I Still Dream. James Smythe
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But the front door isn’t double-locked when I get there. Paul’s obsessive about that stuff. Making sure everything is totally safe and sound. I worry, instantly, about the post: I’m late, and maybe there will be another bill for the telephone, even though I know that’s insane, that the last one arrived literally three days ago, and we had that argument, that’s been done and dusted.
No post by the front door, but Mum’s coat, and her handbag on the floor, by the stairs. ‘Mum?’ I shout, but there’s no reply. So I go looking. No sign of her in the living room or kitchen. I go upstairs.
I open the door to my bedroom, and there she is, sitting at my desk. She’s not prying. She’s just sitting.
‘Why aren’t you at work?’ I ask her.
‘Do you know what Monday was?’ she asks, ignoring my question.
‘No,’ I say; but something niggles, something’s right there, in the back of my mind. Because I do know, of course I know.
‘Monday was ten years,’ she tells me. Since he left. I remember then. I don’t know how I’m meant to react to that. I never have. If he had died, we would mourn. But he just went. He disappeared. He was a let-down, that’s what my mum’s friend said to her, when she was trying to make everything feel better in the weeks afterwards. He was such a tremendous let-down to you all.
‘I forgot,’ I say.
‘So did I,’ she says. ‘I forgot until I looked at the calendar, when Paul and I were working out some stuff with the phone bill. Then …’ Her voice trails off. ‘I hate that you’re hurting yourself,’ she says. Raises a finger. ‘Please, don’t talk,’ she tells me, before I’ve even had a chance to deny it. ‘Do you need to talk to somebody?’
‘What?’ I sound indignant. Don’t mean to.
‘Do you want to go and speak to somebody? About what’s going on?’
‘Like when Dad left?’ With what’s-her-name, with the biscuits and the hot chocolate? Like I’m still a kid.
‘No. A doctor. They can, I don’t know. I’ve read some things, some articles. It might help.’ She’s not angry. That look on her face, it’s not anger. She’s afraid.
So I say, ‘Maybe, yes,’ and she nods.
‘Okay. I’ll make an appointment.’ I think I should hug her, but I don’t. It’s like a chance I’ve missed, in that moment. ‘I miss him,’ she tells me. When she made me go and have my talks with what’s-her-name, after Dad left, Mum didn’t talk to anybody. She went tight-lipped and cold until she felt better. Until Paul, that is. He was her thaw.
‘I miss him too,’ I say. She nods. She knows.
‘How was school?’
‘Fine,’ I say. ‘Usual.’ She stands up, pats my desk as if it’s a dog or something.
‘Okay,’ she says, and she reaches out to squeeze my arm, her hand dangerously near to my elbow, as if she’s testing to see how close she can get. ‘He would have been proud of you.’ She glances at the computer. ‘You take after him so much. I hope not too much.’
‘I know.’ Then she’s gone downstairs, and I’m booting my PC, and flicking on the modem, and dialling in to AOL, and not really caring if she knows that I am.
One of the users of the online forum I asked for help on, a German who goes by the username Mxyzptlk, tells me that there are things I can do to cut Mr Ryan off. But everything he suggests is malicious, designed to force Mr Ryan to keep his computer turned off; or, worse, to make his life hell. The next answer, from somebody called ThankeeMrShankly, is more useful. He says that I could send a virus, basically. If it’s sending bug reports, it can probably receive information. It’s really complicated stuff. I don’t understand it, which is my failing, not theirs. I’m still an amateur. My code is stuff I’ve plucked and learned from how-to guides I got from the library, from my dad’s old books, from other programs. It’s a pieced-together mess that happens to work. I didn’t plan for what happened after it existed. ThankeeMrShankly says he can help, but I’ll have to send him the code for my software. He’ll take it from there. I don’t want to do that. I thank him, say sending it’s impossible, but that I’ll be really grateful if he wouldn’t mind explaining it in more detail. I don’t say: I can’t trust you in the least.
I’ve got three emails from the bug report system from Mr Ryan’s version. Two of them come from his home address. One is from somewhere else entirely. I don’t have a real address, just an IP address, the location of his computer; a series of numbers, like coordinates I can’t look up.
I ask on the forum how I can trace an IP address, in the real world; and I wait. I tap my fingers on the desk. I’m antsy. I know what happens when I get antsy, where my attention goes. It goes to scratching itches.
Then a reply comes in. Again, from ThankeeMrShankly. Upload it here, we’ll do it, he offers. No software needed for that.
Thanks! I write. I type it out, and I wait again.
An email from Shawn pings in, while I’m waiting. Just like yesterday: it’s nothing but nonsense that doesn’t seem like he gives a shit. Tell me more. This time I write back to him. I write that I’m angry. What’s the point in us chatting like this if he isn’t even paying attention? I press send. I don’t give myself a chance to regret it. I look at the compilation tape, in the stereo. The wheels of it, ready to turn, to copy something else onto it. I find my next song. Portishead. Shawn said, way back, when we first started chatting, that he didn’t like them. That they were girls’ music, or some bullshit like that.
I didn’t say: Oh, fuck off.
Regret that, now.
And then I don’t know what to do next, so I turn off my computer, get up, go downstairs. Mum’s sitting on the sofa. There’s a nearly-empty glass of wine on the table in front of her, and she’s got her feet nestled up underneath herself, like she’s a cat. Stub sitting next to her, showing her how to do it for real. I don’t say anything. I pick Stub up – his bones creak between my fingers as his limbs dangle – and I sit down where he was, in the warmth of his seat. He stretches, purrs on my lap. I put my hand on my mum’s arm. On the TV, one of the characters has had an affair. They’re abandoning their family. Neither of us says a word, but we both think: This feels so unrealistic. To watch it played out like this. How fragile the family he leaves is, and how hysterical.
There’s still no reply on the forum when I go to bed, which makes me panic. I’m sitting there, pressing refresh in the darkness of the house. I swear, if I strain, I can hear Paul’s breathing machine: the tough sucking in, the exhausted heaving out. Over, and over. I shut my eyes. Through that background, I hear foxes in the garden, calling out like screaming little kids. They’re having sex, I know, but there’s such a panicked innocence in the sound. They want help, it sounds like. But really, don’t we all?
I open Organon. I do as I do every night, and I write my feelings into it. My truth.
> How would you fix this?