The Mark of Cain. Andrew Lang

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The Mark of Cain - Andrew Lang

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man would point out the secret hiding-room, and the passages leading on to the roof or into the next house, in case of a raid by the police. Such was the old idea of a “Hell;” but the advance of Thought has altered all these early notions. The Decade Club was like any other small club. A current of warm air, charged with tobacco-smoke, rushed forth into the frosty night when the swinging door was opened; a sleepy porter looked out of his little nest, and Cranley wrote the names of the companions he introduced in a book which was kept for that purpose.

      “Now you are free of the Cockpit for the night,” he said, genially. “It’s a livelier place, in the small hours, than that classical Olympic we’ve just left.”

      They went upstairs, passing the doors of one or two rooms, lit up but empty, except for two or three men who were sleeping in uncomfortable attitudes on sofas. The whole of the breadth of the first floor, all the drawing-room of the house before it became a club, had been turned into a card-room, from which brilliant lights, voices, and a heavy odor of tobacco and alcohol poured out when the door was opened. A long green baize-covered table, of very light wood, ran down the centre of the room, while refreshments stood on smaller tables, and a servant out of livery sat, half-asleep, behind a great desk in the remotest corner. There were several empty chairs round the green baize-covered table, at which some twenty men were sitting, with money before them; while one, in the middle, dealt out the cards on a broad flap of smooth black leather let into the baize. Every now and then he threw the cards he had been dealing into a kind of well in the table, and after every deal he raked up his winnings with a rake, or distributed gold and counters to the winners, as mechanically as if he had been a croupier at Monte Carlo. The players, who were all in evening dress, had scarcely looked up when the strangers entered the room.

      “Brought some recruits, Cranley?” asked the Banker, adding, as he looked at his hand, “J’en donne!” and becoming absorbed in his game again.

      “The game you do not understand?” said Cranley to one of his recruits.

      “Not quite,” said the lad, shaking his head.

      “All right; I will soon show you all about it; and I wouldn’t play, if I were you, till you know all about it. Perhaps, after you know all about it, you’ll think it wiser not to play at all At least, you might well think so abroad, where very fishy things are often done. Here it’s all right, of course.”

      “Is baccarat a game you can be cheated at, then—I mean, when people are inclined to cheat?”

      “Cheat! Oh, rather! There are about a dozen ways of cheating at baccarat.”

      The other young men from Maitland’s party gathered round their mentor, who continued his instructions in a low voice, and from a distance whence the play could be watched, while the players were not likely to be disturbed by the conversation.

      “Cheating is the simplest thing in the world, at Nice or in Paris,” Cranley went on; “but to show you how it is done, in case you ever do play in foreign parts, I must explain the game. You see the men first put down their stakes within the thin white line on the edge of the tabla Then the Banker deals two cards to one of the men on his left, and all the fellows on that side stand by his luck. Then he deals two to a chappie on his right, and all the punters on the right, back that sportsman. And he deals two cards to himself. The game is to get as near nine as possible, ten, and court cards, not counting at all. If the Banker has eight or nine, he does not offer cards; if he has less, he gives the two players, if they ask for them, one card each, and takes one himself if he chooses. If they hold six, seven, or eight, they stand; if less, they take a card. Sometimes one stands at five; it depends. Then the Banker wins if he is nearer nine than the players, and they win if they are better than he; and that’s the whole affair.”

      “I don’t see where the cheating can come in,” said one of the young fellows.

      “Dozens of ways, as I told you. A man may have an understanding with the waiter, and play with arranged packs; but the waiter is always the dangerous element in that little combination. He’s sure to peach or blackmail his accomplice. Then the cards may be marked. I remember, at Ostend, one fellow, a big German; he wore spectacles, like all Germans, and he seldom gave the players anything better than three court cards when he dealt One evening he was in awful luck, when he happened to go for his cigar-case, which he had left in the hall in his great-coat pocket. He laid down his spectacles on the table, and someone tried them on. As soon as he took up the cards he gave a start, and sang out, ‘Here’s a swindle! Nous sommes volés!’ He could see, by the help of the spectacles, that all the nines and court cards were marked; and the spectacles were regular patent double million magnifiers.”

      “And what became of the owner of the glasses?”

      “Oh, he just looked into the room, saw the man wearing them, and didn’t wait to say good-night. He just went!

      Here Cranley chuckled.

      “I remember another time, at Nice: I always laugh when I think of it! There was a little Frenchman who played nearly every night. He would take the bank for three or four turns, and he almost always won. Well, one night he had been at the theatre, and he left before the end of the piece and looked in at the Cercle. He took the Bank: lost once, won twice; then he offered cards. The man who was playing nodded, to show he would take one, and the Frenchman laid down an eight of clubs, a greasy, dirty old rag, with théâtre français de nice stamped on it in big letters. It was his ticket of readmission at the theatre that they gave him when he went out, and it had got mixed up with a nice little arrangement in cards he had managed to smuggle into the club pack. I’ll never forget his face and the other man’s when Théâtre Français turned up. However, you understand the game now, and if you want to play, we had better give fine gold to the waiter in exchange for bone counters, and get to work.”

      Two or three of the visitors followed Cranley to the corner where the white, dissipated-looking waiter of the card-room sat, and provided themselves with black and red jetons (bone counters) of various values, to be redeemed at the end of the game.

      When they returned to the table the banker was just leaving his post.

      “I’m cleaned out,” said he, “décavé. Good-night,” and he walked away.

      No one seemed anxious to open a bank. The punters had been winning all night, and did not like to desert their luck.

      “Oh, this will never do,” cried Cranley. “If no one else will open a bank, I’ll risk a couple of hundred, just to show you beginners how it is done!”

      Cranley sat down, lit a cigarette, and laid the smooth silver cigarette-case before him. Then he began to deal.

      Fortune at first was all on the side of the players. Again and again Cranley chucked out the counters he had lost, which the others gathered in, or pushed three or four bank-notes with his little rake in the direction of a more venturesome winner. The new-comers, who were winning, thought they had never taken part in a sport more gentlemanly and amusing.

      “I must have one shy,” said Martin, one of the boys who had hitherto stood with Barton, behind the Banker, looking on. He was a gaudy youth with a diamond stud, rich, and not fond of losing. He staked five pounds and won; he left the whole sum on and lost, lost again, a third time, and then said, “May I draw a cheque?”

      “Of course you may,” Cranley answered. “The waiter will give you tout ce qu’il faut pour écrire, as the stage directions say; but I don’t advise you to plunge. You’ve lost quite enough. Yet they say the

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