for the greater part of its time, ran placidly along, as we see by these two pen-and-ink sketches, taken at Battle Bridge. [19] But, occasionally, it forgot its good manners, and overflowed its banks, flooding portions of Kentish Town, Somers Town, and Battle Bridge, as we read in the Gentlemans Magazine, vol. lxxxviii. part i. p. 462, Saturday, May 9, 1818:—
"From the heavy rain, which commenced yesterday afternoon at six o'clock, and continued pouring incessantly till four this morning, Battle Bridge, St. Pancras, and part of Somers Town were inundated. The water was several feet deep in many of the houses, and covered an extent of upwards of a mile. The carcases of several sheep and goats were found near Hampstead Reservoir, and property was damaged to a very considerable amount."
BATTLE BRIDGE.
There must have been a Mill here, for Stow tells us that in the reign of Edward VI. "A Miller of Battaile Bridge was set on the Pillory in Cheape, and had both his eares cut off, for seditious words by him spoken against the Duke of Somerset."
BATTLE BRIDGE.
Here, as elsewhere, just outside London, the road was not too safe for travellers, as the following account of a highway robbery will show. It was committed by one John Everett, whose career in life had been rather chequered. As an apprentice he ran away, and enlisted in Flanders, rising to the rank of sergeant. When the troops returned, he purchased his discharge, and got a situation in the Whitechapel Debtors' Court, but had to leave it, and he became a companion of thieves, against whom he turned king's evidence. He got into debt, and was locked up in the Fleet Prison, but was allowed to reside within the Rules, a district round about the prison, out of which no prisoner might wander; and there, in the Old Bailey, he kept a public-house. But he could not keep away from evil doing, and was sent to Newgate. On the expiration of his sentence, he turned highwayman. In the course of his professional career he, on December 24, 1730, stopped a Coach at Battle Bridge, which coach contained two ladies, a child, and a maidservant, and he despoiled them, but not uncivilly. The husband of one of the ladies coming up, pursued him, and next day he was caught. It was not then, any more than it is now, that every rogue got his deserts, but this one did, for he was hanged at Tyburn, February 20, 1731.
The name of "Battle Bridge" is well-nigh forgotten, and "King's Cross" reigns in its stead. Yet how few Londoners of the present generation know whence the name is derived! If they ever trouble their heads about it at all, they probably imagine that it was a cross, like the Eleanor Crosses, raised to the memory of some king.
And what king, think you, was it intended to keep in perpetual remembrance? None other than his Most Gracious Majesty King George the Fourth, of pious memory. Why this monument was raised I have never been able to learn, unless it was to celebrate his death, which took place in 1830, and probably to hold up his many virtues, as bright exemplars, to ages yet unborn; but a mad fit came over the inhabitants of Battle Bridge, and the hideous structure arose. It was all shoddy; in the form of an octagon building ornamented with pilasters, all substantially built of brick, and covered over with compo or cement, in order to render it more enduring. It was used as a police-station, and afterwards as a public-house, whilst the pediment of the statue was utilized as a camera obscura. I don't think they knew exactly what they were about, for one party wanted it to be called Boadicea's Cross, another went in for it being nationally named St. George's Cross; but the goodness of the late king was more popular, and carried the day, and we now enjoy the nominis umbra of King's Cross, instead of the old cognomen of Battle Bridge. It had a very brief existence. It was built between 1830 and 1835, and was demolished in 1845; the stucco statue only having been in situ for ten years. It is said that the nose of this regal statue had, for its base, an earthen draining tile, and that it was offered to a gentleman for sixpence!
There hardly seems to be any connection between "the first gentleman in Europe" and dustmen, but there is a slight link. Battle Bridge was peculiarly the home of the necessary dustman, and in a song called "The Literary Dustman," commencing—
"They call me Adam Bell, 'tis clear
That Adam vos the fust man,
And by a co-in-side-ance queer
Vy I'm the fust of dustmen,"
is the following verse:—
"Great sculptors all conwarse wi' me,
And call my taste divine, sirs,
King George's statty at King's Cross,
Vos built from my design, sirs."
Close by here, in Gray's Inn Road, was a mountain of refuse and dust; but it was as profitable as were the heaps of Mr. Boffin in Charles Dickens's "Our Mutual Friend." This mound once had a curious clearance, so it is said. It was bought in its entirety, and sent over to Russia, to help make bricks to rebuild Moscow; and the ground on which it stood was, in 1826, sold to a Company for £15,000.
DUST HEAP AT BATTLE BRIDGE.
"My dawning Genus fust did peep,
Near Battle Bridge,'tis plain, sirs:
You recollect the cinder heap,
Vot stood in Gray's Inn Lane, sirs?"
Let us turn to a sweeter subject, and gossip about St. Chad's Well, the site of which is now occupied by the Metropolitan Railway at King's Cross. St. Chad is a saint in the English calendar, and might have been a distinguished temperance leader, if the number of wells dedicated to him, is any criterion. He lived in the seventh century, and was educated at Lindisfarne (at least so Bede says), and afterwards became Bishop of Lichfield, and, at his death, his soul is said to have been accompanied to heaven by angels and sweet music.
A good modern account is given in Hone's "Every Day Book," vol. i. pp. 323, 4, 5, which, as it was taken from actual observation about fifty years since, may well be transcribed. Speaking of the aforesaid dust-heap he says:—
"Opposite to this unsightly site, and on the right hand side of the road, is an anglewise faded inscription—
"It stands, or rather dejects, over an elderly pair of wooden gates, one whereof opens on a scene which the unaccustomed eye may take for the pleasure-ground of Giant Despair. Trees stand as if made not to vegetate, clipped hedges seem unwilling to decline, and nameless weeds straggle weakly upon unlimited borders. If you look upwards you perceive, painted on an octagon board, 'Health restored and preserved.' Further on, towards the left, stands a low, old-fashioned, comfortable-looking, large-windowed dwelling, and, ten to one, but there also stands at the open door, an ancient ailing female, in a black bonnet, a clean, coloured cotton gown, and a check apron, her silver hair only in part tucked beneath the narrow border of a frilled cap, with a sedate and patient, yet somewhat inquiring look. She gratuitously tells you that 'the gardens' of 'St. Chad's Well' are for 'Circulation' by paying for the waters, of which you may drink as much, or as little,
