He wrapped his fingers behind her neck, pulled her against him and kissed her, hard.
She gave him exactly what he wanted, melting into him with a little gasp of admiration.
“There’s more where that came from,” he said, rising from his chair. “You stay right where you are.”
He strutted off like a peacock, all broad shoulders and jutting chin. He thought he’d won the prize with his natural charm and good looks. Men like him always assumed that any girl, even the most sophisticated flapper, would fall for them if they so much as crooked their fingers…
Dear Reader,
What is it about the nineteen twenties?
For me, the fascination began with my first viewing of the movie Chicago, starring Catherine Zeta-Jones. Before then, I’d never given the decade much thought. I knew about Prohibition, of course, and flappers, but it all came alive when Ms Zeta-Jones performed “All That Jazz.” I was hooked.
The Roaring Twenties was a remarkable period. It was the time when the old rules of Victorian America gave way to the new rules of the twentieth century. It was the age when women first began to vote, when the “working girl” came into her own, when music and art were undergoing startling transformations. The West was still recovering from the trauma of the Great War, finding its way into a strange new world. In New York and Chicago and the other great cities, mobsters made fortunes from bootlegging. There was a flourishing underworld of clubs and speakeasies where the daring and fashionable could quench their thirst for alcohol and excitement.
What better place to set a story about werewolves and vampires in conflict but Prohibition-era New York, where the mobs of three very different races compete for dominance? The first image that immediately sprang into my head was one of a vampire flapper with a Louise Brooks bob, dressed in a short skirt and highheel pumps…a young woman who couldn’t be bothered with the restrictions of either human society or her own vampire clan. And who should her romantic interest be but a rather old-fashioned and chivalrous werewolf who has his own issues with the loups-garous of New York…and who finds himself falling for a girl who seems to be doing everything possible to drive him crazy?
With those characters and situations firmly in my mind, Chasing Midnight was born. I’ve seldom had so much fun writing a book. I hope you’ll give the Roaring Twenties a try; I’ll be revisiting them in my next paranormal romance novel for Mills & Boon® Super Nocturne™, which will be arriving on book shop shelves in December 2009.
Susan Krinard
CHASING
MIDNIGHT
BY SUSAN KRINARD
MILLS & BOON
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Prologue
New York City, 1924
SHE WOKE TO THE SOUNDS of the street: the honking of horns as taxicabs, sedans and roadsters jockeyed for position; the rattle and rumble of trucks bearing cargo both legitimate and illicit; the shouts of the newsboy on the corner, trumpeting the scandalous details of the latest police raid on Joe Bocelli’s Club Desirée.
She lay quietly for a moment, eyes closed, trying to decide what was different. It wasn’t only that the sounds were so distinct, falling on her ears like drumbeats, or that she could feel the shift of every current of air as it brushed against her skin. It wasn’t only that, for the first time in so many years, her body didn’t hurt.
With a groan of pleasure she extended her arms over her head, feeling muscles stretch and bones pop. Her toes tingled. She wiggled them, delighting in the touch of the satin sheets against her skin.
And then she froze as the realization struck her so hard and fast that it stole her breath.
She had moved. Not with stiff, painful jerks, her limbs refusing to obey her simplest commands. Not with withered muscles wasting away, prisoners in a cage of flesh. She had moved easily, smoothly, strength flowing through her like cascades of fresh cool water.
Slowly she opened her eyes. The room should have been dark; no lamps were on, and the shades and curtains were drawn over the windows. But she saw everything with crystal clarity, as if the entireworld were bathed in light. Every detail of the Persian carpet stood out in elegant relief. The pattern of the wallpaper seemed to dance a geometric ballet. And the man in the chair…
Alice sat up, her heart bounding beneath her ribs. The man in the chair gazed at her with a faint smile, his pale eyes reflecting a dim red glow.
“Alice,” he said, “do you remember?”
She rubbed her eyes, caught by a wave of dizziness that made the bed roll and heave beneath her. An hour, a week, a year ago, she had been lying in this same bed, her limbs like dead weights among the sheets, her mouth filled with words she could barely speak. He had been there, looking down at her with an expression both kindly and grim, and she had been afraid.
“There is always a risk,” he’d said back then. “Especially to one in your condition. But the rewards…” He’d gestured at her twisted body. “The rewards are beyond calculation.You will walk again, Alice.You will be free.”
And alive. If she should awaken from the long sleep he had told her about, she would no longer be facing imminent death at the age of twenty-four. Shewouldn’t spend another year in bed, her legs no longer able to support her body, her hands too weak to hold a book, listening to the sounds of life passing by her window. There would be a new existence awaiting her, one she could scarcely imagine. She would be better than before, even better than if she’d grown up without the disease that had stolen her friends, her family, her hope.
“You will have a new family,” he’d told her. “The old loyalties will fall away, the old rules by which you lived. You will never be able to go back.”
She’d shivered. “I have…nothing to lose,” she’d said, pushing the sounds past the thickness in her throat.
He’d nodded, as if he had expected no less from her. “Make no mistake,” he’d said, “you will die.You
