The Happy Prince and Other Tales. Oscar Wilde

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The Happy Prince and Other Tales - Oscar Wilde

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      The

      Happy Prince

      AND OTHER TALES

       By

      OSCAR WILDE

      With Illustrations By

      WALTER CRANE

       First published in 1888

      Copyright © 2020 Read & Co. Children's

      This edition is published by Read & Co. Children's,

      an imprint of Read & Co.

      This book is copyright and may not be reproduced or copied in any

      way without the express permission of the publisher in writing.

      British Library Cataloguing-in-Publication Data

      A catalogue record for this book is available

      from the British Library.

      Read & Co. is part of Read Books Ltd.

      For more information visit

      www.readandcobooks.co.uk

      To

      Carlos Blacker

      Contents

       Oscar Wilde 7

       THE HAPPY PRINCE 9

       THE NIGHTINGALE AND THE ROSE 21

       THE SELFISH GIANT 29

       THE DEVOTED FRIEND 35

       THE REMARKABLE ROCKET 47

      Illustrations

       THE HAPPY PRINCE 11

       THE SELFISH GIANT 30

       THE REMARKABLE ROCKET 50

      Oscar Wilde

      Oscar Fingal O'Flahertie Wills Wilde was born in Dublin in 1854. His parents were successful Dublin intellectuals, and Wilde became fluent in French and German early in life. He studied at Trinity College, Dublin, and subsequently won a scholarship to Magdalen College, Oxford, where he was heavily influenced by John Ruskin and Walter Pate. Wilde proved himself to be an outstanding classicist. After university, he moved to London and became involved with the fashionable cultural and social circles of the day. At the age of just 25 he was well-known as a wit and a dandy, and as a spokesman for aestheticism—an artistic movement that emphasized aesthetic values ahead of socio-political themes—he undertook a lecture tour to the United States in 1882, before eventually returning to London to try his hand at journalism. It was also around this time that he produced most of his well-known short fiction.

      In 1891, Wilde published The Picture of Dorian Gray, his only novel. Reviewers criticised the novel's decadence and homosexual allusions, although it was popular nonetheless. From 1892, Wilde focussed on playwriting. In that year, he gained commercial and critical success with Lady Windermere's Fan, and followed it with the comedy A Woman of No Importance (1893) and An Ideal Husband (1895). Then came Wilde's most famous play, The Importance of Being Earnest – a farcical comedy which cemented his artistic reputation and is now seen as his masterpiece.

      In 1895, the Marquess of Queensbury, who objected to his son spending so much time with Wilde because of Wilde's flamboyant behaviour and reputation, publicly insulted him. In response, Wilde brought an unsuccessful slander suit against him. The result of this inability to prove slander was his own trial on charges of sodomy, and the revealing to the transfixed Victorian public of salacious details of Wilde's private life followed. Wilde was found guilty and sentenced to two years of hard labour.

      Wilde was released from prison in 1897, having suffered from a number of ailments and injuries. He left England the next day for the continent, to spend his last three years in penniless exile. He settled in Paris, and didn't write anymore, declaring “I can write, but have lost the joy of writing.” Wilde died of cerebral meningitis on in November of 1900, converting to Catholicism on his deathbed.

      THE HAPPY PRINCE

      High above the city, on a tall column, stood the statue of the Happy Prince. He was gilded all over with thin leaves of fine gold, for eyes he had two bright sapphires, and a large red ruby glowed on his sword-hilt.

      He was very much admired indeed. “He is as beautiful as a weathercock,” remarked one of the Town Councillors who wished to gain a reputation for having artistic tastes; “only not quite so useful,” he added, fearing lest people should think him unpractical, which he really was not.

      “Why can’t you be like the Happy Prince?” asked a sensible mother of her little boy who was crying for the moon. “The Happy Prince never dreams of crying for anything.”

      “I am glad there is some one in the world who is quite happy,” muttered a disappointed man as he gazed at the wonderful statue.

      “He looks just like an angel,” said the Charity Children as they came out of the cathedral in their bright scarlet cloaks and their clean white pinafores.

      “How do you know?” said the Mathematical Master, “you have never seen one.”

      “Ah! but we have, in our dreams,” answered the children; and the Mathematical Master frowned and looked very severe, for he did not approve of children dreaming.

      One night there flew over the city a little Swallow. His friends had gone away to Egypt six weeks before, but he had stayed behind, for he was in love with the most beautiful Reed. He had met her early in the spring as he was flying down the river after a big yellow moth, and had been so attracted by her slender waist that he had stopped to talk to her.

      “Shall I love you?” said the Swallow, who liked to come to the point at once,

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