The Complete Novels - 9 Books in One Edition. Virginia Woolf

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The Complete Novels - 9 Books in One Edition - Virginia Woolf

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the lassitude of her body, went on perversely, conjuring up visions of solitude and quiet, and she pictured herself laying aside her knitting and walking out on to the down, and hearing nothing but the sheep cropping the grass close to the roots, while the shadows of the little trees moved very slightly this way and that in the moonlight, as the breeze went through them. But she was perfectly conscious of her present situation, and derived some pleasure from the reflection that she could rejoice equally in solitude, and in the presence of the many very different people who were now making their way, by divers paths, across London to the spot where she was sitting.

      As she ran her needle in and out of the wool, she thought of the various stages in her own life which made her present position seem the culmination of successive miracles. She thought of her clerical father in his country parsonage, and of her mother’s death, and of her own determination to obtain education, and of her college life, which had merged, not so very long ago, in the wonderful maze of London, which still seemed to her, in spite of her constitutional level-headedness, like a vast electric light, casting radiance upon the myriads of men and women who crowded round it. And here she was at the very center of it all, that center which was constantly in the minds of people in remote Canadian forests and on the plains of India, when their thoughts turned to England. The nine mellow strokes, by which she was now apprised of the hour, were a message from the great clock at Westminster itself. As the last of them died away, there was a firm knocking on her own door, and she rose and opened it. She returned to the room, with a look of steady pleasure in her eyes, and she was talking to Ralph Denham, who followed her.

      “Alone?” he said, as if he were pleasantly surprised by that fact.

      “I am sometimes alone,” she replied.

      “But you expect a great many people,” he added, looking round him. “It’s like a room on the stage. Who is it to-night?”

      “William Rodney, upon the Elizabethan use of metaphor. I expect a good solid paper, with plenty of quotations from the classics.”

      Ralph warmed his hands at the fire, which was flapping bravely in the grate, while Mary took up her stocking again.

      “I suppose you are the only woman in London who darns her own stockings,” he observed.

      “I’m only one of a great many thousands really,” she replied, “though I must admit that I was thinking myself very remarkable when you came in. And now that you’re here I don’t think myself remarkable at all. How horrid of you! But I’m afraid you’re much more remarkable than I am. You’ve done much more than I’ve done.”

      “If that’s your standard, you’ve nothing to be proud of,” said Ralph grimly.

      “Well, I must reflect with Emerson that it’s being and not doing that matters,” she continued.

      “Emerson?” Ralph exclaimed, with derision. “You don’t mean to say you read Emerson?”

      “Perhaps it wasn’t Emerson; but why shouldn’t I read Emerson?” she asked, with a tinge of anxiety.

      “There’s no reason that I know of. It’s the combination that’s odd—books and stockings. The combination is very odd.” But it seemed to recommend itself to him. Mary gave a little laugh, expressive of happiness, and the particular stitches that she was now putting into her work appeared to her to be done with singular grace and felicity. She held out the stocking and looked at it approvingly.

      “You always say that,” she said. “I assure you it’s a common ‘combination,’ as you call it, in the houses of the clergy. The only thing that’s odd about me is that I enjoy them both—Emerson and the stocking.”

      A knock was heard, and Ralph exclaimed:

      “Damn those people! I wish they weren’t coming!”

      “It’s only Mr. Turner, on the floor below,” said Mary, and she felt grateful to Mr. Turner for having alarmed Ralph, and for having given a false alarm.

      “Will there be a crowd?” Ralph asked, after a pause.

      “There’ll be the Morrises and the Crashaws, and Dick Osborne, and Septimus, and all that set. Katharine Hilbery is coming, by the way, so William Rodney told me.”

      “Katharine Hilbery!” Ralph exclaimed.

      “You know her?” Mary asked, with some surprise.

      “I went to a tea-party at her house.”

      Mary pressed him to tell her all about it, and Ralph was not at all unwilling to exhibit proofs of the extent of his knowledge. He described the scene with certain additions and exaggerations which interested Mary very much.

      “But, in spite of what you say, I do admire her,” she said. “I’ve only seen her once or twice, but she seems to me to be what one calls a ‘personality.’”

      “I didn’t mean to abuse her. I only felt that she wasn’t very sympathetic to me.”

      “They say she’s going to marry that queer creature Rodney.”

      “Marry Rodney? Then she must be more deluded than I thought her.”

      “Now that’s my door, all right,” Mary exclaimed, carefully putting her wools away, as a succession of knocks reverberated unnecessarily, accompanied by a sound of people stamping their feet and laughing. A moment later the room was full of young men and women, who came in with a peculiar look of expectation, exclaimed “Oh!” when they saw Denham, and then stood still, gaping rather foolishly.

      The room very soon contained between twenty and thirty people, who found seats for the most part upon the floor, occupying the mattresses, and hunching themselves together into triangular shapes. They were all young and some of them seemed to make a protest by their hair and dress, and something somber and truculent in the expression of their faces, against the more normal type, who would have passed unnoticed in an omnibus or an underground railway. It was notable that the talk was confined to groups, and was, at first, entirely spasmodic in character, and muttered in undertones as if the speakers were suspicious of their fellow-guests.

      Katharine Hilbery came in rather late, and took up a position on the floor, with her back against the wall. She looked round quickly, recognized about half a dozen people, to whom she nodded, but failed to see Ralph, or, if so, had already forgotten to attach any name to him. But in a second these heterogeneous elements were all united by the voice of Mr. Rodney, who suddenly strode up to the table, and began very rapidly in high-strained tones:

      “In undertaking to speak of the Elizabethan use of metaphor in poetry—”

      All the different heads swung slightly or steadied themselves into a position in which they could gaze straight at the speaker’s face, and the same rather solemn expression was visible on all of them. But, at the same time, even the faces that were most exposed to view, and therefore most tautly under control, disclosed a sudden impulsive tremor which, unless directly checked, would have developed into an outburst of laughter. The first sight of Mr. Rodney was irresistibly ludicrous. He was very red in the face, whether from the cool November night or nervousness, and every movement, from the way he wrung his hands to the way he jerked his head to right and left, as though a vision drew him now to the door, now to the window, bespoke his horrible discomfort under the stare of so many eyes. He was scrupulously well dressed, and a pearl in the center of his tie seemed to give him a touch of aristocratic opulence. But the rather prominent eyes

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