cold, terrifying darkness. To deny its existence.

      As his lids began to fall, he caught a peripheral glimpse of something else that shouldn’t be here. Not in this cave, this hole, this wherever it was.

      Not

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