The Extra Day. Algernon Blackwood
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And it came about as follows:
Maria was a podgy child of marked individuality. It was said that she was seven years old, but she declared that eight was the figure, because some uncle or other had explained, "you're in your eighth year." Wandering uncles are troublesome in this kind of way. Every time her age was mentioned she corrected the informant. She had a trick of moving her eyes without moving her head, as though the round face was difficult to turn; but her big blue eyes slipped round without the least trouble, as though oiled. The performance gave her the sly and knowing aspect of a goblin, but she had no objection to that, for it saved her trouble, and to save herself trouble—according to nurses, Authorities, and the like—was her sole object in existence.
Yet this seemed a mistaken view of the child. It was not so much that she did not move unnecessarily as that it was not necessary for her to move at all, since she invariably found herself in the middle of whatever was going on. While life bustled anxiously about her, hurrying to accomplish various ends, she remained calm and contented at the centre, completely satisfied, mistress of it all. And her face was symbolic of her entire being; whereas so many faces seem unfinished, hers was complete—globular like the heavenly bodies, circular like the sun, arms and legs unnecessary. The best of everything came to her because she did not run after it. There was no hurry. Time did not worry her. Circular and self-sustaining, she already seemed to dwell in Eternity.
"And this little person," one of these inquisitive, interfering visitors would ask, smiling fatuously; "how old is she, I wonder?"
"Seven," was the answer of the Authority in charge.
Maria's eyes rolled sideways, and a little upwards. She looked at the foolish questioner; the Authority who had answered was not worth a glance.
"No," she said flatly, with sublime defiance, "I'm more. I'm in my eighth year, you see."
And the visitor, smiling that pleasant smile that makes children distrust, even dislike them, and probably venturing to pinch her cheek or pat her on the shoulder into the bargain, accepted the situation with another type of smile—the Smile-that-children-expect. As a matter of fact, children hate it. They see through its artificial humbug easily. They prefer a solemn and unsmiling face invariably. It's the latter that produces chocolates and sudden presents; it's the stern-faced sort that play hide-and-seek or stand on their heads. The Smilers are bored at heart. They mean to escape at the first opportunity. And the children never catch their sleeves or coattails to prevent them going.
"So you're in your eighth year, are you?" this Smiler chuckled with a foolish grin. He patted her cheek kindly. "Why, you're almost a grown-up person. You'll be going to dinner-parties soon." And he smiled again. Maria stood motionless and patient. Her eyes gazed straight before her. Her podgy face remained expressionless as dough.
"Answer the kind gentleman," said the Authority reprovingly.
Maria did not budge. A finger and thumb, both dirty, rolled a portion of her pinafore into a pointed thing like a string, distinctly black. She waited for the visitor to withdraw. But this particular visitor did not withdraw.
"I knew a little girl—" he began, with a condescending grin that meant that her rejection of his advances had offended him, "a little girl of about your age, who—"
But the remainder of the rebuke-concealed-in-a-story was heard only by the Authority. For Maria, relentless and unhumbugged, merely walked away. In the hall she discovered Tim, discreetly hiding. "What's he come for?" the brother inquired promptly, jerking his thumb towards the hall.
Maria's eyes just looked at him.
"To see Mother, I suppose," he answered himself, accustomed to his sister's goblin manners, "and talk about missions and subshkiptions, and all that. Did he give you anything?"
"No, nothing."
"Did he call us bonny little ones?" His face mentioned that he could kill if necessary, or if his sister's honour required it.
"He didn't say it."
"Lucky for him," exclaimed Tim gallantly, rubbing his nose with the palm of his hand and snorting loudly. "What did he say, then—the old Smiler?"
"He said," replied Maria, moving her head as well as her eyes, "that I wasn't really old, and that he knew another little girl who was nicer than me, and always told the truth, and—"
"Oh, come on," cried Tim, impatiently interrupting. "My trains are going in the schoolroom, and I want a driver for an accident. We'll put the Smiler in the luggage van, and he'll get smashed in the collision, and all the wheels will go over his head. Then he'll find out how old you really are. We'll fairly smash him."
They disappeared. Judy, who was reading a book on the Apocalypse, in a corner of the room, looked up a moment as they entered.
"What's up?" she asked, her mind a little dazed by the change of focus from stars, scarlet women, white horses, and mysterious "Voices," to dull practical details of everyday existence. "What's on?" she repeated.
"Trains," replied Tim. "We're going to have an accident and kill a man dead."
"What's he done?" she inquired.
"Humbugged Maria with a lot of stuff—and gave her nothing—and didn't believe a single word she told him."
Judy glanced without much interest at the railway laid out upon the floor, murmured "Oh, I see," and resumed her reading of the wonderful book she had purloined from the top shelf of a neglected bookcase outside the gun-room. It absorbed her. She loved the tremendous words, the atmosphere of marvel and disaster, and especially the constant suggestion that the end of the world was near. Antichrist she simply adored. No other hero in any book she knew came near him.
"Come and help," urged Tim, picking up an engine that lay upon its side. "Come on."
"No, thanks. I've got an Apocalypse. It's simply frightfully exciting."
"Shall we break both legs?" asked Maria blandly, "or just his neck?"
"Neck," said Tim briefly. "Only they must find the heart beneath the rubbish of the luggage van."
Judy looked up in spite of herself. "Who is it?" she inquired, with an air of weighing conflicting interests.
"Mr. Jinks." It was Maria who supplied the information.
"But he's Daddy's offiss-partner man," Judy objected, though without much vim or heat.
Maria did not answer. Her eyes were glued upon the other engine.
"All black and burnt and—full of the very horridest diseases," put in Tim, referring to the heart of the destroyed Mr. Jinks beneath the engine.
He glanced up enticingly at his elder sister, whom he longed to draw into the vindictive holocaust.
"He said things to Maria," he explained persuasively, "and it's not the first time either. Last Sunday he called me 'his little man,' and he's never given me a single thing since ever I can remember, years and years ago."
Then