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THEY SAID NO MORE.
After the music stopped, he bent over her hand—and kissed it. Georgie pulled it away, as though the kiss had stung her, and for a moment he thought that she was about to leave him there, stranded.
“No,” he said, and recovered the retreating hand. She stared at him, eyes huge in a pale face. “Come, Mrs. Georgie,” he said, still gentle. “Admit it—we were both in the wrong.”
Her indomitable spirit surfaced again. “What did it cost you to tell that lie, Fitz?” she demanded, still letting him hold her hand. “You can’t believe that you were in the wrong.”
Paula Marshall, married with three children, has had a varied life. She began her career in a large library and ended it as a senior academic in charge of history. She has traveled widely, has been a swimming coach and has appeared on U.K. quiz shows such as University Challenge and Mastermind. She has always wanted to write, and likes her novels to be full of adventure and humor.
Miss Jesmond’s Heir
Paula Marshall
MILLS & BOON
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Contents
Chapter One
‘Georgie, dear, have you heard the news? Louisa Manners came this morning whilst you were out and told me that the caretaker at Jesmond House had received word from the heir that he intends to take up residence there almost immediately. It seems that he is not aware of how derelict the place has become over the last few years. All in all, though, I don’t think that it would be wise for you to take the children to play in the grounds. Miss Jesmond was happy for you to do so, but perhaps the new owner might not be so accommodating. Best wait and see.’
Georgie—more properly Georgina—was busy stringing a guitar. She looked across at her widowed sister-in-law who was only a few years older than she was, but was a semi-invalid who spent her life on the sofa.
‘Who is the new owner?’ she asked. ‘Have you any notion when he is due to arrive?’
‘No to both questions.’ Caro Pomfret sighed. ‘Louisa asked me if I knew who the heir might be, but all I could say was that I had no knowledge of any of Miss Jesmond’s relatives—indeed, from what little she said of them, I thought that she had none. For that matter, I don’t even know that it’s a he. I thought that she might have said something to you—she was as friendly with you as anyone…which isn’t saying much.’
She looked disapprovingly at Georgie. ‘You said that you were taking the twins for a walk when you had finished repairing poor John’s guitar—do you really intend to show yourself in public in those unsuitable clothes?’
Georgie, her self-imposed task nearly over, smiled at her sister-in-law before looking down at herself. She was wearing jacket, shirt, breeches and boots, suitable for riding in, which had belonged to her half-brother John when he was a boy. Her russet-coloured hair was cut short after a fashion which had died out some years ago—but then Georgie and fashion had little to do with one another. She preferred to wear whatever was most suitable for the task in hand.
Her sister-in-law often sighed regretfully over the undeniable fact that Georgie did not use her best features—a pair of fine green eyes and a piquante, almost turned-up, nose—to more effect on the local gentlemen who had come courting as soon as they decently could after her husband’s death.
‘I shall not be in public, Caro,’ Georgie said, after playing a few testing chords on the guitar. ‘I thought of taking Gus and Annie to play at the far end of the Park where no one at all will see us, except the birds and the squirrels. The children like it there.’
‘I know they do. But you are forgetting two things. First of all, that part of the Park adjoins Miss Jesmond’s land, and secondly, you can never be quite sure that no one will come across you. Suppose it were some gentleman? What would he think of Miss Pomfret of Pomfret Hall, near Netherton, exhibiting herself in public dressed like a stable boy!’
‘Hardly a stable boy,’ returned Georgie, smiling. ‘When John wore these when he was a lad, no one ever
