Whirlwind. Nancy Martin
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FAILURE DROVE Liza Baron home.
She went one cool summer night in a vintage Thunderbird convertible, the last personal possession she still owned free and clear. She started out in a rage in Chicago about midnight and drove toward no particular destination at first. It just felt good to go, with her hair whipping in the wind and the radio blasting rock and roll.
But around four in the morning, after aimless driving along highways she’d never known existed, Liza found herself in Wisconsin just ten miles from Tyler. After that, it was like automatic pilot. In the dark, she drove the white car up to the lake and her grandfather’s lodge, which she figured would be empty. Liza didn’t want to see anybody. The last thing she needed was a damned heart-to-heart with some well-meaning family member. Or worst of all, her mother.
Liza just wanted to be alone.
The sky began to lighten as she turned into the lane marked by two brick columns and started up the hillside under the canopy of century-old trees. The air was hushed. Magical, really. A dreamy white mist eddied upward from the lake and engulfed the car in a kind of swirling cloud. Someone who didn’t know the road might have plunged off into the trees or blundered into the rocks, but Liza drove confidently, her heart suddenly beating fast with anticipation. The Thunderbird’s tires crunched and spun in the gravel at the turns, until at last the car burst out of the mist, and the rooftops of the lodge appeared through the trees.
Timberlake, it had been called in its heyday. A grand name for a grand place—a summer house, a hunting lodge, the site of lavish prewar entertainments—and a few romantic intrigues, if the family tales could be believed. At night they used to turn on the tiny lights they’d strung through the oak trees and barbecue whatever game had been killed that day. Once there’d been a wedding on the veranda, and a swing band of ten played in the grand hall long into the night.
Liza caught her first glimpse of the lodge’s twin chimneys and her throat constricted queerly. They were crumbling now, and loose shingles hung crookedly on the steep-pitched roof and five gables. She saw the sagging shutters and dozens of ghostly black windows, some with broken panes. Seeing it all for the first time in many lonely years caused a great swell of sadness to sweep up from inside Liza Baron, blinding her for a split second.
Which was when the T-bird slammed into a fallen tree.
Liza fought for control, crying out as the car thumped over a branch and crashed straight into the tree trunk that lay across the drive. The impact threw Liza against the steering wheel, knocking the breath from her body.
“Dammit!”
She killed the Thunderbird’s rumbling engine with a shaky hand, and suddenly there was no sound—just the majestic, eerie silence of the forest and the forgotten lodge. The cool, soundless air enveloped Liza. The crisp scent of pine surrounded her, washing her with memories. She sat for a minute, wondering if her heart had stopped, if the whole world had ceased and she’d been transported to a magic place between heaven and earth. A place for ghosts.
But then Liza tasted blood, and she checked the rearview mirror to see how badly she’d cut her lip. The moment snapped, and she felt normal again.
“Not bad,” she said to her reflection. Reaching for the door handle, she muttered wryly, “As usual, you do everything in a big way, Liza.”
She got out of the car to have a look at the damage. The convertible’s nose was a mess, badly dented and half-embedded in the fragrant branches of the fallen tree. Liza tottered a few steps in her high-heeled suede shoes and climbed onto the trunk of the car despite a very short skirt. Perched there, leaning one elbow against a white tail fin, she crossed her long legs, lit her last cigarette and contemplated the ruin of the lodge. And her own life.
“You’re fired,” Sara Lillienstein had said, rather helplessly it seemed, as she sat behind her antique desk in Chicago. “I’m sorry, Liza, but you just don’t fit in here.”
“But I’ve been doing my best work!”
“We’re losing money on your projects, dear. You’re just too slow when it comes to the details.”
“But the details are everything!”
Sara sighed. It was an argument they’d had a dozen times before. “Take my advice, Liza, will you? Stop fighting your own personality. Take your skills to a smaller place. Try opening your own firm. Why not? You’re very talented. I’m sure you’ll be a success someday. But not here. At heart, you’re still a small-town girl.”
A small-town girl? Liza should have laughed at such a suggestion, except the whole situation wasn’t funny at all. Nobody knew how desperately she wanted to escape Tyler—the town, the attitudes, the life-style and, yes, her own family. Oh, she’d cut those ties with a very sharp knife indeed, made her own way through school, scraped by in one lousy job after another until landing the right spot at the top interior design firm in Chicago. Once there, she’d fought her way into some of the best assignments.
And blown it.
Now, it seemed, her subconscious mind had brought her home. Close, anyway. The old lodge was easier to handle than the staidly elegant Victorian house in town where the whole clan was ensconced now. Yes, the abandoned lodge suited Liza’s state of mind. It was big enough and empty enough to throw a first-class breakdown in, and nobody needed to know.
As the dawn grew lighter, Liza smoked her cigarette down to the filter and threw it into the tall grass by the edge of the lane.
“Careless, aren’t you?”
His voice shattered the moment, a low growl less than three yards away, behind her. Liza whirled around and cursed, scrambling off the car to meet her assailant headon.
“Who the hell are you?”
A dark figure stepped out of the dappled shadows. He had materialized soundlessly from the forest and stood larger than life on the drive. Having bent into the dewy grass, he’d come up with her still-smoldering cigarette, which he held out to Liza as if it were Exhibit A. “You want to start a forest fire?”