every dollar she earned was welcome to a family so poor that the girls sometimes thought of selling their hair to get a little money. She also tried to teach, and finally, in 1862, went to Washington as a volunteer nurse and labored for many months in the military hospitals. The letters she wrote to her mother and sisters were afterwards collected in a book called "Hospital Sketches." At last, at the suggestion of her publishers, she undertook to write a girls' story. The result was "Little Women," which sprang almost instantly into a tremendous popularity, and which at once put its author out of reach of want.
Other children's stories, scarcely less famous, followed in quick succession, forming a series which has never been equalled for long-continued vogue. Few children who read at all have failed to read "Little Men," "Little Women," "An Old-Fashioned Girl," "Eight Cousins," and "Rose in Bloom," to mention only five of them, and edition after edition has been necessary to supply a demand which shows no sign of lessening. The stories are, one and all, sweet and sincere and helpful, and while they are not in any sense literature, they are, at least, an interesting contribution to American letters.
But to return to the Transcendentalists.
The most picturesque figure of the group was Margaret Fuller. Starting as a morbid and sentimental girl, her father's death seems suddenly to have changed her, at the age of twenty-five, into a talented and thoughtful woman. Her career need not be considered in detail here, since it was significant more from the inspiration she gave others than from any achievement of her own. She proved herself a sympathetic critic, if not a catholic and authoritative one, and a pleasing and suggestive essayist.
What she might have become no one can tell, for her life was cut short at the fortieth year. She had spent some years in Italy, in an epoch of revolutions, into which she entered heart and soul. A romantic marriage, in 1847, with the Marquis Ossoli, served further to identify her with the revolutionary cause, and when it tumbled into ruins, she and her husband escaped from Rome and started for America. Their ship encountered a terrific storm off Long Island, was driven ashore, broken to pieces by the waves, and both she and her husband were drowned.
By far the greatest of the Transcendental group and one of the most original figures in American literature was Ralph Waldo Emerson—a figure, indeed, in many ways unique in all literature. Born in Boston in 1803, the son of a Unitarian clergyman and a member of a large and sickly family, he followed the predestined path through Harvard College, graduating with no especial honors, entered the ministry, and served as pastor of the Second Church of Boston until 1832. Then, finding himself ill at ease in the position, he resigned, and, settling at Concord, turned to lecturing, first on scientific subjects and then on manners and morals. His reputation grew steadily, and, especially in the generation younger than himself, he awakened the deepest enthusiasm.
In 1836, the publication of a little volume called "Nature" gave conclusive evidence of his talent, and, followed as it was by his "Essays," "Representative Men," and "Conduct of Life," established his reputation as seer, interpreter of nature, poet and moralist—a reputation which has held its own against the assaults of time.
And yet no personality could be more puzzling or elusive. He was at once attractive and repulsive—there was a certain line which no one crossed, a charmed circle in which he dwelt alone. There was about him a certain coldness and detachment, a self-sufficiency, and a prudence which held him back from giving himself unreservedly to any cause. He lacked heart and temperament. He was a homely, shrewd and cold-blooded Yankee, to put it plainly. Yet, with all that, he was a serene and benignant figure, of an inspiring optimism, a fine patriotism, and profound intellect—a stimulator of the best in man. Upon this basis, probably, his final claim to memory will rest.
Another Transcendental eccentric with more than a touch of genius was Henry David Thoreau, and it is noteworthy that his fame, which burned dimly enough during his life, has flamed ever brighter and brighter since his death. This increase of reputation is no doubt due, in some degree, to the "return to nature," which has recently been so prominent in American life and which has gained a wide hearing for so noteworthy a "poet-naturalist"; but it is also due in part to a growing recognition of the fact that as a writer of delightful, suggestive and inspiring prose he has had few equals.
Thoreau is easily our most extraordinary man of letters. Born in Concord of a poor family, but managing to work his way through Harvard, he spent some years teaching; but an innate love of nature and of freedom led him to seek some form of livelihood which would leave him as much his own master as it was possible for a poor man to be. To earn money for any other purpose than to provide for one's bare necessities was to Thoreau a grievous waste of time, so it came about that for many years he was a sort of itinerant tinker, a doer of odd jobs. Another characteristic, partly innate and party cultivated, was a distrust of society and a dislike of cities. "I find it as ever very unprofitable to have much to do with men," he wrote; and finally, in pursuance of this idea, he built himself a little cabin on the shore of Walden pond, where he lived for some two years and a half.
It was there that his best work was done, for, at bottom, Thoreau was a man of letters rather than a naturalist, with the most seeing eye man ever had. "Walden, or Life in the Woods," and "A Week on the Concord and Merrimac Rivers" contain the best of Thoreau, and any boy or girl who is interested in the great outdoors, as every boy and girl ought to be, will enjoy reading them.
The last of the Transcendental group worthy of mention here is George William Curtis, a versatile and charming personality, not a genius in any sense, but a writer of pleasant and amusing prose, an orator of no small ability, and one of the truest patriots who ever loved and labored for his country. It is in this latter aspect, rather than as the author of "Nile Notes" and "The Potiphar Papers," that Curtis is best remembered to-day. The books that he produced have, to a large extent, lost their appeal; but the work he did during the dark days of reconstruction and after entitles him to admiring and grateful remembrance.
It is scarcely possible to close a chapter upon American prose writers without referring to at least one of the great editors who have done so much to mould American public opinion. To James Gordon Bennett and Charles A. Dana only passing reference need be made; but Horace Greeley deserves more extended treatment.
Early in the last century, on a rocky little farm in New Hampshire, lived a man by the name of Zaccheus Greeley, a good neighbor, but a bad manager—so bad that, in 1820, when his son Horace was nine years old, the farm was seized by the sheriff and sold for debt. The proceeds of the sale did not pay the debt, and so, in order to escape arrest, for they imprisoned people for debt in those days, Zaccheus Greeley fled across the border into Vermont, where his family soon joined him. He managed to make a precarious living by working at odd jobs, in which, of course, the boy joined him whenever he could be of any use.
He was a rather remarkable boy, with a great fondness for books, and when he was eleven years old, he tried to get a position in a printing office, but was rejected because he was too young. Four years later, he heard that a boy was wanted in an office at East Poultney, and he hastened to apply for the position. He was a lank, ungainly and dull-appearing boy, and the owner of the office did not think he could ever learn to be a printer, but finally put him to work, with the understanding that he was to receive nothing but his board and clothes for the first six months, and after that forty dollars a year additional.
The boy soon showed an unusual aptitude for the business, and finally decided that the little village was too restricted a field for his talents. With youth's sublime confidence, he decided to go to New York City. He managed to get a position in a printing office there, and two years later, at the age of twenty-two, he and a partner established
