Engaging Men. Lynda Curnyn

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and I.

      “But it’s not everything,” she said with a shrug.

      Grace was right, I realized the next day as I headed for work. Marriage wasn’t everything. I had so much going on right now, it was practically a nonissue. I was an actor, and at the moment a working actor, which was really something. Granted my steady gig was Rise and Shine, a children’s exercise program on cable access, but it was good experience in front of a camera, at least according to an agent I had spoken to, who refused to take me on until I had experience outside of the numerous off-off Broadway shows I’d done.

      But as I slid into the yellow leotard and baby-blue tights that were my lot as the show’s co-host, I wondered, for about the hundredth time, what, exactly, my résumé would say about me, now that I had spent six months leaping and stretching with a group of six-year-olds.

      “Hey, Colin,” I called out to my co-host once I entered the studio, cup of coffee firmly in grasp. One downside of this job was that it meant getting up at five in the morning to make the show’s six o’clock taping. Apparently, it was the only time the station had allotted studio space for the program, which had a solid, albeit small, audience of upper-middle-class parents and the children they hoped to mold, literally.

      Colin looked up from the book he was reading, startled, before he broke out in his usual smile. Colin was the only person I knew who could smile at six in the morning. It was his nature to be cheerful, which was why he was such a fabulous host for Rise and Shine. The kids loved him, and in the six months that I had gotten to know him, I loved him, too. He was warm, generous, loving, good with children. Not to mention gorgeous, with softly chiseled features, blue eyes surrounded by thick lashes and short dark hair always cut in the most up-to-date style. Everything a woman could want in a prospective husband. In fact, I might have dated him until he married someone else—if he weren’t gay, that is.

      “Whatcha reading?” I said, bending over to see the title of his book.

      “Oh, this.” He smiled, looking somewhat embarrassed as he held up a well-thumbed volume of The Challenges of Child-Rearing. “Figured it might help, you know. With the show.”

      I laughed at this. “Colin, we just have to keep them fit, not raise them.”

      He chuckled. “I know, I know. But you’ve seen how rambunctious they can get.”

      I smiled. Colin really took this job on Rise and Shine very seriously.

      “You ready?” he said now.

      I sighed. “Ready as I’ll ever be.”

      It still amazed me that I had even landed this gig—up until my audition, I hadn’t exercised a day in my life. Yet, there I was, every weekday morning, cheerfully urging a group of ten sleepy-eyed kids to stretch, jump, run and tone. Lucky for me, my baby-blue tights were thick enough to hide cellulite.

      “Positions, everyone,” Rena Jones, our producer, called out with a glare in Colin’s and my direction. Well, mostly my direction. She adored Colin. And tolerated me. Mostly because she was a stickler for timeliness, while I…wasn’t.

      Once Colin and I had positioned ourselves in front of the cameras, I put on my required happy face and chimed in with Colin as we gave a three-minute intro designed to inspire a demographic with probably the lowest body-fat ratio of any age group to jump, leap and stretch, in the name of good health. “Good health is all about habits,” Rena would say, whenever anyone—mostly me—alluded to the fact that most six-year-olds weren’t in need of cardiovascular training.

      Still, I took a certain satisfaction in the routine, assured that once the music—a strange mixture of circus rhythms and a singer who sounded like the love child of Barney the Dinosaur and Britney Spears—began, my feet would move into the steps of the opening warm-up dance right along with Colin’s. That when we progressed into the series of stretches, squats and leg lifts, my body was not only limber enough to make all the maneuvers, but could jog, jump and shimmer across the floor while I shouted out inspiring words to the ten little tumblers before us. Children, I might add, clearly struggling to keep up under the eye of their parents, who sat on the sidelines, their faces a mixture of parental pride and paralyzing anxiety that their kid would stumble, fall and be torn too early from the six-week segment they had lobbied long and hard to get said child on.

      There was also the reassurance that when the clock against the back wall hit the thirty-minute mark, I would be able to heave a silent sigh of relief (which I disguised as a healthy exhale for the sake of my tiny followers), and bow down into a final stretch before leading the happy munchkins in the applause that ended the show.

      “Hanging out with Kirk tonight?” Colin asked as we headed to the small dressing area at the back of the studio. I could tell by the way he always asked that question lately that he took a certain satisfaction in the progress of my relationship. His breakup with Tom two months earlier had been hard—Colin was clearly a one-man man—but he evidently took comfort in the fact that there were others in the world out there who were living monogamously-ever-after.

      “Of course,” I replied, with all the confidence a girlfriend should have at the stage Kirk and I were at in our relationship.

      Later that very night, however, I realized that Kirk was at a different stage.

      I was spending the evening at his place, where I spent most nights during the week. Not only because he lived on E. 27th and Third, which was somewhat closer to the studio on W. 54th than my East Village apartment was, but because we liked to spend our every waking moment together—and every sleeping moment, which was often the case, as Kirk had a tendency to nod off early.

      Besides, Kirk’s doorman-building one-bedroom was a welcome respite from the cluttered two-bedroom walk-up I shared with Justin, my roommate and other best friend beside Grace. Kirk’s place was an oasis of order, his closet filled with rows of well-pressed button-downs and movie posters lining the walls with precision (yes, we both loved movies, though Kirk had an unsettling predilection for horror flicks while I liked the classics and anything with Mel Gibson). Even his medicine cabinet was a sight to behold, I thought as I scrubbed my teeth before bed that night. The toothpaste was curled up neatly next to a shiny cup containing his brush; his shaving kit (a gift from the ex that I once tried to replace with a packet of Gillettes, but to no avail) nestled sweetly next to a bottle of Chanel for men (from me, thank you very much, which he only spritzed himself with under serious duress). I also kept an antihistamine there—I had a tendency toward congestion at the slightest provocation: pollen, dust mites, mold. With a contented sigh I spit my mouthful of paste—and water—into the shiny white sink, carefully rinsing out the suds to return it to its porcelain perfection, before I returned to the bedroom, where Kirk sprawled on the bed, laptop in hand, studying the screen intently.

      “Time to play,” I said, bounding onto the bed in a pair of boxers and a T-shirt (pirated from his bottom left drawer).

      “Just give me a minute, sweetie,” he said, glancing up from the screen briefly to flash me a small smile of acknowledgment.

      I settled in beside him, sparing a glance at the screen, which was covered in a series of incomprehensible codes, and picked up the book I kept on Kirk’s bedside table, Antonin Artaud’s The Theatre and Its Double. Turning to page five, the precise place I had been the last six times I had attempted to immerse myself, I started to read. Well, not exactly read,—my gaze was too busy roaming over to Kirk’s profile.

      He had the most beautiful brow line I had ever seen. Almost jet-black against creamy skin and normally smooth, though right now it was furrowed over his gray eyes as they

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