Little Grey Cells. Agatha Christie

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      LITTLE GREY CELLS

      ‘In the little grey cells of the brain lies the solution of every mystery.’

       ‘The King of Clubs’

       Copyright

      Published by HarperCollinsPublishers Ltd

      1 London Bridge Street

      London SE1 9GF

       www.harpercollins.co.uk

      First published 2015

      Agatha Christie® Poirot® Little Grey CellsTM

      Copyright © Agatha Christie Limited 2015

      All rights reserved.

       www.agathachristie.com

      Cover design © HarperCollinsPublishers Ltd 2015

      Agatha Christie asserts the moral right to be identified as the author of this work.

      A catalogue copy of this book is available from the British Library.

      All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

      Source ISBN: 9780008116606

      Ebook Edition © 2019 ISBN: 9780008116613

      Version: 2019-11-21

      CONTENTS

       Cover

       Title Page

      Copyright

      Introduction

       Je Suis …’

       Food & Drink

       Human Nature

       Les Femmes

       The English

       Symmetry & Order

       Romance

       Life & Death

       Detective Work

       The Criminal Mind

       Truth & Lies

       ‘My Dear Hastings’

      Postscript

      References

       Hercule Poirot Books and Stories

      About the Publisher

      

       ‘Poirot was an extraordinary-looking little man. He was hardly more than five feet four inches, but carried himself with great dignity. His head was exactly the shape of an egg, and he always perched it a little on one side. His moustache was very stiff and military. The neatness of his attire was almost incredible; I believe a speck of dust would have caused him more pain than a bullet wound. Yet this quaint dandified little man who, I was sorry to see, now limped badly, had been in his time one of the most celebrated members of the Belgian police. As a detective, his flair had been extraordinary, and he had achieved triumphs by unravelling some of the most baffling cases of the day.’

       The Mysterious Affair at Styles

      How did the character of Hercule Poirot come into being?

      Difficult to say – and I realise that he made his appearance not at all in the manner he himself would have wished! ‘Hercule Poirot first,’ he would have said, ‘and then a plot to display his remarkable talents to the best advantage.’ But it was not so. The plot of the story, The Mysterious Affair at Styles, was roughed out, and then came the dilemma: a detective story – now what kind of detective?

      It was in the early autumn of 1914 – Belgian refugees were in most country places. Why not have a Belgian refugee, a former shining light of the Belgian Police force?

      What kind of a man should he be? A little man, perhaps, with a somewhat grandiloquent name. Hercule something? Hercule Poirot? Yes, that would do. He should be very neat – very orderly. (Is that because I am a wildly untidy person myself?)

      Such was the first rough outline – mostly, you will note, externals – but certain traits followed almost automatically. Like many small dandified men, he would be conceited and he would of course (why, of course!) have a handsome moustache.

      That was the beginning. Hercule Poirot emerged from the mists and took concrete shape and form. There was more in the little man than I had ever suspected. There was, for instance, his intense interest in the psychology of every case. As early as The Murder on the Links he was showing his appreciation of the mental processes of a murderer and insisting that every crime had a definite signature. Method and order still meant much to him.

      And now, what of the relations between us – between the creator and the created? Well – let me confess it –

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