tion id="u47002bfa-6432-5193-9439-74eff56804a4">
THE WHITE DOVE
Rosie Thomas
Published by HarperCollinsPublishers Ltd
1 London Bridge Street
London SE1 9GF
First published in Great Britain by HarperCollinsPublishers 1986
Copyright © Rosie Thomas 1986
Cover design Caroline Young © HarperCollinsPublishers Ltd 2020
Cover images © Alma Gonzalez/Arcangel Images (woman), Shuttershock.com (all other images)
Rosie Thomas asserts the moral right to be identified as the author of this work.
A catalogue copy of this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
Source ISBN: 9780007563302
Ebook Edition © December 2020 ISBN: 9780007560622
Version: 2020-11-27
For Caradoc
Contents
Copyright
Dedication
Part One
Chapter One
Chapter Two
Chapter Three
Part Two
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Part Three
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Part Four
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty-One
Chapter Twenty-Two
Keep Reading …
About the Author
Also by Rosie Thomas
About the Publisher
The cedar tree was four hundred years old; as old as Chance itself. The shade beneath the cedar was more fragrant, cooler and deeper than the shade of any of the other great trees across the park. From its protective circle the family could look into the dazzle of light over the velvet grass, back to the terrace and the grey walls rearing behind it. The splash of the fountain was a deliciously cool note in the heavy heat of that long afternoon of July 1916.
Amy Lovell sat squarely at the tea-table, her chin barely level with the starched white cloth, wide eyes fixed on the sandwiches as fragile as butterflies, tiny circlets of pastry top-heavy with cream and raspberries, melting fingers of her favourite ginger sponge, and enticing dark wedges of rich fruit cake. A long time had passed since nursery lunch at twelve, and Amy was hungry. But she sat perfectly still, her hands folded in her lap, without even a rustle of her frilled petticoats. Her feet, in highly polished boots with intricate buttons and laces, did not nearly touch the grass, but she held them rigid. Only yesterday Papa had banished her from the tea-table for swinging her legs, and she had not even had a sandwich, let alone a ginger sponge finger. Amy allowed herself one sidelong glance at Isabel, six years old to her own four-and-a-bit, and saw that her sister looked as effortlessly still and composed as always.
A flutter of white cloth to the right of the table heralded the silent arrival of Mr Glass, the butler, with another, subsidiary table. This one was laden with silver tea-things.
‘I will pour out myself, Glass, thank you,’ said Amy’s mother in her special, low voice. When Amy first heard the word ‘drawling’ it pleased her, because it sounded exactly like Mama.
‘Very good, my lady.’
Mr Glass retreated across the grass, flanked by the maids with their apron and cap strings fluttering, and left them alone. Amy sighed with satisfaction. It was the best moment of the
