Tangled Tapestry. Anne Mather
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‘Say, you kids, how’d you like to see your Miss Warren take a screen test?’
Debra turned to him, compressing her lips angrily. ‘Oh, really—’
‘We sure would!’ exclaimed Pete Lindsay, her freckle-faced pupil.
‘That’s for sure!’ echoed the others.
‘Go on, Miss Warren, be a dare-devil!’
‘They may make you a television star,’ exclaimed Sheralyn dreamily. ‘Oh, Miss Warren, fancy working with Ross Madison!’
All the children were enthusiastic, seeing this as an excuse to stay away from school a bit longer. Debra herself was convinced Emmet Morley had deliberately appealed to the children on her behalf because he knew she would have refused had they been alone. As it was, she felt she would look small and petty if she refused. And also she was sure that this was what Morley had wanted all along, but like the shrewd man he was, he had waited until the perfect opportunity presented itself so that she could not refuse.
‘Mr. Morley,’ she began slowly, ‘I really think it’s time we were leaving. I’m sorry, but—’
‘Nonsense!’ exclaimed Emmet Morley, his faint frown an indication that she was annoying him too. ‘What are you so scared of here, Miss Warren? We’re not monsters, we’re only human beings, the same as everyone else.’
‘I … I’m not scared!’ exclaimed Debra furiously.
‘Then what have you to lose? Take the test!’
Debra clenched her fists. ‘You’re … you’re making it practically impossible for me to refuse.’ She glanced round at the children. ‘You know perfectly well that if I do refuse it will seem churlish. Besides disappointing the children!’
‘Exactly. So what are we hanging about for?’ he remarked dryly.
Debra’s eyes met his for a moment, and then she capitulated. ‘Oh, very well. But I still think it’s all rather ridiculous!’
Lucy Powell, who had been standing close by listening, moved nearer to Debra as Morley walked away to arrange for the test. She gave Debra a studied glance, and then said: ‘What gives? Are you some relation of his?’
‘Of course not,’ exclaimed Debra, rather shortly, and then added contritely: ‘I’ve no idea what’s going on. Do many people take tests?’
‘A fair number. But not like this, straight off the cuff, so to speak. There are always hundreds of people, men and women, all hanging around waiting to get “discovered” as they say. But in your case you have the satisfaction of knowing that what’s happening to you is practically a unique experience.’
‘But why?’
‘That’s what I’d like to know. I’ve never known Morley interest himself in unknowns before, except when he expects to make a deal of money out of it.’
Debra sighed weakly. ‘It’s fantastic! Oh, well, I hope it’s soon over.’
‘Pray that it’s a success,’ remarked Lucy sardonically. ‘Have you any idea what you could earn as a television personality?’
‘Money doesn’t interest me,’ exclaimed Debra. ‘At least, only so far as keeping me in food and clothes is concerned. I’ve no aspirations to grandeur.’
‘Amazing,’ remarked Lucy dryly, and walked away, leaving Debra to her own confused thoughts.
In the shortest space of time the studio was cleared and Morley took charge. Debra was amazed at the way he shed his semi-indolent manner and became a veritable tiger when his wishes weren’t carried out instantly. She glimpsed the genius behind the façade and was suitably impressed. The cast of the series were not particularly pleased to be shifted off the set, and Debra felt awful about the whole business. It just wasn’t feasible that Emmet Morley was doing all this because he liked her face, and the reasons hidden were beginning to trouble her.
But when it came to the actual test she found it was not at all difficult, after all. She followed his instructions implicitly, and found that once she was actually before the cameras her nervousness fled and she relaxed completely. She didn’t know why, but she felt an affinity with the artificial scenery, the set of a comfortable lounge, and in consequence when she was handed a script she read from it without actually thinking about it. She had always been good at amateur dramatics, and had taken part in several school plays, but even she was unaware that she was particularly good until at the end of her speech the whole studio resounded with the applause of the watching crew.
Hot, flushed and embarrassed, she thrust the script back into Morley’s hand and said:
‘Please, now can I go?’
Morley seemed abstracted, and merely nodded, as though lost in his own thoughts, and Debra made good her escape. She didn’t know why she had this incredible urge to get away, but it was overpowering, and she breathed a sigh of relief when the studio doors swung to behind them.
The children were admiring and loud in their praise, but Debra managed to quieten them. She had no particular wish to remember what had just occurred. She was no stage-struck teenager, and all she could feel was relief that her ordeal was over. She refused to consider what might be behind it all. It had been a strange experience, and she felt uncomfortably suspicious that Emmet Morley would not let her get away so easily. It would be an easy matter for him to find her telephone number if he wanted to get in touch with her.
She shook these thoughts away impatiently. It was no good worrying over something that might never happen. She straightened her shoulders. After all, she would not allow herself to be bulldozed into anything she did not like.
It wasn’t until she was in bed that night and musing over the day’s events that she recalled the words she had spoken during her screen test. Emmet had thrust the script into her hand and she had been too bemused to register what it was. But now she remembered: it had been ‘Avenida’ and the words she had spoken were Laura’s words; Laura, the part which had given Elizabeth Steel her greatest success.
DEBRA poured herself a cup of coffee and carried it through to the wide window seat in the lounge. From here she had an uninterrupted view of the outer waters of the harbour, and at this hour of the early evening it was unbelievably beautiful. The apartment was small, and not always quiet as it was now, the rest of the building being taken up by young people who seemed to spend their nights playing records and dancing, despite the complaints of the landlady downstairs, but the situation made up to Debra for everything else it lacked. She spent hours sitting here, sometimes sketching idly, and sometimes just dreaming, and remembering that in twelve short weeks she would be back in Valleydown.
The prospect of returning to her aunt’s house was not an inviting one. Aunt Julia was not a gregarious person, and did not welcome company in the small house backing on to the river. She was content to sit and knit, and watch television, and sometimes read a magazine. She did a little gardening, complained about the neighbours and the housework, and the cost of groceries, and this was her whole world. In truth Debra had begun to