The Prelude to Adventure. Hugh Walpole
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He was perfectly friendly to every one, and it was curious that, with his air of contempt for the world in general, he had made no enemies. He wondered at that himself, on occasions; he had always been supposed, for instance, to be very good friends with Carfax. He had, of course, always hated Carfax—and now Carfax was dead.
The little crooked path soon left the dark wood and merged into the long white Cambridge road. The flat country was veiled in mist, only, like a lantern above a stone wall, the sun was red over the lower veils of white that rose from the sodden fields. Some trees started like spies along the road. Overhead, where the mists were faint, the sky showed the faintest of pale blue. The long road rang under Olva's step—it would be a frosty night.
When the little wood was now a black ball in the mist Olva was suddenly sick. He leant against one of the dark mysterious trees and was wretchedly, horribly ill. Slowly, then, the colour came back to his cheeks, his hands were once more steady, he could see again clearly. He addressed the strange world about him, the long flat fields, the hard white road, the orange sun. "That is the last time," he said aloud, "the last weakness."
He definitely braced himself to face life. There would not be much of it—to-morrow he would be arrested: meanwhile there should be no more of these illusions. There was, for instance, the illusion that the body was following him, bounding grotesquely along the hard road. He knew that again and again he turned his head to see whether anything were there, and the further the little wood was left behind the nearer did the body seem to be. He must not allow himself to think these things. Carfax was dead—Carfax was dead—Carfax was dead. It was a good thing that Carfax was dead. He had saved, he hoped, Rose Midgett—that at any rate he had done; it was a good thing for Rose Midgett that he had killed Carfax. He had, incidentally, no interest on his own account in Rose Midgett—he scarcely knew her by sight—but it was pleasant to think that she would be no longer worried. …
Then there was that question about God. Now the river appeared, darkly, dimly below the road, the reeds rising spire-like towards the faint blue sky. That question about God—Olva had never believed in any kind of a God. His father had defied God and the Devil time and again and had been none the worse for it. And yet—here and there about the world people lived and had their being to whom this question of God was a vital question; people like Bunning and his crowd—mad, the whole lot of them. Nevertheless there was something there that had great power. That had, until to-day, been Olva's attitude, an amused superior curiosity.
Now it was a larger question. There had been that moment after Carfax had fallen, a moment of intense silence, and in that moment something had spoken to Olva. It is a fact as sure as concrete, as though he himself could remember words and gesture. There had been Something there. …
Brushing this for an instant aside, he faced next the question of his arrest. There was no one, save his father, for whom he need think. He would send his father word saying—"I have killed a beast—fairly—in the open"—that would be all.
He would not be hanged—poison should see to that. Dunes had murdered, raped, tortured—never yet had they died on the gallows.
And now, for the first time, the suspicion crossed his mind that perhaps, after all, he might escape—escape, at any rate, that order of punishment. Here on this desolate road, he had met no living soul; the mists encompassed him and they had now swallowed the dripping wood and all that it contained. It had always been supposed that he was good friends with Carfax, as good friends as he allowed himself to be with any one. No one had known in which direction he would take his walk; he had come upon Carfax entirely by chance. It might quite naturally be supposed that some tramp had attempted robbery. To the world at large Olva could have had no possible motive. But, for the moment, these thoughts were dismissed. It seemed to him just now immaterial whether he lived or died. Life had not hitherto been so wonderful a discovery that the making of it had been entirely worth while. He had no tenor of disgrace; his father was his only court of appeal, and that old rocky sinner, sitting alone with his proud spirit and his grey hairs, in his northern fastness, hating and despising the world, would himself slay, had he the opportunity, as many men of the Carfax kind as he could find. He had no terror of pain—he did not know what that kind of fear was. The Dunes had always faced Death.
But he began, dimly, now to perceive that there were larger, crueller issues before him than these material punishments. He had known since he was a tiny child a picture by some Spanish painter, whose name he had forgotten, that had always hung on the wall of the passage opposite his bedroom. It was a large engraving in sharply contrasted black and white, of a knight who rode through mists along a climbing road up into the heart of towering hills. The mountains bad an active life in the picture; they seemed to crowd forward eager to swallow him. Beside the spectre horse that he rode there was no other life. The knight's face, white beneath his black helmet, was tired and worn. About him was the terror of loneliness.
From his earliest years this idea of loneliness had pleasantly seized upon Olva's mind. His father had always impressed upon him that the Dunes had ever been lonely—lonely in a world that was contemptible. He had always until now accepted this idea and found it confirmed on every side. His six years at Rugby had encouraged him—he had despised, with his tolerant smile, boys and masters alike; all insincere, all weak, all to be used, if he wanted them, as he chose to use them. He had thought often of the lonely knight—that indeed should be his attitude to the world.
But now, suddenly, as the scattered Cambridge houses with their dull yellow lights began to creep stealthily through the mist, upon the road, he knew for the first time that loneliness could be terrible. He was hurrying now, although he had not formerly been conscious of it, hurrying into the lights and comforts and noise of the town. There might only be for him now a night and day of freedom, but, during that time, he must not, he must not be alone. The patter of Bunker's feet beside him pleased him. Bunker was now a fact of great importance to him.
And now he could see further. He could see that he must always now, from the consciousness of the thing that he had done, he alone. The actual moment of striking his blow had put an impassable gulf between his soul and all the world. Bodies might touch, hands might be grasped, voices ring together, always now his soul must be alone. Only, that Something—of whose Presence he had been, in that instant, aware—could keep his company. They two … they two. …
The suburbs of Cambridge had closed about him. Those dreary little streets, empty as it seemed of all life, facing him sullenly with their sodden little yellow lamps, shivering, grumbling, he could fancy, in the chill of that November evening, eyed him with suspicion. He walked through them now, with his shoulders back, his head up. He could fancy how, to-morrow, their dull placidity would be wrung by the discovery of the crime. The little wood would fling its secret into the eager lap of these decrepit witches; they would crowd to their doors, chatter it, shout it, pull it to pieces. "Body of an Undergraduate … Body of an Undergraduate. … "
He turned out of their cold silence over the bridge that spanned the river, up the path that crossed the common into the heart of the town, Here, at once, he was in the hubbub. The little streets were mediaeval in their narrow space, in their cobbles, in the old black, fantastic walls that hung above them. Beauty, too, on this November evening, shone through the misty lamplight. Beauty in the dark