The Complete Charlie Chan Series – All 6 Mystery Novels in One Edition. Earl Derr Biggers

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The Complete Charlie Chan Series – All 6 Mystery Novels in One Edition - Earl Derr Biggers

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the islands?"

      A light shone in the narrow eyes of Kee Lim. "For a moment, no," he replied. "Since you come in the garb of a foreign devil, and knock on my door with the knuckles, as rude foreign devils do. A thousand welcomes. Deign to enter my contemptible house."

      Still smiling, the little detective went inside. The room was anything but contemptible, as he saw at once. It was rich with tapestries of Hang-chiu silk, the furniture was of teakwood, elaborately carved. Fresh flowers bloomed before the ancestral shrine, and everywhere were Chinese lilies, the pale, pungent sui-sin-fah, a symbol of the dawning year. On the mantel, beside a tiny Buddha of Ningpo wood, an American alarm clock ticked noisily.

      "Please sit in this wretched chair," Kee Lim said. "You arrive unexpectedly as August rain. But I am happy to see you." He clapped his hands and a woman entered. "My wife, Chan So," the host explained. "Bring rice cakes, and my Dew of Roses wine," he ordered.

      He sat down opposite Charlie Chan, and regarded him across a teakwood table on which were sprays of fresh almond blossoms. "There was no news of your coming," he remarked.

      Chan shrugged. "No. It was better so. I come on a mission. On business," he added, in his best Rotary Club manner.

      Kee Lim's eyes narrowed. "Yes—I have heard of your business," he said.

      The detective was slightly uncomfortable. "You do not approve?" he ventured.

      "It is too much to say that I do not approve," Kee Lim returned. "But I do not quite understand. The foreign devil police—what has a Chinese in common with them?"

      Charlie smiled. "There are times, honorable cousin," he admitted, "when I do not quite understand myself."

      The reed curtains at the rear parted, and a girl came into the room. Her eyes were dark and bright; her face pretty as a doll's. Tonight, in deference to the holiday, she wore the silken trousers and embroidered jacket of her people, but her hair was bobbed and her walk, her gestures, her whole manner all too obviously copied from her American sisters. She carried a tray piled high with New Year delicacies.

      "My daughter, Rose," Kee Lim announced. "Behold, our famous cousin from Hawaii." He turned to Charlie then. "She, too, would be an American, insolent as the daughters of the foolish white men."

      The girl laughed. "Why not? I was born here. I went to American grammar schools. And now I work American fashion."

      "Work?" repeated Charlie, with interest.

      "The Classics of Girlhood are forgotten," explained Kee Lim. "All day she sits in the Chinatown telephone exchange, shamelessly talking to a wall of teakwood that flashes red and yellow eyes."

      "Is that so terrible?" asked the girl, with a laughing glance at her cousin.

      "A most interesting labor," surmised Charlie.

      "I'll tell the world it is," answered the girl in English, and went out. A moment later she returned with a battered old wine jug. Into Swatow bowls she poured two hot libations—then, taking a seat on the far side of the room, she gazed curiously at this notable relative from across the seas. Once she had read of his exploits in the San Francisco papers.

      For an hour or more Chan sat, talking with his cousin of the distant days when they were children in China. Finally he glanced toward the mantel. "Does that clock speak the truth?" he asked.

      Kee Lim shrugged. "It is a foreign devil clock," he said. "And therefore a great liar."

      Chan consulted his watch. "With the keenest regret," he announced, "I find I must walk my way. Tonight my business carries me far from here—to the desert that lies in the south. I have had the presumption, honest and industrious cousin, to direct my wife to send to your house any letters of importance addressed to me. Should a message arrive in my absence, you will be good enough to hold it here awaiting my return. In a few days, at most, I will walk this way again. Meanwhile I go beyond the reach of messengers."

      The girl rose and came forward. "Even on the desert," she said, "there are telephones."

      Charlie looked at her with sudden interest. "On the desert," he repeated.

      "Most assuredly. Only two days ago I had a long distance call for a ranch near Eldorado. A ranch named—but I do not remember."

      "Perhaps—the ranch of Madden," said Chan hopefully.

      She nodded. "Yes—that was the name. It was a most unusual call."

      "And it came from Chinatown?"

      "Of course. From the bowl shop of Wong Ching, in Jackson Street. He desired to speak to his relative, Louie Wong, caretaker on Madden's Ranch. The number. Eldorado 76."

      Chan dissembled his eagerness, but his heart was beating faster. He was of the foreign devil police now. "Perhaps you heard what was said?"

      "Louie Wong must come to San Francisco at once. Much money and a fine position awaited him here—"

      "Haie!" cut in Kee Lim. "It is not fitting that you reveal thus the secrets of your white devil profession. Even to one of the family of Chan."

      "You are right, ever wise cousin," Charlie agreed. He turned to the girl. "You and I, little blossom, will meet again. Even though the desert has telephones, I am beyond reach there. Now, to my great regret, I must go."

      Kee Lim followed him to the door. He stood there on the reed mat, stroking his thin beard and blinking. "Farewell, notable cousin. On that long journey of yours upon which you now set out—walk slowly."

      "Farewell," Charlie answered. "All my good wishes for happiness in the new year." Suddenly he found himself speaking English. "See you later," he called, and hurried down the stairs.

      Once in the street, however, he obeyed his cousin's parting injunction, and walked slowly indeed. A startling bit of news, this, from Rose, the telephone operator. Louie Wong was wanted in San Francisco—wanted by his relative Wong Ching, the bowl merchant. Why?

      An old Chinese on a corner directed him to Jackson Street, and he climbed its steep sidewalk until he reached the shop of Wong Ching. The brightly lighted window was filled with Swatow cups and bowls, a rather beautiful display, but evidently during this holiday season the place was not open for business, for the curtains on the door were drawn. Chan rattled the latch for a full minute, but no one came.

      He crossed the street, and took up a post in a dark doorway opposite. Sooner or later his summons would be answered. On a near-by balcony a Chinese orchestra was playing, the whanging flute, the shrill plink of the moon-kwan, the rasping cymbals and the drums filled the night with a blissful dissonance. Presently the musicians ceased, the din died away, and Chan heard only the click of American heels and the stealthy swish of felt slippers passing his hiding place.

      In about ten minutes the door of Wong Ching's shop opened and a man came out. He stood looking cautiously up and down the dim street. A thin man in an overcoat which was buttoned close about him—a chilly-seeming man. His hat was low over his eyes, and as a further means of deceit he wore dark spectacles. Charlie Chan permitted a faint flash of interest to cross his chubby face.

      The chilly man walked briskly down the hill, and stepping quickly from the doorway, Chan followed at a distance. They emerged into Grant Avenue; the dark-spectacled one turned to the right. Still Chan followed; this was child's play

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