Nathaniel Hawthorne: 70+ Short Stories in One Edition. Nathaniel Hawthorne

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Nathaniel Hawthorne: 70+ Short Stories in One Edition - Nathaniel Hawthorne

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— not that they gape so long and wide, but so quickly close again.

      Almost repenting of his frolic, or whatever it may be termed, Wakefield lies down betimes, and, starting from his first nap, spreads forth his arms into the wide and solitary waste of the unaccustomed bed, “No,” thinks he, gathering the bedclothes about him; “I will not sleep alone another night.” In the morning he rises earlier than usual and sets himself to consider what he really means to do. Such are his loose and rambling modes of thought that he has taken this very singular step with the consciousness of a purpose, indeed, but without being able to define it sufficiently for his own contemplation. The vagueness of the project and the convulsive effort with which he plunges into the execution of it are equally characteristic of a feeble-minded man. Wakefield sifts his ideas, however, as minutely as he may, and finds himself curious to know the progress of matters at home — how his exemplary wife will endure her widowhood of a week, and, briefly, how the little sphere of creatures and circumstances in which he was a central object will be affected by his removal. A morbid vanity, therefore, lies nearest the bottom of the affair. But how is he to attain his ends? Not, certainly, by keeping close in this comfortable lodging, where, though he slept and awoke in the next street to his home, he is as effectually abroad as if the stage-coach had been whirling him away all night. Yet should he reappear, the whole project is knocked in the head. His poor brains being hopelessly puzzled with this dilemma, he at length ventures out, partly resolving to cross the head of the street and send one hasty glance toward his forsaken domicile. Habit — for he is a man of habits — takes him by the hand and guides him, wholly unaware, to his own door, where, just at the critical moment, he is aroused by the scraping of his foot upon the step. — Wakefield, whither are you going?

      At that instant his fate was turning on the pivot. Little dreaming of the doom to which his first backward step devotes him, he hurries away, breathless with agitation hitherto unfelt, and hardly dares turn his head at the distant corner. Can it be that nobody caught sight of him? Will not the whole household — the decent Mrs. Wakefield, the smart maid-servant and the dirty little footboy — raise a hue-and-cry through London streets in pursuit of their fugitive lord and master? Wonderful escape! He gathers courage to pause and look homeward, but is perplexed with a sense of change about the familiar edifice such as affects us all when, after a separation of months or years, we again see some hill or lake or work of art with which we were friends of old. In ordinary cases this indescribable impression is caused by the comparison and contrast between our imperfect reminiscences and the reality. In Wakefield the magic of a single night has wrought a similar transformation, because in that brief period a great moral change has been effected. But this is a secret from himself. Before leaving the spot he catches a far and momentary glimpse of his wife passing athwart the front window with her face turned toward the head of the street. The crafty nincompoop takes to his heels, scared with the idea that among a thousand such atoms of mortality her eye must have detected him. Right glad is his heart, though his brain be somewhat dizzy, when he finds himself by the coal-fire of his lodgings.

      So much for the commencement of this long whim-wham. After the initial conception and the stirring up of the man’s sluggish temperament to put it in practice, the whole matter evolves itself in a natural train. We may suppose him, as the result of deep deliberation, buying a new wig of reddish hair and selecting sundry garments, in a fashion unlike his customary suit of brown, from a Jew’s old-clothes bag. It is accomplished: Wakefield is another man. The new system being now established, a retrograde movement to the old would be almost as difficult as the step that placed him in his unparalleled position. Furthermore, he is rendered obstinate by a sulkiness occasionally incident to his temper and brought on at present by the inadequate sensation which he conceives to have been produced in the bosom of Mrs. Wakefield. He will not go back until she be frightened half to death. Well, twice or thrice has she passed before his sight, each time with a heavier step, a paler cheek and more anxious brow, and in the third week of his non-appearance he detects a portent of evil entering the house in the guise of an apothecary. Next day the knocker is muffled. Toward nightfall comes the chariot of a physician and deposits its big-wigged and solemn burden at Wakefield’s door, whence after a quarter of an hour’s visit he emerges, perchance the herald of a funeral. Dear woman! will she die?

      By this time Wakefield is excited to something like energy of feeling, but still lingers away from his wife’s bedside, pleading with his conscience that she must not be disturbed at such a juncture. If aught else restrains him, he does not know it. In the course of a few weeks she gradually recovers. The crisis is over; her heart is sad, perhaps, but quiet, and, let him return soon or late, it will never be feverish for him again. Such ideas glimmer through the mist of Wakefield’s mind and render him indistinctly conscious that an almost impassable gulf divides his hired apartment from his former home. “It is but in the next street,” he sometimes says. Fool! it is in another world. Hitherto he has put off’ his return from one particular day to another; henceforward he leaves the precise time undetermined — not tomorrow; probably next week; pretty soon. Poor man! The dead have nearly as much chance of revisiting their earthly homes as the self-banished Wakefield.

      Would that I had a folio to write, instead of an article of a dozen pages! Then might I exemplify how an influence beyond our control lays its strong hand on every deed which we do and weaves its consequences into an iron tissue of necessity.

      Wakefield is spellbound. We must leave him for ten years or so to haunt around his house without once crossing the threshold, and to be faithful to his wife with all the affection of which his heart is capable, while he is slowly fading out of hers. Long since, it must be remarked, he has lost the perception of singularity in his conduct.

      Now for a scene. Amid the throng of a London street we distinguish a man, now waxing elderly, with few characteristics to attract careless observers, yet bearing in his whole aspect the handwriting of no common fate for such as have the skill to read it. He is meagre; his low and narrow forehead is deeply wrinkled; his eyes, small and lustreless, sometimes wander apprehensively about him, but oftener seem to look inward. He bends his head and moves with an indescribable obliquity of gait, as if unwilling to display his full front to the world. Watch him long enough to see what we have described, and you will allow that circumstances — which often produce remarkable men from Nature’s ordinary handiwork — have produced one such here. Next, leaving him to sidle along the footwalk, cast your eyes in the opposite direction, where a portly female considerably in the wane of life, with a prayer-book in her hand, is proceeding to yonder church. She has the placid mien of settled widowhood. Her regrets have either died away or have become so essential to her heart that they would be poorly exchanged for joy. Just as the lean man and well-conditioned woman are passing a slight obstruction occurs and brings these two figures directly in contact. Their hands touch; the pressure of the crowd forces her bosom against his shoulder; they stand face to face, staring into each other’s eyes. After a ten years’ separation thus Wakefield meets his wife. The throng eddies away and carries them asunder. The sober widow, resuming her former pace, proceeds to church, but pauses in the portal and throws a perplexed glance along the street. She passes in, however, opening her prayer-book as she goes.

      And the man? With so wild a face that busy and selfish London stands to gaze after him he hurries to his lodgings, bolts the door and throws himself upon the bed. The latent feelings of years break out; his feeble mind acquires a brief energy from their strength; all the miserable strangeness of his life is revealed to him at a glance, and he cries out passionately, “Wakefield, Wakefield! You are mad!” Perhaps he was so. The singularity of his situation must have so moulded him to itself that, considered in regard to his fellow-creatures and the business of life, he could not be said to possess his right mind. He had contrived — or, rather, he had happened — to dissever himself from the world, to vanish, to give up his place and privileges with living men without being admitted among the dead. The life of a hermit is nowise parallel to his. He was in the bustle of the city as of old, but the crowd swept by and saw him not; he was, we may figuratively say, always beside his wife and at his hearth, yet must never feel the warmth of the one nor the affection of the other. It was Wakefield’s unprecedented fate to retain his original share of human sympathies

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