wound round with a white satin ribbon adorned with gold fringe. In the morning Monsieur Grandet, following his usual custom on the days that commemorated the birth and the fete of Eugenie, went to her bedside and solemnly presented her with his paternal gift,—which for the last thirteen years had consisted regularly of a curious gold-piece. Madame Grandet gave her daughter a winter dress or a summer dress, as the case might be. These two dresses and the gold-pieces, of which she received two others on New Year’s day and on her father’s fete-day, gave Eugenie a little revenue of a hundred crowns or thereabouts, which Grandet loved to see her amass. Was it not putting his money from one strong-box to another, and, as it were, training the parsimony of his heiress? from whom he sometimes demanded an account of her treasure (formerly increased by the gifts of the Bertellieres), saying: “It is to be your marriage dozen.”
The “marriage dozen” is an old custom sacredly preserved and still in force in many parts of central France. In Berry and in Anjou, when a young girl marries, her family, or that of the husband, must give her a purse, in which they place, according to their means, twelve pieces, or twelve dozen pieces, or twelve hundred pieces of gold. The poorest shepherd-girl never marries without her dozen, be it only a dozen coppers. They still tell in Issoudun of a certain “dozen” presented to a rich heiress, which contained a hundred and forty-four portugaises d’or. Pope Clement VII., uncle of Catherine de’ Medici, gave her when he married her to Henri II. a dozen antique gold medals of priceless value.
During dinner the father, delighted to see his Eugenie looking well in a new gown, exclaimed: “As it is Eugenie’s birthday let us have a fire; it will be a good omen.”
“Mademoiselle will be married this year, that’s certain,” said la Grande Nanon, carrying away the remains of the goose,—the pheasant of tradesmen.
“I don’t see any one suitable for her in Saumur,” said Madame Grandet, glancing at her husband with a timid look which, considering her years, revealed the conjugal slavery under which the poor woman languished.
Grandet looked at his daughter and exclaimed gaily,—
“She is twenty-three years old to-day, the child; we must soon begin to think of it.”
Eugenie and her mother silently exchanged a glance of intelligence.
Madame Grandet was a dry, thin woman, as yellow as a quince, awkward, slow, one of those women who are born to be down-trodden. She had big bones, a big nose, a big forehead, big eyes, and presented at first sight a vague resemblance to those mealy fruits that have neither savor nor succulence. Her teeth were black and few in number, her mouth was wrinkled, her chin long and pointed. She was an excellent woman, a true la Bertelliere. L’abbe Cruchot found occasional opportunity to tell her that she had not done ill; and she believed him. Angelic sweetness, the resignation of an insect tortured by children, a rare piety, a good heart, an unalterable equanimity of soul, made her universally pitied and respected. Her husband never gave her more than six francs at a time for her personal expenses. Ridiculous as it may seem, this woman, who by her own fortune and her various inheritances brought Pere Grandet more than three hundred thousand francs, had always felt so profoundly humiliated by her dependence and the slavery in which she lived, against which the gentleness of her spirit prevented her from revolting, that she had never asked for one penny or made a single remark on the deeds which Maitre Cruchot brought for her signature. This foolish secret pride, this nobility of soul perpetually misunderstood and wounded by Grandet, ruled the whole conduct of the wife.
Madame Grandet was attired habitually in a gown of greenish levantine silk, endeavoring to make it last nearly a year; with it she wore a large kerchief of white cotton cloth, a bonnet made of plaited straws sewn together, and almost always a black-silk apron. As she seldom left the house she wore out very few shoes. She never asked anything for herself. Grandet, seized with occasional remorse when he remembered how long a time had elapsed since he gave her the last six francs, always stipulated for the “wife’s pin-money” when he sold his yearly vintage. The four or five louis presented by the Belgian or the Dutchman who purchased the wine were the chief visible signs of Madame Grandet’s annual revenues. But after she had received the five louis, her husband would often say to her, as though their purse were held in common: “Can you lend me a few sous?” and the poor woman, glad to be able to do something for a man whom her confessor held up to her as her lord and master, returned him in the course of the winter several crowns out of the “pin-money.” When Grandet drew from his pocket the five-franc piece which he allowed monthly for the minor expenses,—thread, needles, and toilet,—of his daughter, he never failed to say as he buttoned his breeches’ pocket: “And you, mother, do you want anything?”
“My friend,” Madame Grandet would answer, moved by a sense of maternal dignity, “we will see about that later.”
Wasted dignity! Grandet thought himself very generous to his wife. Philosophers who meet the like of Nanon, of Madame Grandet, of Eugenie, have surely a right to say that irony is at the bottom of the ways of Providence.
After the dinner at which for the first time allusion had been made to Eugenie’s marriage, Nanon went to fetch a bottle of black-currant ratafia from Monsieur Grandet’s bed-chamber, and nearly fell as she came down the stairs.
“You great stupid!” said her master; “are you going to tumble about like other people, hey?”
“Monsieur, it was that step on your staircase which has given way.”
“She is right,” said Madame Grandet; “it ought to have been mended long ago. Yesterday Eugenie nearly twisted her ankle.”
“Here,” said Grandet to Nanon, seeing that she looked quite pale, “as it is Eugenie’s birthday, and you came near falling, take a little glass of ratafia to set you right.”
“Faith! I’ve earned it,” said Nanon; “most people would have broken the bottle; but I’d sooner have broken my elbow holding it up high.”
“Poor Nanon!” said Grandet, filling a glass.
“Did you hurt yourself?” asked Eugenie, looking kindly at her.
“No, I didn’t fall; I threw myself back on my haunches.”
“Well! as it is Eugenie’s birthday,” said Grandet, “I’ll have the step mended. You people don’t know how to set your foot in the corner where the wood is still firm.”
Grandet took the candle, leaving his wife, daughter, and servant without any other light than that from the hearth, where the flames were lively, and went into the bakehouse to fetch planks, nails, and tools.
“Can I help you?” cried Nanon, hearing him hammer on the stairs.
“No, no! I’m an old hand at it,” answered the former cooper.
At the moment when Grandet was mending his worm-eaten staircase and whistling with all his might, in remembrance of the days of his youth, the three Cruchots knocked at the door.
“Is it you, Monsieur Cruchot?” asked Nanon, peeping through the little grating.
“Yes,” answered the president.
Nanon opened the door, and the light from the hearth, reflected on the ceiling, enabled the three Cruchots to find their way into the room.
“Ha! you’ve come a-greeting,” said Nanon, smelling the flowers.
“Excuse me, messieurs,” cried Grandet, recognizing
