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Megan Hart
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MILLS & BOON
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To my trusted crit partners, you know who you are.
To my family, for your support and love.
To my readers—without you, I’d have no success. Thank you.
I don’t write books without music. My thanks to the artists and musicians who make it possible for me to sit at my computer day after day and make worlds and the people who populate them. Please support their work through legal sources.
Don McLean, “Empty Chairs”; Joaquin Phoenix and Reese Witherspoon, “It Ain’t Me, Babe”; Joshua Radin, “Closer”; Justin King, “Same Mistakes”; Lifehouse, “Whatever It Takes”; Meredith Brooks, “What Would Happen”; Rufus Wainwright, “Hallelujah”; Sarah Bareilles, “Gravity”; Schuyler Fisk, “Lying to You”; She Wants Revenge, “These Things”; Tim Curry, “S.O.S.”
Chapter 01
Sometimes, you look back.
He was coming out. I was going in. We moved by each other, ships passing without fanfare the way hundreds of strangers pass every day. The moment didn’t last longer than it took to see a bush of dark, messy hair and a flash of dark eyes. I registered his clothes first, the khaki cargo pants and a long-sleeved black T-shirt. Then his height and the breadth of his shoulders. I became aware of him in the span of a few seconds the way men and women have of noticing each other, and I swiveled on the pointed toe of my kitten-heel pumps and followed him with my gaze until the door of the Speckled Toad closed behind me.
“Want me to wait?”
“Huh?” I looked at Kira, who’d gone ahead of me. “For what?”
“For you to go back after the dude who just gave you whiplash.” She smirked and gestured, but I couldn’t see him anymore, not even through the glass.
I’d known Kira since tenth grade, when we bonded over our mutual love for a senior boy named Todd Browning. We’d had a lot in common back then. Bad hair, miserable taste in clothes and a fondness for too much black eyeliner. We’d been friends back then, but I wasn’t sure what to call her now.
I turned toward the center of the shop. “Shut up. I barely noticed him.”
“If you say so.” Kira tended to drift, and now she wandered toward a shelf of knickknacks that were nothing like anything I’d ever buy. She lifted one, a stuffed frog holding a heart in its feet. The heart had MOM embroidered on it in sparkly letters. “What about this?”
“Nice bling. But no, on so many levels. I do have half a mind to get her one of these, though.” I turned to a shelf of porcelain clowns.
“Jesus. She’d hate one of those. I dare you to buy it.” Kira snorted laughter.
I laughed, too. I was trying to find a birthday present for my father’s wife. The woman wouldn’t own her real age and insisted every birthday be celebrated as her “twenty-ninth” along with the appropriate coy smirks, but she sure didn’t mind raking in the loot. Nothing I bought would impress her, and yet I was unrelentingly determined to buy her something perfect.
“If they weren’t so expensive, I might think about it. She collects that Limoges stuff. Who knows? She might really dig a ceramic clown.” I touched the umbrella of one tightrope-balancing monstrosity.
Kira had met Stella a handful of times and neither had been impressed with the other. “Yeah, right. I’m going to check out the magazines.”
I murmured a reply and kept up my search. Miriam Levy, the owner of the Speckled Toad, stocks an array of decorative items, but that wasn’t really why I was there. I could have gone anyplace to find Stella a present. Hell, she’d have loved a gift card to Neiman Marcus, even if she’d have sniffed at the amount I could afford. I didn’t come to Miriam’s shop for the porcelain clowns, or even because it was a convenient half a block from Riverview Manor, where I lived.
No. I came to Miriam’s shop for the paper.
Parchment, hand-cut greeting cards, notebooks, pads of exquisite, delicate paper thin as tissue, stationery meant for fountain pens and thick, sturdy cardboard capable of enduring any torture. Paper in all colors and sizes, each individually perfect and unique, just right for writing love notes and breakup letters and condolences and poetry, with not a single box of plain white computer printer paper to be found. Miriam won’t stock anything so plebian.
I have a bit of a stationery fetish. I collect paper, pens, note cards. Set me loose in an office-supply store and I can spend more hours and money than most women can drop on shoes. I love the way good ink smells on expensive paper. I love the way a heavy, linen note card feels in my fingers. Most of all, I love the way a blank sheet of paper looks when it’s waiting to be written on. Anything can happen in those moments before you put pen to paper.
The best part about the Speckled Toad is that Miriam sells her paper by the sheet as well as by the package and the ream. My collection of papers includes some of creamy linen with watermarks, some handmade from flower pulp, some note cards scissored into scherenschnitte scenes. I have pens of every color and weight, most of them inexpensive but with something—the ink or the color—that appealed to me. I’ve collected my paper and my pens for years from antique shops, close-out bins, thrift shops. Discovering the Speckled Toad was like finding my own personal nirvana.
I always intend to use what I buy for something important. Worthwhile. Love letters written with a pen that curves into my palm just so and tied with crimson ribbon, sealed with scarlet wax. I buy them, I love them, but I hardly ever write on them. Even anonymous love letters need a recipient…and I didn’t have a lover.
Then again, who writes anymore? Cell phones, instant messaging and the Internet have made letter writing obsolete, or nearly so. There’s something powerful, though, about a handwritten note. Something personal and aching to be profound. Something more than a half-scribbled grocery list or a scrawled signature on a premade greeting card. Something I would probably never write, I thought as I ran my fingers over the silken edge of a pad of Victorian-embossed writing paper.
“Hey, Paige. How’s it going?” Miriam’s grandson Ari shifted the packages in his
