great advantage over ours, which in all probability will never speak.
Nature is not bizarre; but it is possible that she gave the Athenians a country and a sky more suitable than Westphalia and the Limousin for forming certain geniuses. Further, it is possible that the government of Athens, by seconding the climate, put into Demosthenes' head something that the air of Climart and La Grenouillère and the government of Cardinal de Richelieu did not put into the heads of Omer Talon and Jérome Bignon.
This dispute is therefore a question of fact. Was antiquity more fecund in great monuments of all kinds, up to the time of Plutarch, than modern centuries have been from the century of the Medicis up to Louis XIV. inclusive?
The Chinese, more than two hundred years before our era, constructed that great wall which was not able to save them from the invasion of the Tartars. The Egyptians, three thousand years before, had overloaded the earth with their astonishing pyramids, which had a base of about ninety thousand square feet. Nobody doubts that, if one wished to undertake to-day these useless works, one could easily succeed by a lavish expenditure of money. The great wall of China is a monument to fear; the pyramids are monuments to vanity and superstition. Both bear witness to a great patience in the peoples, but to no superior genius. Neither the Chinese nor the Egyptians would have been able to make even a statue such as those which our sculptors form to-day.
The chevalier Temple, who has made it his business to disparage all the moderns, claims that in architecture they have nothing comparable to the temples of Greece and Rome: but, for all that he is English, he must agree that the Church of St. Peter is incomparably more beautiful than the Capitol was.
It is curious with what assurance he maintains that there is nothing new in our astronomy, nothing in the knowledge of the human body, unless perhaps, he says, the circulation of the blood. Love of his own opinion, founded on his vast self-esteem, makes him forget the discovery of the satellites of Jupiter, of the five moons and the ring of Saturn, of the rotation of the sun on its axis, of the calculated position of three thousand stars, of the laws given by Kepler and Newton for the heavenly orbs, of the causes of the precession of the equinoxes, and of a hundred other pieces of knowledge of which the ancients did not suspect even the possibility.
The discoveries in anatomy are as great in number. A new universe in little, discovered by the microscope, was counted for nothing by the chevalier Temple; he closed his eyes to the marvels of his contemporaries, and opened them only to admire ancient ignorance.
He goes so far as to pity us for having nothing left of the magic of the Indians, the Chaldeans, the Egyptians; and by this magic he understands a profound knowledge of nature, whereby they produced miracles: but he does not cite one miracle, because in fact there never were any. "What has become," he asks, "of the charms of that music which so often enchanted man and beast, the fishes, the birds, the snakes, and changed their nature?"
This enemy of his century really believes the fable of Orpheus, and has not apparently heard either the beautiful music of Italy, or even that of France, which in truth does not charm snakes, but does charm the ears of connoisseurs.
What is still more strange is that, having all his life cultivated belles-lettres, he does not reason better about our good authors than about our philosophers. He looks on Rabelais as a great man. He cites the "Amours des Gaules" as one of our best works. He was, however, a scholar, a courtier, a man of much wit, an ambassador, a man who had reflected profoundly on all he had seen. He possessed great knowledge: a prejudice sufficed to spoil all this merit.
There are beauties in Euripides, and in Sophocles still more; but they have many more defects. One dares say that the beautiful scenes of Corneille and the touching tragedies of Racine surpass the tragedies of Sophocles and Euripides as much as these two Greeks surpass Thespis. Racine was quite conscious of his great superiority over Euripides; but he praised the Greek poet in order to humiliate Perrault.
Molière, in his good pieces, is as superior to the pure but cold Terence, and to the droll Aristophanes, as to Dancourt the buffoon.
There are therefore spheres in which the moderns are far superior to the ancients, and others, very few in number, in which we are their inferiors. It is to this that the whole dispute is reduced.
ANIMALS
What a pitiful, what a sorry thing to have said that animals are machines bereft of understanding and feeling, which perform their operations always in the same way, which learn nothing, perfect nothing, etc.!
What! that bird which makes its nest in a semi-circle when it is attaching it to a wall, which builds it in a quarter circle when it is in an angle, and in a circle upon a tree; that bird acts always in the same way? That hunting-dog which you have disciplined for three months, does it not know more at the end of this time than it knew before your lessons? Does the canary to which you teach a tune repeat it at once? do you not spend a considerable time in teaching it? have you not seen that it has made a mistake and that it corrects itself?
Is it because I speak to you, that you judge that I have feeling, memory, ideas? Well, I do not speak to you; you see me going home looking disconsolate, seeking a paper anxiously, opening the desk where I remember having shut it, finding it, reading it joyfully. You judge that I have experienced the feeling of distress and that of pleasure, that I have memory and understanding.
Bring the same judgment to bear on this dog which has lost its master, which has sought him on every road with sorrowful cries, which enters the house agitated, uneasy, which goes down the stairs, up the stairs, from room to room, which at last finds in his study the master it loves, and which shows him its joy by its cries of delight, by its leaps, by its caresses.
Barbarians seize this dog, which in friendship surpasses man so prodigiously; they nail it on a table, and they dissect it alive in order to show the mesenteric veins. You discover in it all the same organs of feeling that are in yourself. Answer me, machinist, has nature arranged all the means of feeling in this animal, so that it may not feel? has it nerves in order to be impassible? Do not suppose this impertinent contradiction in nature.
But the schoolmasters ask what the soul of animals is? I do not understand this question. A tree has the faculty of receiving in its fibres its sap which circulates, of unfolding the buds of its leaves and its fruit; will you ask what the soul of this tree is? it has received these gifts; the animal has received those of feeling, of memory, of a certain number of ideas. Who has bestowed these gifts? who has given these faculties? He who has made the grass of the fields to grow, and who makes the earth gravitate toward the sun.
"Animals' souls are substantial forms," said Aristotle, and after Aristotle, the Arab school, and after the Arab school, the angelical school, and after the angelical school, the Sorbonne, and after the Sorbonne, nobody at all.
"Animals' souls are material," cry other philosophers. These have not been in any better fortune than the others. In vain have they been asked what a material soul is; they have to admit that it is matter which has sensation: but what has given it this sensation? It is a material soul, that is to say that it is matter which gives sensation to matter; they cannot issue from this circle.
Listen to other brutes reasoning about the brutes; their soul is a spiritual soul which dies with the body; but what proof have you of it? what idea have you of this spiritual soul, which, in truth, has feeling, memory, and its measure of ideas and ingenuity; but which will never be able to know what a child of six knows? On what ground do you imagine that this being, which is not body, dies with the body? The greatest fools
