Familiar Spanish Travels. William Dean Howells
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V
I do not think that a company of hidalgos in complete medieval armor could have moved me more strongly than that first sight of these wine-skins, distended with wine, which we had caught in approaching the House of Miranda. We had to stop in the narrow street, and let them pass piled high on a vintner’s wagon, and looking like a load of pork: they are trimmed and left to keep the shape of the living pig, which they emulate at its bulkiest, less the head and feet, and seem to roll in fatness. It was joy to realize what they were, to feel how Spanish, how literary, how picturesque, how romantic. There they were such as the wine-skins are that hang from the trees of pleasant groves in many a merry tale, and invite all swains and shepherds and wandering cavaliers to tap their bulk and drain its rich plethora. There they were such as Don Quixote, waking from his dream at the inn, saw them malignant giants and fell enchanters, and slashed them with his sword till he had spilled the room half full of their blood. For me this first sight of them was magic. It brought back my boyhood as nothing else had yet, and I never afterward saw them without a return to those days of my delight in all Spanish things.
Literature and its associations, no matter from how lowly suggestion, must always be first for me, and I still thought of those wine-skins in yielding to the claims of the cathedral on my wonder and reverence when now for the second time we came to it. The funeral ceremony of the dean was still in course, and after listening for a moment to the mighty orchestral music of it—the deep bass of the priests swelling up with the organ notes, and suddenly shot with the shrill, sharp trebles of the choir-boys and pierced with the keen strains of the violins—we left the cathedral to the solemn old ecclesiastics who sat confronting the bier, and once more deferred our more detailed and intimate wonder. We went, in this suspense of emotion, to the famous Convent of Las Huelgas, which invites noble ladies to its cloistered repose a little beyond the town. We entered to the convent church through a sort of slovenly court where a little girl begged severely, almost censoriously, of us, and presently a cold-faced young priest came and opened the church door. Then we found the interior of that rank Spanish baroque which escapes somehow the effeminate effusiveness of the Italian; it does not affect you as decadent, but as something vigorously perfect in its sort, somberly authentic, and ripe from a root and not a graft. In its sort, the high altar, a gigantic triune, with massive twisted columns and swagger statues of saints and heroes in painted wood, is a prodigy of inventive piety, and compositely has a noble exaltation in its powerful lift to the roof.
The nuns came beautifully dressed to hear mass at the grilles giving into the chapel adjoining the church; the tourist may have his glimpse of them there on Sundays, and on week-days he may have his guess of their cloistered life and his wonder how much it continues the tradition of repose which the name of the old garden grounds implies. These lady nuns must be of patrician lineage and of fortune enough to defray their expense in the convent, which is of the courtliest origin, for it was founded eight hundred years ago by Alfonso VIII. “to expiate his sins and to gratify his queen,” who probably knew of them. I wish now I had known, while I was there, that the abbess of Las Huelgas had once had the power of life and death in the neighborhood, and could hang people if she liked; I cannot think just what good it would have done me, but one likes to realize such things on the spot. She is still one of the greatest ladies of Spain, though perhaps not still “lady of ax and gibbet,” and her nuns are of like dignity. In their chapel are the tombs of Alfonso and his queen, whose figures are among those on the high altar of the church. She was Eleanor Plantagenet, the daughter of our Henry II., and was very fond of Las Huelgas, as if it were truly a rest for her in the far-off land of Spain; I say our Henry II., for in the eleventh century we Americans were still English, under the heel of the Normans, as not the fiercest republican of us now need shame to own.
In a sense of this historical unity, at Las Huelgas we felt as much at home as if we had been English tourists, and we had our feudal pride in the palaces where the Gastilian nobles used to live in Burgos as we returned to the town. Their deserted seats are mostly to be seen after you pass through the Moorish gate overarching the stony, dusty, weedy road hard by the place where the house of the Cid is said to have stood. The arch, so gracefully Saracenic, was the first monument of the Moslem obsession of the country which has left its signs so abundantly in the south; here in the far north the thing seemed almost prehistoric, almost preglacially old, the witness of a world utterly outdated. But perhaps it was not more utterly outdated than the residences of the nobles who had once made the ancient Castilian capital splendid, but were now as irrevocably merged in Madrid as the Arabs in Africa.
VI
Some of the palaces looked down from the narrow street along the hillside above the cathedral, but only one of them was kept up in the state of other days; and I could not be sure at what point this street had ceased to be the street where our guide said every one kept cows, and the ladies took big pitchers of milk away to sell every morning. But I am sure those ladies could have been of noble descent only in the farthest possible remove, and I do not suppose their cows were even remotely related to the haughty ox-team which blocked the way in front of the palaces and obliged xis to dismount while our carriage was lifted round the cart. Our driver was coldly disgusted, but the driver of the ox-team preserved a calm as perfect as if he had been an hidalgo interested by the incident before his gate. It delayed us till the psychological moment when the funeral of the dean was over, and we could join the formidable party following the sacristan from chapel to chapel in the cathedral.
We came to an agonized consciousness of the misery of this progress in the Chapel of the Constable, where it threatened to be finally stayed by the indecision of certain ladies of our nation in choosing among the postal cards for sale there. By this time we had suffered much from the wonders of the cathedral. The sacristan had not spared us a jewel or a silvered or gilded sacerdotal garment or any precious vessel of ceremonial, so that our jaded wonder was inadequate to the demand of the beautiful tombs of the Constable and his lady upon it. The coffer of the Cid, fastened against the cathedral wall for a monument of his shrewdness in doing the Jews of Burgos, who, with the characteristic simplicity of their race, received it back full of sand and gravel in payment of the gold they had lent him in it, could as little move us. Perhaps if we could have believed that he finally did return the value received, we might have marveled a little at it, but from what we knew of the Cid this was not credible. We did what we could with the painted wood carving of the cloister doors; the life-size head of a man with its open mouth for a key-hole in another portal; a fearful silver-plated chariot given by a rich blind woman for bearing the Host in the procession of Corpus Christi; but it was very little, and I am not going to share my failure with the reader by the vain rehearsal of its details. No literary art has ever reported a sense of picture or architecture or sculpture to me: the despised postal card is better for that; and probably throughout these “trivial fond records” I shall be found shirking as much as I may the details of such sights, seen or unseen, as embitter the heart of travel with unavailing regret for the impossibility of remembering them. I must leave for some visit of the reader’s own the large and little facts of the many chapels in the cathedral at Burgos, and I will try to overwhelm him with my sense of the whole mighty interior, the rich gloom, the Gothic exaltation, which I made such shift as I could to feel in the company of those picture-postal amateurs. It was like, say, a somber afternoon, verging to the twilight of a cloudy sunset, so that when I came out of it into the open noon it was like emerging into a clear morrow. Perhaps because I could there shed the harassing human environment the outside of the cathedral seemed to me the best of it, and we lingered there for a moment in glad relief.
VII
One house in some forgotten square commemorates the state in