The smile widened. ‘It’ll be good for you: character building.’
Callum turned to face the passenger window. ‘I’d like to build your character with a sodding claw-hammer.’
‘Did you say something, Constable?’
‘I said, “Yes, Sarge.”’
‘Good boy.’
And a nail gun.
Dugdale was still wearing the same scowl, but he’d swapped his clothes for a white SOC suit, bare toes sticking out of a pair of manky grey flip-flops. And he’d washed the dried blood off his face. That would be a bonus when his duty solicitor finally appeared.
Callum stood on the concrete apron and waved him goodbye as a Police Custody and Security Officer led him away, steering Dugdale down the corridor and into the cell with ‘M6’ stencilled on the thick blue door.
The cell block rang with the sound of someone screaming what sounded like passages from the Bible. All ‘thee’ and ‘thou’ and that.
Raw breezeblock walls painted a tired magnolia, with a blue line all the way around it, straddling the bright-red panic strip. A dozen cells in this block, most of them occupied, going by the A4-sized whiteboards mounted next to each closed door. Three assaults, two indecent exposures, a theft from a locked-fast place, a shoplifter, one breach of bail conditions, an attempted murder, and Dugdale.
‘VERILY, SAYETH THE LORD, FOR YE SHALL FEAR MINE WRATH!’
The PCSO stepped back out into the corridor and clunked the cell shut. Printed, ‘RESISTING ARREST, ASSAULT, ARMED ROBBERY’, on the custody board, each word smaller than the last as she ran out of space, finishing with a scrawled ‘& CONSPIRACY 2 PTCOJ’.
‘AND YE SHALL BE SORE AFRAID IN THE TIME OF DARKNESS! FOR LO, IT IS THE WORD OF THE LORD THAT COMES FOR THEE!’
‘Oh shut up, you fruitcake.’ The PCSO stuck her marker-pen back in her top pocket and looked Callum up and down. ‘Something we can do for you, Constable?’
‘YEA, FOR HE IS THE DARKNESS AND HE IS THE LIGHT!’
‘Can you give me a shout when his solicitor gets here?’
‘AND ALL SHALL KNOW HIS WRATH! THESE ARE THE END OF DAYS, AND—’
She clicked down the viewing hatch on M3. Tutted. Then, ‘Come on, Phil, I thought we had an agreement.’
A muffled, ‘Sorry.’ came from the other side of the door.
‘Should think so too, disturbing all our other guests. Poor Ken’s trying to sleep.’ She clicked the hatch up again. Turned to Callum. ‘They picked him up on Chamber Street, “The End Is Nigh” placard in one hand, his “original sin” in the other.’
Lovely. ‘So, Dugdale’s solicitor …?’
She shook her head. ‘Now Kenneth, on the other hand, tried to smash his mother’s head in with a china dog from the mantelpiece. Spaniel, I think it was. She wouldn’t let him go to the pictures. He’s forty-six.’
‘Yeah, but Dugdale …?’ Eyebrows: up, winning smile: on.
‘I can’t.’ A sigh. ‘Oh, don’t look at me like that, it’s orders. “DC MacGregor is not to be given access to custodies or their representatives without a superior officer being present.”’
‘You are kidding me!’
‘All contact is to be managed through DS McAdams or DI Malcolmson.’
‘I can’t talk to anyone without McAdams or Mother holding my hand?’
‘Nothing to do with me, it’s …’ She turned away. ‘If you were them, would you want to risk it?’
‘Yes, I understand that, but I’m asking anyway: do you now, or have you at any time, had a human mummy in your museum?’
The smell of chicken curry Pot Noodle coiled its way across the office, warring against a taint of cheesy feet and yesterday’s garlic.
From up here, on the third floor of Division Headquarters, the view should have been a lot better than it was: the back of a billboard streaked with pigeon droppings. Rusting supports featured a dozen small grey feathered bodies, strutting about and adding to the stains.
‘A mummy? What, like an Egyptian one?’ The young man on the other end of the phone sounded about as bright as a broken lightbulb. ‘Nah. No. Don’t think so.’ Think, think, think. ‘Maybe?’
Callum turned his back on the window, one hand massaging his temples, the other gripping the phone tight enough to make the plastic creak. Fighting hard to keep his voice reasonable and level. ‘Can you check for me? It’s important.’
The room was divided up into six bits, each one sectioned off with a chest-high cubicle wall – their grubby blue fabric stained with dribbled coffee and peppered with memos from the senior brass and cartoons cut from the Castle News and Post. Six cubicles for six desks, two of which were laden with dusty cardboard boxes and teetering piles of manila folders.
Almost every horizontal surface was covered in a thin grey fuzz of dust.
The top of Dot’s head was just visible above the edge of her cubicle, pale-brown hair swept up in a weird semi-beehive do. Schlurping noises marked the death of yet another freeze-dried soy and noodle product.
A tiny kitchen area sat in the corner behind her, complete with kettle, microwave, and a half-sized fridge that gurgled and buzzed. Throw in a sagging assortment of ceiling tiles, scuffed magnolia walls littered with scribbled-on whiteboards, the kind of carpet that looked as if it’d been fished out of a skip, and you had the perfect place to dump police officers while they waited for their careers to die.
Or were too stubborn to realise that their careers already had.
‘Pffff … Suppose. I’ll see what I can do. Hang on, gotta put you on hold.’ Click, and an elevator muzak version of ‘American Idiot’ dribbled out of the earpiece.
Callum printed the word ‘dick’ in little biro letters next to the museum’s name. It joined a long, long list.
Dot wheeled her chair back till she could peer around her cubicle. ‘Callum, you on the phone?’ Her scarlet lipstick was smudged and a shiny dot of gravy glittered on one rounded cheek. For some reason she’d decided it was a good idea to dress up in what looked like a black chef’s jacket, only with shiny silver buttons and silvery edging.
He held up the receiver. ‘On hold.’
‘Don’t fancy making a chocolate run, do you? Only the machine on the fifth floor’s got Curly Wurlies.’
‘Can’t: I’m on hold.’ He waggled the phone again to emphasise the point.
